The Music of Juan de Anchieta

This book explores Juan de Anchieta’s life and his music and, for the first time, presents a critical study of the life and works of a major Spanish composer from the time of Ferdinand and Isabel.

Author: Tess Knighton

Publisher: Routledge

ISBN: 9781317023432

Category: Music

Page: 230

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This book explores Juan de Anchieta’s life and his music and, for the first time, presents a critical study of the life and works of a major Spanish composer from the time of Ferdinand and Isabel. A key figure in musical developments in Spain in the decades around 1500, Anchieta served in the Castilian royal chapel for over thirty years, from his appointment in 1489 as a singer in the household of Queen Isabel, and he continued to receive a pension from her grandson, the Emperor Charles V, until his death in 1523. He traveled to Flanders in the service of the Catholic Monarchs’ daughter Juana, and was briefly music master to Charles himself. Anchieta, along with Francisco de Peñalosa, his contemporary in the Aragonese chapel, and a few others, was a key figure in the rise of elaborate written polyphony in the Spain of Josquin’s time. The book brings together two of the leading specialists in Spanish music of the era in order to review and revise the rich biographical material relating to Anchieta’s life, and the historiographical traditions which have dominated its telling. After a biographical overview, the chapters focus on specific genres of his music, sacred and secular, with suggestions as to a possible chronology of his work based on its codicology and style, and consideration of the contexts in which it was conceived and performed. A final chapter summarizes his achievement and his influence in his own time and after his death. As the first comprehensive study of Anchieta’s life and works, The Music of Juan de Anchieta is an essential addition to the history of Spanish music.

The Church Music of Fifteenth century Spain

7 Anchieta To speak , as I did a few pages ago , of a ' composite Segovia style ' for Spanish sacred music without considering the works of Juan de Anchieta is a little like trying to describe New York without making reference to ...

Author: Kenneth Kreitner

Publisher: Boydell Press

ISBN: 1843830752

Category: Music

Page: 181

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Analysis of Latin sacred music written during the century illustrates the rapid and marked change in style and sophistication.

Spanish Music in the Age of Columbus

The reader who has seen that article already knows how keenly felt are my gracias. Fernando Aguilar Escrich, Norberto Almandoz, H.K. Andrews, Higinio Angles, Jesus Bal y Gay, Robert D. Barton, Gilbert Chase, R. Thurston Dart, Exmos. Sres.

Author: Robert Stevenson

Publisher: Springer Science & Business Media

ISBN: 9789401194389

Category: Music

Page: 335

View: 938

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FOR AID in preparing the present resume of Spanish music to 1530 I am indebted to so numerous a company of friends that I must content myself in this preface with no more than a token alphabetical list. In an earlier article - "Music Research in Spanish Libraries," published in Notes of the Music Library Association, sec. ser. X, i (December, 1952, pp. 49-57) - Richard Hill did kindly allow me to itemize my indebtednesses to the Spanish friends whose names make up two-thirds of the following list. The reader who has seen that article already knows how keenly felt are my gracias. Fernando Aguilar Escrich, Norberto Almandoz, H.K. Andrews, Higinio Angles, Jesus Bal y Gay, Robert D. Barton, Gilbert Chase, R. Thurston Dart, Exmos. Sres. Duques de Medinaceli, Charles Warren Fox, Nicold, s Garcia,]ulidn Garcia Blanco, Juan Miguel Garcia Perez, Santiaga Gonzdlez Alvarez, Francisco Guerrero, Perreal Herndndez, Ma cario Santiaga Kastner, Adele Kibre, Edmund King, Luisa de Larramendi, Pedro Longds Bartibds, M arques de Santo Domingo, M arques de Villa-Alcdzar, J uan M ontejano Chico, B. Municio Crist6bal, Ricardo Nuiiez, Clara L. Penney, Carmen Perez-Ddvila, Gustave Reese, Francisco Ribera Recio, Bernard Rose, Samuel Rubio, Adolfo Salazar, Francisco Sdnchez, Graciela Sdnchez Cerro, Manuel Sdnchez Mora, Alfredo Sixto Planas, Denis Stevens, fase Subird, Earl 0. Titus,]. B. Trend,]ahn Ward, Ruth Watanabe,]. A. Westrup, Franktin Zimmerman.

Music and Ceremony at the Court of Charles V

Anchieta had joined the chapel of Queen Isabella in 1489, and in 1495 was cited as maestro de capilla in the chapel Isabella had formed for Prince Juan, her son and heir. Following Prince Juan's death in 1497, Anchieta returned to the ...

