The Archaeology of Celtic Art

More wide ranging, both geographically and chronologically, than any previous study, this well-illustrated book offers a new definition of Celtic art.

Author: D.W. Harding

Publisher: Routledge

ISBN: 9781134264636

Category: Art

Page: 336

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More wide ranging, both geographically and chronologically, than any previous study, this well-illustrated book offers a new definition of Celtic art. Tempering the much-adopted art-historical approach, D.W. Harding argues for a broader definition of Celtic art and views it within a much wider archaeological context. He re-asserts ancient Celtic identity after a decade of deconstruction in English-language archaeology. Harding argues that there were communities in Iron Age Europe that were identified historically as Celts, regarded themselves as Celtic, or who spoke Celtic languages, and that the art of these communities may reasonably be regarded as Celtic art. This study will be indispensable for those people wanting to take a fresh and innovative perspective on Celtic Art.

Celtic Art in Europe

Of these disciplines, art history offers the most direct message to a wider audience. This volume of 37 papers brings together a truly international group of pre-eminent specialists in the field of Celtic art and Celtic studies.

Author: Christopher Gosden

Publisher: Oxbow Books

ISBN: 9781782976585

Category: Social Science

Page: 400

View: 561

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The ancient Celtic world evokes debate, discussion, romanticism and mythicism. On the one hand it represents a specialist area of archaeological interest, on the other, it has a wide general appeal. The Celtic world is accessible through archaeology, history, linguistics and art history. Of these disciplines, art history offers the most direct message to a wider audience. This volume of 37 papers brings together a truly international group of pre-eminent specialists in the field of Celtic art and Celtic studies. It is a benchmark volume the like of which has not been seen since the publication of Paul JacobsthalÕs Early Celtic Art in 1944. The papers chart the history of attempts to understand Celtic art and argue for novel approaches in discussions spanning the whole of Continental Europe and the British Isles. This new body of international scholarship will give the reader a sense of the richness of the material and current debates. Artefacts of rich form and decoration, which we might call art, provide a most sensitive set of indicators of key areas of past societies, their power, politics and transformations. With its broad geographical scope, this volume offers a timely opportunity to re-assess contacts, context, transmission and meaning in Celtic art for understanding the development of European cultures, identities and economies in pre- and proto-history.

Rethinking Celtic Art

This book reintegrates the art with the archaeology, placing the finds in the context of our latest ideas about Iron Age and Romano-British society.

Author: Duncan Garrow

Publisher: Oxbow Books

ISBN: 9781842173183

Category: Art

Page: 224

View: 723

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Early Celtic art' - typified by the iconic shields, swords, torcs and chariot gear we can see in places such as the British Museum - has been studied in isolation from the rest of the evidence from the Iron Age. This book reintegrates the art with the archaeology, placing the finds in the context of our latest ideas about Iron Age and Romano-British society. The contributions move beyond the traditional concerns with artistic styles and continental links, to consider the material nature of objects, their social effects and their role in practices such as exchange and burial. The aesthetic impact of decorated metalwork, metal composition and manufacturing, dating and regional differences within Britain all receive coverage. The book gives us a new understanding of some of the most ornate and complex objects ever found in Britain, artefacts that condense and embody many histories.

Early Celtic Art in Britain and Ireland

This book looks at Celtic art made by communities who lived in Britain and Ireland a thousand years and more before the creation of the Book of Kells or the Ardagh Chalice, the art which is more popularly known as 'Celtic'.

Author: Ruth Megaw

Publisher: Shire Publications

ISBN: 0747806136

Category: Social Science

Page: 80

View: 864

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This book looks at Celtic art made by communities who lived in Britain and Ireland a thousand years and more before the creation of the Book of Kells or the Ardagh Chalice, the art which is more popularly known as 'Celtic'.

Celtic Art and Archaeology Slide Lists and Other Documents

A collection of slide lists and other documents labelled by Professor Megaw as 'Celtic Art and Archaeology'. Also includes several slides and photocopies of relevant book pages featuring both text and images.

Author:

Publisher:

ISBN: OCLC:931713764

Category: Archaeology

Page:

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A collection of slide lists and other documents labelled by Professor Megaw as 'Celtic Art and Archaeology'. Also includes several slides and photocopies of relevant book pages featuring both text and images.

