Write Great Fiction Characters Emotion Viewpoint

This accessible book is filled with interactive exercises and valuable advice that teaches you how to: • Choose and execute the best point of view for your story • Create three-dimensional and believable characters • Develop your ...

Author: Nancy Kress

Publisher: Penguin

ISBN: 9781582976815

Category: Language Arts & Disciplines

Page: 240

View: 454

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Create Complex Characters How do you create a main character readers won't forget? How do you write a book in multiple-third-person point of view without confusing your readers (or yourself)? How do you plant essential information about a character's past into a story? Write Great Fiction: Characters, Emotion & Viewpoint by award-winning author Nancy Kress answers all of these questions and more! This accessible book is filled with interactive exercises and valuable advice that teaches you how to: • Choose and execute the best point of view for your story • Create three-dimensional and believable characters • Develop your characters' emotions • Create realistic love, fight, and death scenes • Use frustration to motivate your characters and drive your story With dozens of excerpts from some of today's most popular writers, Write Great Fiction: Characters, Emotion & Viewpoint provides you with the techniques you need to create characters and stories sure to linger in the hearts and minds of agents, editors, and readers long after they've finished your book.

Write Great Fiction Plot Structure

Plot doesn't work without characters; the stronger your characters, the better your
plot. For your character work, I recommend reading Creating Dynamic Characters
or Write Great Fiction: Characters, Emotion & Viewpoint, both by Nancy Kress.

Author: James Scott Bell

Publisher: Penguin

ISBN: 9781582976846

Category: Language Arts & Disciplines

Page: 240

View: 435

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Craft an Engaging Plot How does plot influence story structure? What's the difference between plotting for commercial and literary fiction? How do you revise a plot or structure that's gone off course? With Write Great Fiction: Plot & Structure, you'll discover the answers to these questions and more. Award-winning author James Scott Bell offers clear, concise information that will help you create a believable and memorable plot, including: • Techniques for crafting strong beginnings, middles, and ends • Easy-to-understand plotting diagrams and charts • Brainstorming techniques for original plot ideas • Thought-provoking exercises at the end of each chapter • Story structure models and methods for all genres • Tips and tools for correcting common plot problems Filled with plot examples from popular novels, comprehensive checklists, and practical hands-on guidance, Write Great Fiction: Plot & Structure gives you the skills you need to approach plot and structure like an experienced pro.

Elements of Fiction Writing Characters Viewpoint

Vivid and memorable characters aren't born: they have to be made. This book is a set of tools: literary crowbars, chisels, mallets, pliers and tongs.

Author: Orson Scott Card

Publisher: Penguin

ISBN: 9781599632698

Category: Language Arts & Disciplines

Page: 240

View: 154

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Vivid and memorable characters aren't born: they have to be made. This book is a set of tools: literary crowbars, chisels, mallets, pliers and tongs. Use them to pry, chip, yank and sift good characters out of the place where they live in your memory, your imagination and your soul. Award-winning author Orson Scott Card explains in depth the techniques of inventing, developing and presenting characters, plus handling viewpoint in novels and short stories. With specific examples, he spells out your narrative options–the choices you'll make in creating fictional people so "real" that readers will feel they know them like members of their own families. You'll learn how to: • draw the characters from a variety of sources, including a story's basic idea, real life–even a character's social circumstances • make characters show who they are by the things they do and say, and by their individual "style" • develop characters readers will love–or love to hate • distinguish among major characters, minor characters and walk-ons, and develop each one appropriately • choose the most effective viewpoint to reveal the characters and move the storytelling • decide how deeply you should explore your characters' thoughts, emotions and attitudes

The Write Great Fiction Collection Bundle

From creating irresistible plots and rich characters, to crafting engaging dialogue and authentic settings, to techniques to help you polish your manuscript off before submitting it for publication, you'll have your bases covered with this ...

