The Viennese Secession

A symbol of modernity, the Viennese Secession was defined by the rebellion of twenty artists who were against the conservative Vienna Künstlerhaus' oppressive influence over the city, the epoch, and the whole Austro-Hungarian Empire.

Author: Victoria Charles

Publisher: Parkstone International

ISBN: 9781783103942

Category: Art

Page: 300

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A symbol of modernity, the Viennese Secession was defined by the rebellion of twenty artists who were against the conservative Vienna Künstlerhaus' oppressive influence over the city, the epoch, and the whole Austro-Hungarian Empire. Influenced by Art Nouveau, this movement (created in 1897 by Gustav Klimt, Carl Moll, and Josef Hoffmann) was not an anonymous artistic revolution. Defining itself as a “total art”, without any political or commercial constraint, the Viennese Secession represented the ideological turmoil that affected craftsmen, architects, graphic artists, and designers from this period. Turning away from an established art and immersing themselves in organic, voluptuous, and decorative shapes, these artists opened themselves to an evocative, erotic aesthetic that blatantly offended the bourgeoisie of the time. Painting, sculpture, and architecture are addressed by the authors and highlight the diversity and richness of a movement whose motto proclaimed “for each time its art, for each art its liberty” – a declaration to the innovation and originality of this revolutionary art movement.

Constructing the Viennese Modern Body

Following the height of the controversy surrounding the Faculty Paintings, Klimt, along with other founding members of the Vienna Secession, including Josef Hoffmann and Koloman Moser, left the Secession in 1905 to form the ...

Author: Nathan J. Timpano

Publisher: Taylor & Francis

ISBN: 9781315413686

Category: Art

Page: 210

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This book takes a new, interdisciplinary approach to analyzing modern Viennese visual culture, one informed by Austro-German theater, contemporary medical treatises centered on hysteria, and an original examination of dramatic gestures in expressionist artworks. It centers on the following question: How and to what end was the human body discussed, portrayed, and utilized as an aesthetic metaphor in turn-of-the-century Vienna? By scrutinizing theatrically “hysterical” performances, avant-garde puppet plays, and images created by Oskar Kokoschka, Koloman Moser, Egon Schiele and others, Nathan J. Timpano discusses how Viennese artists favored the pathological or puppet-like body as their contribution to European modernism.

Marketing Modernism in Fin de Si cle Europe

THE VIENNA SECESSION a With official recognition and subvention the Secessions lost their ideological “ stigma , ” and hence a market virtue of belonging to a “ socialist / artistic " international . Their success at professionalizing ...

Author: Robert Jensen

Publisher: Princeton University Press

ISBN: 9780691241951

Category: Art

Page: 376

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In this fundamental rethinking of the rise of modernism from its beginnings in the Impressionist movement, Robert Jensen reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century. The commercial success of modernism, he argues, depended greatly on possession of historical legitimacy. The very development of modern art was inseparable from the commercialism many of its proponents sought to transcend. Here Jensen explores the economic, aesthetic, institutional, and ideological factors that led to its dominance in the international art world by the early 1900s. He emphasizes the role of the emerging dealer/gallery market and of modernist art historiographies in evaluating modern art and legitimizing it through the formation of a canon of modernist masters. In describing the canon-building of modern dealerships, Jensen considers the new "ideological dealer" and explores the commercial construction of artistic identity through such rhetorical concepts as temperament and "independent art" and through such institutional structures as the retrospective. His inquiries into the fate of the juste milieu, a group of dissidents who saw themselves as "true heirs" of Impressionism, and his look at a new form of art history emerging in Germany further expose a linear, dealer- oriented history of modernist art constructed by or through the modernists themselves.

Vienna Secession

Since 1947 it has also managed a cinema, which is used as one of the screening venues for the annual Viennale film festival ... In 1897 a number of modern artists seceded from the Künstlerhaus and founded the Vienna Secession.

Author: Robert Waissenberger

Publisher:

ISBN: UOM:39015007235792

Category: Art

Page: 144

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"The Vienna Künstlerhaus (German: Künstlerhaus Wien) is an art exhibition building in Vienna. It is located on Karlsplatz near the Ringstraße, next to the Musikverein. It was built between 1865 and 1868 by the Austrian Artists' Society (Gesellschaft bildender Künstler Österreichs, Künstlerhaus), the oldest surviving artists' society in Austria, and has served since then as an exhibition centre for painting, sculpture, architecture and applied art. Since 1947 it has also managed a cinema, which is used as one of the screening venues for the annual Viennale film festival ... In 1897 a number of modern artists seceded from the Künstlerhaus and founded the Vienna Secession. In 1972 the society opened its membership to practitioners of applied art, and in 1976 it was renamed the "Austrian Artists' Society, Künstlerhaus". Since 1983 it has included filmmakers and audio-visual artists among its members. Its limited company (Künstlerhaus-Ges. m. b. H.), founded in 1985, organises exhibitions both for the Künstlerhaus and for other museums and institutions."--Wikipedia Dec. 2011.

