The Craft of Tonal Counterpoint

The Craft of Tonal Counterpoint is a complete pedagogic package for students of composition and music theory."--BOOK JACKET.

Author: Thomas Benjamin

Publisher: Psychology Press

ISBN: 0415943914

Category: Music

Page: 404

View: 840

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The Craft of Tonal Counterpoint is a complete pedagogic package for students of composition and music theory."--BOOK JACKET.

Tonal Counterpoint

Only practice and the gradual cultivation of an instinct for melody formation will enable the student to make his counterpoint both grammatical and of independent interest. In order to help him to this end a few general recommendations ...

Author: Walter R. Spalding

Publisher: Lulu.com

ISBN: 9781794776852

Category: Counterpoint

Page: 258

View: 362

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Tonal Counterpoint for the 21st Century Musician

It teaches the basic techniques of tonal counterpoint, which perhaps may be more useful to students than modal and other types of counterpoint. Compared to previous 20th-century textbooks on tonal counterpoint, however, the orientation ...

Author: Teresa Davidian

Publisher: Rowman & Littlefield

ISBN: 9781442234604

Category: Music

Page: 260

View: 578

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Students today have grown up in the age of digital technology. As a result, they process information in radically different ways than preceding generations. They like their information fast and consider visual images as important as textual content. In Tonal Counterpoint for the 21st-Century Musician, Teresa Davidian finally provides students a textbook that is quick, direct, and visual—a direct reflection of the age in which they live. This book is easy to understand, comprehensive, and distinctly modern in its approach to the study of counterpoint. Written in a style that is clear, simple, and informal writing style, Davidian artfully mixes the history of counterpoint with an outline of its structure, placing musical examples from J. S. Bach side by side with those from The Beatles to illustrate the universality and currency of counterpoint in music analysis and composition. Designed as a single-semester introduction, Tonal Counterpoint brings the study of counterpoint into the present by: Making ample use of diagrams and flow charts Including helpful step-by-step prompt sheets for analyzing inventions and fugues Placing just as much emphasis on the composition as on the analysis of counterpoint Offering a broad array of musical examples, including the work of women composers, American songwriters, current students, and pop music composers Throughout, Davidian explains how the techniques of 18th-century contrapoint still readily apply to how music is composed today. Tonal Counterpoint for the 21st-Century Musician is ideal for students in the fields of music theory, composition, music history, and performance.

The Principles and Practice of Tonal Counterpoint

The Principles and Practice of Tonal Counterpoint is a comprehensive textbook that combines practical, ®how-to ̄ guidance in eighteenth-century techniques with extensive historical examination of contrapuntal works and genres.

Author: Evan Jones

Publisher: Routledge

ISBN: 9781317518761

Category: Music

Page: 256

View: 511

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The Principles and Practice of Tonal Counterpoint is a comprehensive textbook that combines practical, "how-to" guidance in 18th-century techniques with extensive historical examination of contrapuntal works and genres. Beginning with an introductory grounding in species counterpoint, tonal harmony, and figured bass, students progress through the study of chorale preludes, invertible counterpoint, and canonic and fugal writing. This textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of tonal counterpoint and familiarizing students with contrapuntal styles from the Baroque period to the 21st century. Also available is a companion volume, The Principles and Practice of Modal Counterpoint, which focuses on 16th-century techniques and covers modal music from Gregorian chant through the 17th century.

The Craft of Tonal Counterpoint

The tonal areas are b, D, f|, and b, outlining a tonic triad, which is typical of Bach's shorter works in the minor mode. The first modulation may be understood to ... 92 The Craft of Tonal Counterpoint Composition of Binary Dance Forms.

Author: Thomas Benjamin

Publisher: Routledge

ISBN: 9781135946630

Category: Music

Page: 432

View: 646

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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

The Principles and Practice of Tonal Counterpoint

Unlike the first volume, Modal Counterpoint. which deals with music of the pretonal era, The Principles and Practice of Tonal Counterpointdevotes itself to music during the eighteenth- and early nineteenth centuries (Bach through Beethoven) ...