Author: James Scott Bell

Publisher: Writers Digest Books

ISBN: 1599631865

Category: Language Arts & Disciplines

Page: 1216

View: 865

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SPECIAL SHRINKWRAPPED BUNDLE! The tools you need to take your fiction to the next level are all right here with the Writer's Digest Write Great Fiction Collection. From creating irresistible plots and rich characters, to crafting engaging dialogue and authentic settings, to techniques to help you polish your manuscript off before submitting it for publication, you'll have your bases covered with this series of five books each devoted to a specific aspect of the craft of fiction writing. Plot & Structure by James Scott Bell shows you how to develop a believable and engaging plot that keeps readers enchanted from beginning to end. Characters, Emotion & Viewpoint by Nancy Kress delivers proven methods for creating characters readers will believe in with scenes that deliver emotional impact. Dialogue by Gloria Kempton offers advice on writing dialogue that sizzles regardless of genre, ways to fix common problems and more. Description & Setting by Ron Rozelle helps you master the important, but often-overlooked subject of your story's setting and how it's described. Revision & Self-Editing by James Scott Bell gives you tips on how to successfully develop first drafts into a final draft as well as techniques that improve your chance of publication. Take your work from good to great with the Write Great Fiction Collection!

Write Great Fiction Dialogue

You can use the following exercises to practice using dialogue to show your
character expressing emotion . They all involve at ... Write a one - page scene of
dialogue for each scenario . Feel free to ... The boyfriend has just told your
viewpoint character that he wants to break up , that he doesn ' t love her anymore
. Without ...

Author: Gloria Kempton

Publisher: Writer's Digest Books

ISBN: UOM:39015067712128

Category: Language Arts & Disciplines

Page: 232

View: 901

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How do some writers craft conversation so authentic, it feels like they've been eavesdropping? What's the secret behind getting characters to talk to each other? How can writers make their dialogue sing? Answers to all of these questions and more can be found in Gloria Kempton's in-depth look at this crucial component of fiction. Readers will learn how to create dialogue that sizzles, with tips on: * Creating dialogue for specific genres * Bringing characters to life with revealing dialogue * Identifying and fixing common dialogue problems Each chapter features numerous examples of successful dialogue drawn from bestselling novels, and chapter-ending exercises help readers apply the lessons learned. This is one book that will get readers talking!

Fiction Writer s Market

emotional coloring . Nonfiction writers have long used this type of viewpoint .
Study this example : Anyone ... With minor character viewpoint , you can cover a
longer span of time than in the average short story . Beware of these three pitfalls
 ...

Author:

Publisher:

ISBN: UVA:X030730230

Category: Authorship

Page:

View: 983

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The Complete Guide to Writing Fiction and Nonfiction and Getting it Published

Sheldon usually leaves a hiatus between each viewpoint character ' s section .
Occasionally at tense moments of emotion , particularly in sex scenes , the writer
may elect to change viewpoint within a paragraph — from the woman to the man
 ...

Author: Patricia Kubis

Publisher: Longman Publishing Group

ISBN: UCSC:32106015308478

Category: Language Arts & Disciplines

Page: 292

View: 898

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Discusses plot, viewpoint, character, dialogue, setting and style, offers advice on research, article writing, and interviews, and explains how to submit work

Writing

This is the great trade secret of the fiction writer : that he knows how to create this
illusion and take his reader into the minds and hearts of his imaginary ... This
handling of viewpoint ( VP ) is a matter too little considered by beginning writers
of fiction . ... Of course the reader reads in order to share the emotion of the
character , to be moved and stirred ; as one of them put it , “ I want to suffer
intelligently .

Author: Stanley Vestal

Publisher:

ISBN: NWU:35556027425263

Category: Authorship

Page: 301

View: 510

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Viewpoint Key to Fiction Writing

DIALOGUE AND VIEWPOINT The Spoken Word Speaker Identification Stage
Business IX. BACKGROUND AND VIEWPOINT Totality of Character Emotional
State Revision INTRODUCTION This discussion of fiction writing rests upon the ...

Author: Francis L. Fugate

Publisher:

ISBN: STANFORD:36105034854153

Category: Creative writing

Page: 184

View: 525

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How to Write Fiction for Cash

The writer shapes the conclusion into what he thinks should have happened . ...
This persona is not acharacter ” in the sense that first - person is but , it exhibits
character . ... telling the story through his mind and feelings . ... Before the writer
takes a viewpoint position , he would be wise to examine his own personality .

Author: Laverne Ross

Publisher: QC Quality of Course

ISBN: 1895492149

Category: Fiction

Page: 111

View: 666

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The 38 Most Common Fiction Writing Mistakes and how to Avoid Them

To put this in other words : even in a novel of 100 , 000 words , well over 50
percent - probably closer to 70 percent - should be clearly and rigidly in the
viewpoint of the main character . That character ' s thoughts , feelings ,
perceptions and ...

