A Z Writers Character Quirks

Inside, bestselling author of Pimp My Fiction, Paula Wynne explains a few major uses for character habits and quirks: * Bringing Characters to Life with Quirks and Habits * Identifying Characters * Defining Character * Creating Conflict * ...

Author: Paula Wynne

Publisher: Createspace Independent Publishing Platform

ISBN: 1530622026

Category:

Page: 138

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Creating real fictional character is one of the most important steps in writing a novel. When you write a novel, the first thing to learn is how to create fictional characters, from heroes and heroines, to baddies and villains and other minor characters. Without a compelling character you don't have a story! Whether they will be an animated object, toy or animal, a monster, alien or fantasy fabrication or real human beings, they need to be fully developed with emotions, flaws, hurts and habits or quirks. But even if a writer creates an archetype character, a fictional person from a star sign, or a hero or heroine from the enneagram types, they must end up being a character with personality. You have to give them unique traits and characteristic to make them real and not a walking cardboard. After you've started with a basic character and then added 'real flesh' to your character's bones with different personality traits and emotions, you'll need to put a lot of thought, research and time into developing a fully-fledged individual. Another way to ensure your characters are like real people is to give them habits and quirks. One of the hardest and most satisfying parts of writing is making your characters fully alive so your readers can recognise them, visualise them, believe in them and care about them. And worry about them so much that they keep turning the pages to see what happens to the character and how they cope with the plots twists thrown at them. Of course, this requires careful use of story events, flashbacks, memories and dialogue. Along with disorders, traits, past hurts and personality flaws, it's also helpful to flesh characters out with distinctive quirks and habits to make them memorable and distinctive. Don't Just Create A Character ~ Create A Memorable Fictional Person Quirks and habits serve several purposes in fiction. Inside, bestselling author of Pimp My Fiction, Paula Wynne explains a few major uses for character habits and quirks: * Bringing Characters to Life with Quirks and Habits * Identifying Characters * Defining Character * Creating Conflict * Habits and Quirk Shifts As part of the Writers' Resource Series, the A~Z of Writers's Character Quirks will give you a long list of Behaviours, Foibles, Habits, Mannerisms & Quirks in easy to find alphabetical order to help you create memorable fictional characters.

Writing Diverse Characters For Fiction TV or Film

But when it comes to actually writing diverse characters and stories, nothing beats talking to REAL, actual people! Here are some things to consider when tracking down people and their stories, whether you're writing a biography, ...

Author: Lucy V. Hay

Publisher: Oldcastle Books Ltd

ISBN: 9780857301185

Category: Performing Arts

Page: 208

View: 606

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We're living in a time of unprecedented diversity in produced media content, with more characters appearing who are Black, Asian and Minority Ethnic (BAME), Lesbian, Gay, Bisexual and Transgender (LGBT), disabled, or from other religions or classes. What's more, these characters are increasingly appearing in genre pieces, accessible to the mainstream, instead of being hidden away in so-called 'worthier' pieces, as in the past. How to Write Diverse Characters discusses issues of race, disability, sexuality and transgender people with specific reference to characterisation - not only in movies and TV, but also novel writing. Taking in blockbuster movies such as Mad Max Fury Road, Russell T Davies' ground-breaking TV series Cucumber and and the controversial novel Gone Girl, the book explores: - How character role function really works - What is the difference between stereotype and archetype? - Why 'trope' does not mean what Twitter and Tumblr think it means - How the burden of casting affects both box office and audience perception - Why diversity is not about agendas, buzzwords or being 'politically correct' - What authenticity truly means and why research is so important - Why variety is key in ensuring true diversity in characterisation Writers have to catch up. Knowing not only what makes a 'good' diverse character doesn't always cut it; they need to know what agents, publishers, producers, filmmakers and commissioners are looking for - and why. This book gives writers the tools to create three dimensional, authentic characters ... who just happen to be diverse. 'A timely guide to creating original characters and reinvigorating tired storylines' - Debbie Moon, creator and showrunner, Wolfblood (BBC) 'Lucy V. Hay nails it' - Stephen Volk, BAFTA-winning screenwriter: Ghostwatch, Afterlife, The Awakening 'Packed with practical and inspirational insights' - Karol Griffiths, development consultant and script editor, clients include ITV, BBC, Warner Brothers