The Female Secession

9. Schorske, Fin-de-sìecle Vienna. Bahr, Secession, 2. For a detailed account of this split, see Shedel, Art and Society, 5–46. Jensen, Marketing Modernism, 182–87. On the centrality of space in Viennese modernism, see Long, New Space.

Author: Megan Brandow-Faller

Publisher: Penn State Press

ISBN: 9780271086484

Category: Art

Page: 304

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Decorative handcrafts are commonly associated with traditional femininity and unthreatening docility. However, the artists connected with interwar Vienna’s “female Secession” created craft-based artworks that may be understood as sites of feminist resistance. In this book, historian Megan Brandow-Faller tells the story of how these artists disrupted long-established boundaries by working to dislodge fixed oppositions between “art” and “craft,” “decorative” and “profound,” and “masculine” and “feminine” in art. Tracing the history of the women’s art movement in Secessionist Vienna—from its origins in 1897, at the Women’s Academy, to the Association of Austrian Women Artists and its radical offshoot, the Wiener Frauenkunst—Brandow-Faller tells the compelling story of a movement that reclaimed the stereotypes attached to the idea of Frauenkunst, or women’s art. She shows how generational struggles and diverging artistic philosophies of art, craft, and design drove the conservative and radical wings of Austria’s women’s art movement apart and explores the ways female artists and craftswomen reinterpreted and extended the Klimt Group’s ideas in the interwar years. Brandow-Faller draws a direct connection to the themes that impelled the better-known explosion of feminist art in 1970s America. In this provocative story of a Viennese modernism that never disavowed its ornamental, decorative roots, she gives careful attention to key primary sources, including photographs and reviews of early twentieth-century exhibitions and archival records of school curricula and personnel. Engagingly written and featuring more than eighty representative illustrations, The Female Secession recaptures the radical potential of what Fanny Harlfinger-Zakucka referred to as “works from women’s hands.” It will appeal to art historians working in the decorative arts and modernism as well as historians of Secession-era Vienna and gender history.

A World History of Architecture

ADOLF LOOS Early in his career , Adolf Loos ( 1870-1933 ) was affiliated with the Vienna Secession , but he soon became estranged from it . After completing his architectural education , he worked and traveled in the United States in ...

Author: Marian Moffett

Publisher: Laurence King Publishing

ISBN: 1856693716

Category: Architecture

Page: 608

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The Roman architect and engineer Vitruvius declared firmitas, utilitas, and venustas-firmness, commodity, and delight- to be the three essential attributes of architecture. These qualities are brilliantly explored in this book, which uniquely comprises both a detailed survey of Western architecture, including Pre-Columbian America, and an introduction to architecture from the Middle East, India, Russia, China, and Japan. The text encourages readers to examine closely the pragmatic, innovative, and aesthetic attributes of buildings, and to imagine how these would have been praised or criticized by contemporary observers. Artistic, economic, environmental, political, social, and technological contexts are discussed so as to determine the extent to which buildings met the needs of clients, society at large, and future generations.

The Rough Guide to Austria

KARLSPLATZ / 117 A BRIEF GUIDE TO THE VIENNESE SECESSION In 1897 , a number of artists broke away from the Künstlerhaus , Austria's leading independent artists ' association , and set up their own organization , which they named the ...

Author: Jonathan Bousfield

Publisher: Rough Guides

ISBN: 185828709X

Category: Travel

Page: 636

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Venture across every inch of this prosperous and stable central European country, from the cosmopolitan capital of Vienna--packed with cultural offerings and late-night musikcafes--to the awesome Alpine backwaters of the Tyrol or winemaking villages. Learn how to stretch your budget in what can be an expensive country to visit. 40 maps. color photos.

Design Vienna 1890s to 1930s

The Kaerwer collection holds an excellent selection of Viennese publications that range from small ball programs and ... as a total work of art had its greatest initial impetus with the Vienna Secession's periodical Ver Sacrum .

Author: Chazen Museum of Art

Publisher: Chazen Museum of Art

ISBN: 0932900968

Category: Antiques & Collectibles

Page: 108

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Barbara Buenger traces the development of Viennese modernism from turn-of-the-century Jugendstil (as Art Nouveau was known in German-speaking countries) to early twentieth-century Expressionism, and interwar Art Deco. This exhibition catalogue features 103 fine and decorative art works produced by the Vienna Secession and Wiener Werkstatte movements between the 1890s and 1930s. The fully illustrated catalog features textiles, furniture, ceramics, paintings and prints, books, metalwork, glass, and a variety of other objects from a private midwestern collection. Distributed for theChazen Museum of Art, University of Wisconsin Madison "

Egon Schiele 1890 1918

AUSSTEDUNG of the Vienna Secession , that prompted him to believe in the “ remains of a noble civilization ” , and that these remains could only be preserved with the aid of the arts - if the progressive cultural disintegration " he ...

Author: Reinhard Steiner

Publisher: Taschen

ISBN: 3822863270

Category: Art

Page: 96

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Schiele had the most long-lasting influence on the Vienna art scene after the great era of Klimt came to a close. After a short flirtation with the style of his mentor Klimt, Schiele soon questioned the aesthetic orientation to the beautiful surface of the Viennese Art Nouveau with his rough and not easily accessible paintings.