Art in the Eurasian Iron Age

This volume explores Iron Age art at different scales and specifically considers the long-distance connections, mutual influences and shared ‘ways of seeing’ that link Celtic Art to other art traditions across northern Eurasia.

Author: Courtney Nimura

Publisher: Oxbow Books

ISBN: 9781789253955

Category: Art

Page: 260

View: 584

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Since early discoveries of so-called Celtic Art during the 19th century, archaeologists have mused on the origins of this major art tradition, which emerged in Europe around 500 BC. Classical influence has often been cited as the main impetus for this new and distinctive way of decorating, but although Classical and Celtic Art share certain motifs, many of the design principles behind the two styles differ fundamentally. Instead, the idea that Celtic Art shares its essential forms and themes of transformation and animism with Iron Age art from across northern Eurasia has recently gained currency, partly thanks to a move away from the study of motifs in prehistoric art and towards considerations of the contexts in which they appear. This volume explores Iron Age art at different scales and specifically considers the long-distance connections, mutual influences and shared ‘ways of seeing’ that link Celtic Art to other art traditions across northern Eurasia. It brings together 13 papers on varied subjects such as animal and human imagery, technologies of production and the design theory behind Iron Age art, balancing pan-Eurasian scale commentary with regional and site scale studies and detailed analyses of individual objects, as well as introductory and summary papers. This multi-scalar approach allows connections to be made across wide geographical areas, whilst maintaining the detail required to carry out sensitive studies of objects.

Celtic Art and Archaeology

A selection of unbound photocopied documents with a likely title page reading 'Celtic Art and Archaeology'.

Author:

Publisher:

ISBN: OCLC:931711369

Category: Archaeology

Page:

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A selection of unbound photocopied documents with a likely title page reading 'Celtic Art and Archaeology'.

Early Celtic Art

" This book comprises the first major exhibition of Early Celtic Art from its origins and beginnings to its aftermath, and was assembled by Stuart Piggott who taught later European prehistory to Honors students in Archaeology at the ...

Author: Stuart Piggott

Publisher: Transaction Publishers

ISBN: 9780202361864

Category: Art

Page: 41

View: 336

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For many, perhaps most, the title Early Celtic Art summons up images of Early Christian stone crosses in Ireland, Scotland, Wales, or Cornwall; of Glendalough, lona or Tintagel; of the Ardagh Chalice or the Monymusk Reliquary; of the great illuminated gospels of Durrow or Lindisfame. But as Stuart Piggott notes, the consummate works of art produced under the aegis of the early churches in Britain or Ireland, in regions Celtic by tradition or language, have an ancestry behind them only partly Celtic. One strain in an eclectic style was borrowed from the ornament of the northern Germanic world, the classical Mediterranean, and even the Eastern churches. Early Celtic art, originating in the fifth century b.c. in Central Europe, was already seven or eight centuries old when it was last traced in the pagan, prehistoric world, and the transmission of some of its modes and motifs over a further span of centuries into the Christian Middle Ages was an even later phenomenon. This volume presents the art of the prehistoric Celtic peoples, the first great contribution of the barbarians to European arts. It is an art produced in circumstances that the classical world and contemporary societiesunhesitatingly recognize as uncivilized. Its appearance, it has been said by N. K. Sandars in Prehistoric Art in Europe: "is perhaps one of the oddest and most unlikely things to have come out of a barbarian continent. Its peculiar refinement, delicacy, and equilibrium are not altogether what one would expect of men who, though courageous and not without honor even in the records of their enemies, were also savage, cruel and often disgusting; for the archaeological refuse, as well as the reports of Classical antiquity, agree in this verdict." This book comprises the first major exhibition of Early Celtic Art from its origins and beginnings to its aftermath, and was assembled by Stuart Piggott who taught later European prehistory to Honors students in Archaeology at the University of Edinburgh, where he held the Abercromy Chair. He retired from the Chair in 1977, and in 1983 he received the gold medal of the Society of Antiquaries of London, as well as the Grahame Clark medal of the British Academy in 1992. Through his knowledge of the subject, he has made accessible an obscure but fascinating period of European culture.