Author: Jack M. Bickham

Publisher: Betterway Books

ISBN: IND:30000027330020

Category: Authorship

Page: 117

View: 354

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Provides suggestions for correcting common writing mistakes and offers advice on developing a fiction writer's attitude, refining ideas and language, and submitting manuscripts.

Writing Juvenile Stories and Novels

How to Write and Sell Fiction for Young People Phyllis A. Whitney ... If you want
your story to carry an emotional impact , it is wise to select one character and tell
the story from his viewpoint from beginning ... If you write from a single viewpoint ,
you will present nothing that character cannot see and hear and feel and smell .

Author: Phyllis A. Whitney

Publisher: Writer

ISBN: UOM:49015000646001

Category: Language Arts & Disciplines

Page: 188

View: 243

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Characters Viewpoint

The resulting fiction is almost always lame , since there isn't a writer alive whose
prose is so good it can replace a camera at what a ... what the fiction writer can
express easily in a sentence or a phrase of deep penetration into the viewpoint
character's mind . ... We're being forced to watch two complete strangers showing
powerful emotions and talking about personal affairs that mean nothing to us .

Author: Orson Scott Card

Publisher: Writers Digest Books

ISBN: UOM:39076000902937

Category: Reference

Page: 182

View: 390

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Describes the different kinds of functions characters fulfill in a story, discusses motive, stereotypes, models, minor characters, comedy, and transformation

Writing Romance

Katherine Neville uses mixed first and third person in a different way in her
mainstream romantic thrillers . In The Eight ... Limit your viewpoint characters and
shifts Writing romantic fiction , you'll probably use third person viewpoint . At any
point in ... You want your reader to feel this character's emotions deeply . To
achieve ...

Author: Vanessa Grant

Publisher: North Vancouver, B.C. : Self-Counsel Press

ISBN: 1551803534

Category: Reference

Page: 239

View: 889

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The Writer

This trick is extremely useful for developing or changing a character ' s motivation
. ... Jean Backus has taught many courses in creative writing , several on writing
whodunits and suspense fiction , at the University of California Extension .

Author: William Henry Hills

Publisher:

ISBN: UOM:39015067425101

Category: Authorship

Page:

View: 820

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Classroom Notes Plus

They made every effort to show the characters ' emotions through the thoughts ,
actions , and the actual words spoken . Neither of the examples was written in
first person but the students were allowed to use this viewpoint if they wished . ...
Card ' s technique of map - drawing from HOW TO WRITE SCIENCE FICTION
AND FANTASY as a story starter and King ' s revision examples from ON
WRITING .

Author:

Publisher:

ISBN: STANFORD:36105111434945

Category: English language

Page:

View: 443

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Writing A to Z

( See : First - person emotion . Subjective viewpoint , the viewpoint ; Third -
person major character type most used in fiction , incorpo- viewpoint . ) rates a
character's thoughts and emotions into the storytelling . The reader thus shares in
the ...

Author: Kirk Polking

Publisher: Writer's Digest Books

ISBN: 0898795567

Category: Language Arts & Disciplines

Page: 548

View: 176

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The Write Stuff

A Sampling of the Best New Books for Writers Writer's Digest Books (Firm) ...
basics and fine points of successful fictional characters : traits , relationships ,
motivations , emotions , humor and strong dialogue . ... Characters & Viewpoint
by Orson Scott Card bring characters to life and provide drive and focus to your
fiction .

Author: Writer's Digest Books (Firm)

Publisher:

ISBN: PSU:000060347527

Category: Authorship

Page: 144

View: 934

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Excerpts from recently published books in the field of creative writing technique, authorship, etc.

The Writer s Handbook

It is hard to present a picture of the protagonist without the clichéd device of
having him gaze into a mirror , a puddle , or a store window ! Also , when the
writer ... Here , the writer “ becomes ” the viewpoint character , relating his
thoughts and feelings , but no one else ' s . The degree of ... for change . ( A shift
of viewpoint within a chapter could be indicated by leaving an extra space 88
GENERAL FICTION.

Author: Sylvia K. Burack

Publisher: Writer

ISBN: UOM:49015002636174

Category: Authorship

Page: 900

View: 776

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"Manuscript market section", ed. by U. G. Olsen, 1941-44; by E. P. Werby, 1945-