Bild der B hne Vol 2 Setting the Stage Vol 2

Berlin's RosaLuxemburgPlatz, where he has worked with artists' collective LSD to fundamentally shape the institution's entire visual ... dann v.a. mit Thomas Ostermeier an der Baracke des Deutschen Theaters und an der Schaubühne Berlin, ...

Author: Mirka Döring

Publisher: Verlag Theater der Zeit

ISBN: 9783957491831

Category: Performing Arts

Page: 184

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Innerhalb der "Schwesterkünste", von denen Brecht sprach, hat sich das Bühnenbild in letzter Zeit einen souveränen Schauwert erarbeitet und nach allen Seiten geöffnet. Unabhängig davon, ob es an experimentelle Spielideen gebunden ist oder an Inszenierungen, die die Rekonstruktion realer und fiktionaler Welten fokussieren, ob sie von Minimal Art, Konzeptkunst oder Fluxus beeinflusst sind, beeindrucken die Bühnenbilder der Gegenwart durch ein intensives Formbewusstsein und die Berücksichtigung der Zuschauerperspektive bei ihrer Raumwahrnehmung. Das Arbeitsbuch stellt unverwechselbare Positionen zum Bühnenbild im zeitgenössischen Schauspiel vor. In ausführlichen Interviews und mit umfangreichem Fotomaterial werden anschauliche Einblicke in Arbeitsweisen, künstlerische Entwicklungen und Auffassungen ermöglicht. The theatre magazine Theater der Zeit has been following the developments of stage design for some years now in its "Kunstinserts". There we asked stage designers about their motivation, their working methods, the way they collaborate with directors, how their artistic practice unfolds in a theatre context. With a heuristic approach eschewing any claim to completeness, we promoted discussion, whether it was to mark a new production or because the artists in question were breaking new ground in the development of theatre. More than anything it is these direct statements from the artists which distinguish this workbook from the 1998 "Bild der Bühne", which presented such in uential artists as Robert Wilson, Achim Freyer, Jürgen Rose, Einar Schleef and Anna Viebrock. In "Setting the Stage" we have once again brought together seventeen of the most diverse artistic personalities; collectively they demonstrate how artistic considerations – at once purposeful and inevitable – function in the mode of an increas- ingly radical and con dent self-conception of the theatre as gesamtkunstwerk.

Berlin

There could be nothing more indicative of the revived metropolitan spirit of post' Wende ' Berlin than Thomas Ostermeier's summary in September 1999 of what he wanted the character of the Schaubühne to be under his leadership ...

Author: Godela Weiss-Sussex

Publisher:

ISBN: UOM:39015074078570

Category: Berlin (Germany)

Page: 276

View: 625

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Colleges of art and music in Germany

... ( Thomas Ostermeier , jetziger Intendant der Schaubühne Berlin ) , Tom Kühnel / Robert Schuster ( Theater am Turm – TAT , Frankfurt am Main ) erarbeitet wurden . Seit 1991 gewinnen die Studenten der Hochschule Ensemble- und / oder ...

Author: Christian Bode

Publisher: Prestel Pub

ISBN: UCSC:32106016830496

Category: Art

Page: 256

View: 192

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In-depth information on all 51 colleges of art and music in Germany.

Jahrbuch f r internationale Germanistik

Aussprechen des wirklichen Vorwurfs als kindlicher Klage : „ Du hast mich hocken lassen , hier in dem Stuhl “ . ... Theater : Thomas Ostermeier inszeniert Parasiten des Hausautors Marius von Mayenburg an der Schaubühne , Das Kulturradio ...

Author:

Publisher:

ISBN: UOM:39015066365001

Category: German philology

Page:

View: 423

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Shakespeare Jahrbuch

12.08 , Komödie der Irrungen . Ü .: Eva Walch , R .: Henner Kallmeyer . Hamlet Berlin , Schaubühne am Lehniner Platz : 17.9.08 , Hamlet . Ü .: Marius von Mayenburg , R .: Thomas Ostermeier . Berlin , Komische Oper : 21. 6.09 , Hamlet .

Author:

Publisher:

ISBN: STANFORD:36105211733212

Category:

Page:

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World of Theatre 2003 Edition

In Berlin, a young teamassociated with directorThomasOstermeier took over theSchaubühne amLehniner Platz, a theatre that ... Ostermeier began hisdirectorship with the German premiereof Personenkreis 3.1 by theSwedish author Lars Norén, ...

Author: Ian Herbert

Publisher: Routledge

ISBN: 9781134402113

Category: Reference

Page: 400

View: 579

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Edited by Ian Herbert, President of the International Association of Theatre Critics, Secretary of the Drama Section of the Critics' Circle in London, and editor of Theatre Record, the chronicle of the British stage, and Nicole Leclercq, Archives et Musée de la Littérature, Brussels, the World of Theatre is a lavishly illustrated biennial publication providing on-the-spot and authoritative surveys of current theatrical activity from across the globe. The content of the book is as varied as the theatrical situations it describes, from magisterial round-ups by leading critics in Europe to desperate and pitiful reports from the battlefield in war-torn countries. With expanded coverage, this new edition encompasses the three seasons from 1999 to 2002 and contains articles from over seventy countries. The contributors include leading commentators such as Jim O'Quinn, editor of American Theatre, and England's Peter Hepple, the longest serving London theatre critic and a former editor of The Stage. The World of Theatre will be welcomed by theatre scholars as an ongoing revision of another Routledge reference work, the World Encyclopedia of Contemporary Theatre and is essential reading for anyone seeking up-to-date information on the developments in the leading theatre nations as well as those countries whose theatre is little known outside their boundaries.

Royal Court International

Kane, in particular, who taught on the residencyin 1998,is singled out as animportant influence on the new German writers, underscoredin Mayenburg's case by his translation of Kane's Crave for the Schaubühne(see 'Conversation ...

Author: E. Aston

Publisher: Springer

ISBN: 9781137487728

Category: Performing Arts

Page: 229

View: 549

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The first ever full-length study of the Royal Court Theatre's International Department, covering the theatre's unique programming of international plays and seasons, its London-based residences for writers from overseas, and the legacies of workshops conducted in more than 30 countries.