The Archaeology of Celtic Britain and Ireland

Chronology Due to the lack of finds from excavations and the dearth of dates provided by the objects themselves, dating works of Celtic art is impossible by the more usual archaeological or historical methods. Lack of provenance is also ...

Author: Lloyd Robert Laing

Publisher: Cambridge University Press

ISBN: 9780521838627

Category: Social Science

Page: 406

View: 410

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This book, first published in 2006, surveys the archaeology of the Celtic-speaking areas of Britain and Ireland, AD 400 to 1200.

Celtic Art and Archaeology 2005

Documents relating to a class run by the Flinders University Department of Archaeology in 2005 titled 'Celtic Art and Archaeology' course code 'ARCH 3003'. Includes printed 'fact sheets' and printed weekly notes.

Author:

Publisher:

ISBN: OCLC:931711351

Category: Archaeology

Page:

View: 963

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Documents relating to a class run by the Flinders University Department of Archaeology in 2005 titled 'Celtic Art and Archaeology' course code 'ARCH 3003'. Includes printed 'fact sheets' and printed weekly notes.

Celtic Art and Archaeology 2001

Documents relating to a class run by the Flinders University Department of Archaeology in 2001 titled 'Celtic Art and Archaeology' course code 'ARCH 3003'. Includes printed course schedule, study guide, and statement of assessment methods.

Author:

Publisher:

ISBN: OCLC:931711399

Category: Archaeology

Page:

View: 210

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Documents relating to a class run by the Flinders University Department of Archaeology in 2001 titled 'Celtic Art and Archaeology' course code 'ARCH 3003'. Includes printed course schedule, study guide, and statement of assessment methods.

Celtic Art

In this fully revised and updated edition of his highly praised study, Stead examines the Celtic craftsmen's techniques and describes a number of their surviving masterpieces, such as the Battersea shield and the Aylesford bucket.

Author: Ian Mathieson Stead

Publisher:

ISBN: UOM:39015040670823

Category: Art

Page: 96

View: 735

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The Celtic-speaking Britons who inhabited England, Wales, and part of Scotland in the five hundred years before the birth of Christ left no written history. However, archaeology has revealed some of their artistic achievements, and every year more objects are unearthed. Jewelry, weapons, armor, and the metal fittings of chariots and harnesses are magnificently decorated with fascinating and powerful abstract designs. In this fully revised and updated edition of his highly praised study, Stead examines the Celtic craftsmen's techniques and describes a number of their surviving masterpieces, such as the Battersea shield and the Aylesford bucket.

The Archaeology of Celtic Britain and Ireland

Including a full survey of artefacts and archaeological sites, from memorial stones to monasteries, this is essential reading for any student or scholar with an interest in Celtic archaeology, history or culture.

Author: Lloyd Laing

Publisher: Cambridge University Press

ISBN: 0521547407

Category: Social Science

Page: 422

View: 650

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The image of the Celt is one of the most emotive in the European past, evoking pictures of warriors, feasts, and gentle saints and scholars. This comprehensive and fully-illustrated book, first published in 2006, re-appraises the archaeology of the Celtic-speaking areas of Britain and Ireland from the late fourth to the twelfth century AD, a period in which the Celts were a leading cultural force in northern Europe. Drawing on recent scientific advances, the book provides a new perspective on the economy, settlement, material culture, art and technological achievements of the early medieval Celts and re-examines their interaction with the Romans and Vikings. Including a full survey of artefacts and archaeological sites, from memorial stones to monasteries, this is essential reading for any student or scholar with an interest in Celtic archaeology, history or culture.

Celtic Art and Archaeology 2003

Documents relating to a class run by the Flinders University Department of Archaeology in 2003 titled 'Celtic Art and Archaeology' course code 'ARCH 3003'.

Author:

Publisher:

ISBN: OCLC:931711387

Category: Archaeology

Page:

View: 321

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Documents relating to a class run by the Flinders University Department of Archaeology in 2003 titled 'Celtic Art and Archaeology' course code 'ARCH 3003'. Includes printed study guides, fact sheets, assessment methods, class schedule, class notes, enrolment sheets and final grades, student assignments, correspondence with students, student evaluations of teaching, and application for a liquor license. Also includes some material from the preceding class in 2002.