Author: Mary Tiffany Ferer

Publisher: Boydell Press

ISBN: 9781843836995

Category: Music

Page: 304

View: 922

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Shows how Charles V used music and ritual to reinforce his image and status as the most important and powerful sovereign in Europe.

The Renaissance

Fernández de Oviedo's eulogistic tone rings truer in his description of how Prince Juan spent his afternoons singing polyphonic songs with Juan de Anchieta and some of the choirboys in the royal chapel: My Lord prince Juan was naturally ...

Author: Iain Fenlon

Publisher: Springer

ISBN: 9781349205363

Category: Music

Page: 418

View: 677

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From the series examining the development of music in specific places during particular times, this book looks at European countries at the time of the Renaissance, concentrating on Italy. It is to be published in conjunction with a television series.

Music in the Middle Ages and the Renaissance

Cabezón's music , published posthumously by his son Hernando , includes 32 organ hymns , 29 tientos ( preludes in ricercar style ) , 9 sets of ... Among highly regarded musicians were Juan de Anchieta and Francisco de Peñalosa .

Author: Harold Gleason

Publisher: Alfred Music Publishing

ISBN: 0882843796

Category: Music

Page: 211

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Provides an outline of musical expression from the Middle Ages to the Renaissance.

Queen Isabel I of Castile

were writing in a fully mature international style based on active , independent musical lines in strong imitative counterpoint . ... Juan de Anchieta was born in the Basque country , probably in Urrestilla or Azpeitia .

Author: Contributor Barbara Weissberger

Publisher: Tamesis Books

ISBN: 1855661594

Category: Literary Criticism

Page: 237

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The Queen who shaped the music, literature, architecture, and painting of late medieval Spain.

Companion to Music in the Age of the Catholic Monarchs

Knighton 2011c | Tess Knighton, Music for the Dead: An Early Sixteenth-Century Anonymous Requiem Mass', in Pure Gold: ... Knighton & Kreitner forthcoming / Tess Knighton and Kenneth Kreitner, The Music of Juan de Anchieta (New York ...

Author:

Publisher: BRILL

ISBN: 9789004329324

Category: History

Page: 744

View: 503

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The Companion to Music in the Age of the Catholic Monarchs, edited by Tess Knighton, offers a major new study that deepens and enriches our understanding of the forms and functions of music that flourished in late medieval Spanish society.

Encomium Musicae

Primero negó que Anchieta fuera el autor de estas Pasiones . ... 12 Los musicólogos norteamericanos no atribuyen a Juan de Anchieta la paternidad de estas Pasiones . ... tanto musical como textual , de estas composiciones es obvia .

Author: Robert J. Snow

Publisher: Pendragon Press

ISBN: 0945193831

Category: Music

Page: 765

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Professor Snow's auspicious debut in musicology came in 1958 as the author of the chapter on Old Roman chant in Willi Apel's Gregorian Chant. He completed his doctorate at the University of Illinois in 1968, and his major faculty appointments have been at the University of Pittsburgh, University of Illinois, and University of Texas. His publications range from the medieval era to the baroque, most of them dealing with sacred music in Spain, Portugal, the Hispanic New World, and eastern Europe. Encomium Musicae will present over 40 articles by scholars from seven different countries, most of them specialists in the music of Spain, Portugal, or the Hispanic New World

Renaissance Music

... Don Juan: although he had a poor voice he took the tenor on many occasions when he performed songs with the composer Juan de Anchieta and four or five choirboys for two hours or more:” Era el pringipe Don Johan, mi señor, ...

Author: Kenneth Kreitner

Publisher: Routledge

ISBN: 9781351551472

Category: Music

Page: 468

View: 153

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We know what, say, a Josquin mass looks likebut what did it sound like? This is a much more complex and difficult question than it may seem. Kenneth Kreitner has assembled twenty articles, published between 1946 and 2009, by scholars exploring the performance of music from the fifteenth and sixteenth centuries. The collection includes works by David Fallows, Howard Mayer Brown, Christopher Page, Margaret Bent, and others covering the voices-and-instruments debate of the 1980s, the performance of sixteenth-century sacred and secular music, the role of instrumental ensembles, and problems of pitch standards and musica ficta. Together the papers form not just a comprehensive introduction to the issues of renaissance performance practice, but a compendium of clear thinking and elegant writing about a perpetually intriguing period of music history.