Author: Douglass Green

Publisher: Routledge

ISBN: 0415988667

Category: Music

Page: 224

View: 472

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Unlike the first volume, Modal Counterpoint. which deals with music of the pretonal era, The Principles and Practice of Tonal Counterpoint devotes itself to music during the eighteenth- and early nineteenth centuries (Bach through Beethoven) and touches on Romantic and Twentieth-Century music. It follows the species approach to tonal counterpoint. It studies the basic principles of contrapuntal music throughout the history of western music and how they are put into practice in various styles.

Modal and Tonal Counterpoint

This is a comprehensive study of the development of counterpoint form the sixteenth century through the first half of the twentieth century.

Author: Harold Owen

Publisher: Cengage Learning

ISBN: STANFORD:36105000493739

Category: Music

Page: 389

View: 431

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This is a comprehensive study of the development of counterpoint form the sixteenth century through the first half of the twentieth century. Deriving the rules of counterpoint from the music itself, each chapter begins with a complete musical example followed by questions for class discussion. Chapter observations and subsequent musical examples amplify the concepts discoverd through individual analysis. --book cover.

The Principles and Practice of Tonal Counterpoint

The Principles and Practice of Tonal Counterpoint is a comprehensive textbook that combines practical, "how-to" guidance in 18th-century techniques with extensive historical examination of contrapuntal works and genres.

Author: Evan Jones

Publisher: Routledge

ISBN: 9781317518778

Category: Music

Page: 256

View: 532

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The Principles and Practice of Tonal Counterpoint is a comprehensive textbook that combines practical, "how-to" guidance in 18th-century techniques with extensive historical examination of contrapuntal works and genres. Beginning with an introductory grounding in species counterpoint, tonal harmony, and figured bass, students progress through the study of chorale preludes, invertible counterpoint, and canonic and fugal writing. This textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of tonal counterpoint and familiarizing students with contrapuntal styles from the Baroque period to the 21st century. Also available is a companion volume, The Principles and Practice of Modal Counterpoint, which focuses on 16th-century techniques and covers modal music from Gregorian chant through the 17th century.

Counterpoint and Compositional Process in the Time of Dufay

The Missa Quinti toni, on the other hand, and the anonymous Salve regina, are pieces composed in the free discant style that also manifest characteristics of tonal counterpoint (Type 3). [The two lastnamed works have] fourths and ...

Author: Kevin N. Moll

Publisher: Routledge

ISBN: 9781135617264

Category: Music

Page: 430

View: 801

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First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Musical Theory in the Renaissance

1 Pietro Aron , the octenary system , and polyphony by HAROLD POWERS In English - language college and music school catalogues one often finds a course listed under the name of „ Tonal counterpoint “ , whose subject matter we would ...

Author: CristleCollins Judd

Publisher: Routledge

ISBN: 9781351556842

Category: History

Page: 640

View: 520

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This volume of essays draws together recent work on historical music theory of the Renaissance. The collection spans the major themes addressed by Renaissance writers on music and highlights the differing approaches to this body of work by modern scholars, including: historical and theoretical perspectives; consideration of the broader cultural context for writing about music in the Renaissance; and the dissemination of such work. Selected from a variety of sources ranging from journals, monographs and specialist edited volumes, to critical editions, translations and facsimiles, these previously published articles reflect a broad chronological and geographical span, and consider Renaissance sources that range from the overtly pedagogical to the highly speculative. Taken together, this collection enables consideration of key essays side by side aided by the editor‘s introductory essay which highlights ongoing debates and offers a general framework for interpreting past and future directions in the study of historical music theory from the Renaissance.

Tonal Counterpoint Third Edition

This book presents a step by step study of how to create imitation, canons and fugues of all types and varieties.