The Complete Idiot s Guide to Writing a Novel 2nd Edition

Make Your Dream of Writing a Novel Come True Tom Monteleone. People you know. ... You can learn a lot about human behavior by seriously studying the real characters in your life. Historical and pop culture figures.

Author: Tom Monteleone

Publisher: Penguin

ISBN: 9781101198117

Category: Language Arts & Disciplines

Page: 384

View: 776

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A completely updated guide for first-time novelists. Completely revised to include new interviews with best-selling authors; more detailed information on writing genre fiction from paranormal romance to cozy mysteries; and everything a writer needs to know about self-publishing and eBooks to get started. The Complete Idiot's Guide® to Writing a Novel, Second Edition, is an indispensable reference on how to write and publish a first novel. ?Expert author with over thirty published novels ?Includes interviews with new best-selling novelists ?Features new material on writing genre fiction and self-publishing

Teaching Creative Writing to Second Language Learners

My students' writing journals often express serious doubts about their own characters, wondering if any of their ... students can have confidence in their characters and believe they are someone real who deserves a story of their own.

Author: Ryan Thorpe

Publisher: Routledge

ISBN: 9781000467406

Category: Education

Page: 294

View: 675

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This timely and accessible book offers engaging guidance to teachers of second language students on teaching creative writing in their classrooms. Creative writing is a tool that can inspire second language learners to write more, play with language, and enjoy and improve not only their writing, but also their speaking, listening, and reading skills. Addressing the expectations and perceptions of writing in another language, Thorpe demonstrates how to foster successful creative writing environments and teach and assess creative writing in a way that is tailored to the distinct needs of non-native speakers. Covering key topics such as cultural storytelling, voice, genre, and digital composition, assessment, and more, Thorpe shares successful creative writing instructional practices informed by current research in creative writing and second language education. Each chapter includes insights, advice, and student examples that can help new teachers take their first steps in more reflective second language creative writing classroom. An invaluable resource for instructors of non-native students and an ideal text for pre-service teachers in courses in TESOL, writing instruction, and applied linguistics, this book invites you to use creative writing not only as a successful method for teaching L2 writing, but also as a way to improve student motivation and output, for more effective language learning.

The Science of Writing Characters

Although Mamet has said that he aims to write poetic rather than real dialogue, Blake's speech closely resembles the kind of language we'd expect from a highly disagreeable character. Punchy and direct, Alec Baldwin's character makes ...

Author: Kira-Anne Pelican

Publisher: Bloomsbury Publishing USA

ISBN: 9781501357237

Category: Performing Arts

Page: 200

View: 812

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The Science of Writing Characters is a comprehensive handbook to help writers create compelling and psychologically-credible characters that come to life on the page. Drawing on the latest psychological theory and research, ranging from personality theory to evolutionary science, the book equips screenwriters and novelists with all the techniques they need to build complex, dimensional characters from the bottom up. Writers learn how to create rounded characters using the 'Big Five' dimensions of personality and then are shown how these personality traits shape action, relationships and dialogue. Throughout The Science of Writing Characters, psychological theories and research are translated into handy practical tips, which are illustrated through examples of characters in action in well-known films, television series and novels, ranging from Three Billboards Outside Ebbing Missouri and Game of Thrones to The Bonfire of the Vanities and The Goldfinch. This very practical approach makes the book an engaging and accessible companion guide for all writers who want to better understand how they can make memorable characters with the potential for global appeal.

The Science of Science fiction Writing

Moreover, interesting people have been made real for us, and we care about people, as readers, proportionately as we conceive of them as being real. At their best some characters begin to seem more real than the people around us; ...