Author: Kendall Durelle Briggs

Publisher: Lulu.com

ISBN: 132944633X

Category: Art

Page: 582

View: 148

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Tonal Counterpoint is a study of counterpoint in the Common Practice focusing on the contrapuntal arts from the Baroque through the 19th Century. This book presents a step by step study of how to create imitation, canons and fugues of all types and varieties.

Basic Contrapuntal Techniques

New York : G. Schirmer , Inc. Tonal Counterpoint in the Style of the Eighteenth Century . 1958. London : Boosey & Hawkes . Mann , Alfred . The Study of Fugue . 1965. New York : W. W. Norton , Mason , Neale B. Essentials of Eighteenth ...

Author: H. Owen Reed

Publisher: Alfred Music Publishing

ISBN: 075791666X

Category: Music

Page: 193

View: 335

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A revision of the classic 1964 edition exploring counterpoint techniques beyond the stylistic base of the baroque tradition. This practical 194-page book contains a glossary of terms, a bibliography for further study, and a subject index. There is also an index of musical examples, and the included CDs contain recordings of musical examples from the text. Includes perforated exercise pages for students.

Tonal Counterpoint

A new and unique approach to tonal counterpoint. The student is introduced to the secrets of counterpoint as practiced by the masters of the Baroque, Classical and Romantic periods.

Author: Kendall Durelle Briggs

Publisher: Lulu.com

ISBN: 1300067055

Category: Counterpoint

Page: 582

View: 557

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A new and unique approach to tonal counterpoint. The student is introduced to the secrets of counterpoint as practiced by the masters of the Baroque, Classical and Romantic periods.

Roots of the Classical

TONAL COUNTERPOINT This two - voice arrangement is the basis of the analytical system propounded in this book . It differs from Schenker's ideal system in being much freer . Both voices may behave as they please , subject only to ...

Author: Peter Van der Merwe

Publisher: OUP Oxford

ISBN: 0191513261

Category: Music

Page: 576

View: 311

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Roots of the Classical identifies and traces to their sources the patterns that make Western classical music unique, setting out the fundamental laws of melody and harmony, and sketching the development of tonality between the fifteenth and eighteenth centuries. The author then focuses on the years 1770-1910, treating the Western music of this period - folk, popular, and classical - as a single, organically developing, interconnected unit in which the popular idiom was constantly feeding into 'serious' music, showing how the same patterns underlay music of all kinds.

The Harvard Dictionary of Music

... an antipathy to counterpoint in particular, and by that of Schoenberg, whose early virtuosity in the treatment of tonal counterpoint led him to evolve a chromatic language that eliminated tonality altogether [see Atonality].

Author: Don Michael Randel

Publisher: Harvard University Press

ISBN: 9780674417991

Category: Music

Page: 1008

View: 221

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This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music.

Signs of Music

... major and minor melodies , moving in a broad range ; ( 5 ) modal counterpoint ( chords result from voice - leading ) / tonal counterpoint ( lines written against a chordal background ) ; ( 6 ) intervallic structures ( dissonances ...

Author: Eero Tarasti

Publisher: Walter de Gruyter

ISBN: 3110172267

Category: Language Arts & Disciplines

Page: 224

View: 726

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Semiotics has had a profound impact on our comprehension of a wide range of phenomena, from how animals signify and communicate, to how people read TV commercials. This series features books on semiotic theory and applications of that theory to understanding media, language, and related subjects. The series publishes scholarly monographs of wide appeal to students and interested non-specialists as well as scholars. AAS is a peer-reviewed series of international scope.

Comprehensive Musical Analysis

This is the essence of counterpoint, and an analysis like this can furnish material for significant value ... T Most of the counterpoint of the period from about 1625 to 1900 falls into the general category of tonal counterpoint.

Author: John David White

Publisher: Rowman & Littlefield

ISBN: 9780810826816

Category: Music

Page: 304

View: 924

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Presents material on Heinrich Schenker and reductive linear analysis and additional material on set theoretical analysis. Replete with musical examples, charts, and diagrams.