Author: James E. Gunn

Publisher: Rowman & Littlefield

ISBN: 9781578860111

Category: Language Arts & Disciplines

Page: 232

View: 430

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A fiction-writing text by a well-known sci-fi author, editor and professor.

Basics Film Making 02 Screenwriting

Who was their first true love? The more questions like this that you can ask – and answer– the better you will know your character and the more real they will be. For major characters, you need to write a fairly comprehensive biography.

Author: Robert Edgar

Publisher: Bloomsbury Publishing

ISBN: 9781350034709

Category: Photography

Page: 208

View: 121

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Basics Film-Making: Screenwriting is the second in the Basics Film-Making series and is aimed both at students on film production courses, as well as those wishing to write a short film. The book teaches the key elements of screenwriting through examining areas such as dialogue, sound, setting, shots and structure. It also provides advice to new film-makers on how to market their productions. This is an essential guide to screenwriting and will teach you to write and produce artistically satisfying shorts.

Writing Asian Romance Characters

I want more representation, and I want allies to destroy harmful tropes and stereotypes by writing well-rounded and heroic Asian romantic characters—especially the Asian male hero, so that real conversation is engaged and the lives of ...

Author: Rachelle Ayala

Publisher: Rachelle Ayala

ISBN:

Category: Language Arts & Disciplines

Page: 133

View: 773

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Have you wanted to enrich your romance novels by including a diverse cast of characters? Do you want your stories to reflect the society around you? Are you unsure how to portray Asian characters in a balanced way that does not perpetuate stereotypes? If so, I can be your mentor and help you develop Asian romantic heroes and heroines that are strong, desirable, talented, and flawed—in other words, well-rounded characters, who, like all romantic heroes and heroines deserve and find a happy ending. I have experience in this area, having grown up Asian American and have written many romance novels with Asian heroes and heroines. I’ve also read widely in both literature and fiction areas, as well as taken ethnic studies classes and researched Asian American history. I can be your guide in finding resources to deepen your knowledge while pointing out areas to pay attention. I will also encourage you to let your characters fly, no matter what their background and to not let fear hold you back when developing your Asian characters. In this book, I will go over common myths and stereotypes, respectful ways of describing Asian characters, and the tropes to avoid. I’ll briefly touch on the history of the various Asian groups in America and point out to you the difference in experience based on when the Asian ancestor immigrated. Interracial and multicultural romance is a thriving romance market, and I will talk about some of the concerns and opportunities when writing characters who come from different backgrounds. I'll include example excerpts to illustrate my points and interview questions you can use to develop your unique characters from an Asian perspective.

Elements of Fiction Writing Characters Viewpoint

Proven advice and timeless techniques for creating compelling characters by an a ward-winning author Orson Scott Card. reminiscences of childhood and ... Your readers already “ knowo people as well as real people ever know each other .

Author: Orson Scott Card

Publisher: Penguin

ISBN: 9781599632698

Category: Language Arts & Disciplines

Page: 240

View: 974

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Vivid and memorable characters aren't born: they have to be made. This book is a set of tools: literary crowbars, chisels, mallets, pliers and tongs. Use them to pry, chip, yank and sift good characters out of the place where they live in your memory, your imagination and your soul. Award-winning author Orson Scott Card explains in depth the techniques of inventing, developing and presenting characters, plus handling viewpoint in novels and short stories. With specific examples, he spells out your narrative options–the choices you'll make in creating fictional people so "real" that readers will feel they know them like members of their own families. You'll learn how to: • draw the characters from a variety of sources, including a story's basic idea, real life–even a character's social circumstances • make characters show who they are by the things they do and say, and by their individual "style" • develop characters readers will love–or love to hate • distinguish among major characters, minor characters and walk-ons, and develop each one appropriately • choose the most effective viewpoint to reveal the characters and move the storytelling • decide how deeply you should explore your characters' thoughts, emotions and attitudes