Screenwriting is Storytelling

CHAPTER ONE Screenwriting Is Storytelling SCREENWRITING is storytelling . Storytellers are compelled to tell their stories — not necessarily for fame or fortune — but because their stories portray characters whose experiences help us ...

Author: Kate Wright

Publisher: Penguin

ISBN: 039953024X

Category: Performing Arts

Page: 292

View: 421

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While most screenwriting books focus on format and structure, Kate Wright explains how to put story at the center of a screenplay. A compelling story, complete with intriguing characters and situations created with these screenwriting tricks of the trade can become a box office blockbuster film. Screenwriters will learn: - Developing themes within the plot - Using structure to define the story - Creating memorable characters - Establishing moral dilemmas and conflicts - Achieving classic elements of storytelling in a three-act dramatic structure - Mastering different genres

Screenwriting for a Global Market

In a warm war climate I began a continuing summer workshop, stimulating, bullying, and praising screenwriting war- riors in the Balkans. We profess/teach screenwriting the storytelling way. Ben Zulu calls from Zimbabwe and we again ...

Author: Andrew Horton

Publisher: Univ of California Press

ISBN: 9780520937529

Category: Performing Arts

Page: 227

View: 208

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Cinema is a truly global phenomenon and screenwriters who limit their ambitions to Hollywood can unnecessarily limit their careers. This book, loaded with information on every page, provides the practical know-how for breaking into the global marketplace. It is the first book to offer specific advice on writing for screens large and small, around the world from Hollywood to New Zealand, from Europe to Russia, and for alternative American markets including Native American, regional, and experimental. The book provides valuable insider information, such as * Twenty-five percent of German television is written by Hollywood writers. Screenwriters just need to know how to reach that market. * Many countries, including those in the European Union, have script development money available—to both foreign and local talent--from government-sponsored film funds. * The Web's influence on the film industry has been profound, and here you can find out how to network through the Web. The book also lists the key Web addresses for writers. Andrew Horton, author of two acclaimed books on screenwriting, includes personal essays by accomplished screenwriters from around the world and offers insightful case studies of several films and television scripts, among them My Big Fat Greek Wedding; Crouching Tiger, Hidden Dragon; and The Sopranos. Full of endless enthusiasm for great films and great scripts, this book will be an essential resource for both aspiring writers and accomplished writers hoping to expand their horizons, improve their skills, and increase their chances for success. Includes an interview with Terry Gilliam and contributions from Bernard Gordon, writer for The Day of the Triffids and The Thin Red Line; Lew Hunter, Chair of Screenwriting at UCLA; Karen Hall, writer/producer for Judging Amy and M*A*S*H; and other screenwriters

Classical Storytelling and Contemporary Screenwriting

In Classical Storytelling and Contemporary Screenwriting, Brian Price examines Aristotle’s conclusions in an entertaining and accessible way and then applies those guiding principles to the most modern of storytelling mediums, going from ...

Author: Brian Price

Publisher: Taylor & Francis

ISBN: 9781351373234

Category: Art

Page: 244

View: 895

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Since we first arrived on the planet, we’ve been telling each other stories, whether of that morning’s great saber-tooth tiger hunt or the latest installment of the Star Wars saga. And throughout our history, despite differences of geography or culture, we’ve been telling those stories in essentially the same way. Why? Because there is a RIGHT way to tell a story, one built into our very DNA. In his seminal work Poetics, Aristotle identified the patterns and recurring elements that existed in the successful dramas of his time as he explored precisely why we tell stories, what makes a good one, and how to best tell them. In Classical Storytelling and Contemporary Screenwriting, Brian Price examines Aristotle’s conclusions in an entertaining and accessible way and then applies those guiding principles to the most modern of storytelling mediums, going from idea to story to structure to outline to final pages and beyond, covering every relevant screenwriting topic along the way. The result is a fresh new approach to the craft of screenwriting—one that’s only been around a scant 2,500 years or so—ideal for students and aspiring screenwriters who want a comprehensive step-by-step guide to writing a successful screenplay the way the pros do it.

Naked Screenwriting

I'm interested in how you feel about screenwriting as storytelling? Do you feel it's the closest thing to oral storytelling, or do you have another notion? Jean- Claude: I think basically screenwriting is modern storytelling.

Author: Lew Hunter

Publisher:

ISBN: 9781538137963

Category:

Page: 530

View: 148

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Through interviews with world-renowned UCLA screenwriting professor Lew Hunter, Oscar-winning screenwriters and multiple award-winners reveal their Hollywood secrets in crafting brilliant stories and methodology. Interviewees include Francis Ford Coppola, William Golden, Alexander Payne, Ernest Lehman, Horton Foote and Billy Wilde.

Great Adaptations Screenwriting and Global Storytelling

but the twelve short stories don't automatically fit the twelve stages of the “Hero's Journey.” Simon Beaufoy, the screenwriter of Slumdog Millionaire (UK/France/USA, 2008), kept the Indian setting and premise but tossed out “most of ...

Author: Alexis Krasilovsky

Publisher: Taylor & Francis

ISBN: 9781317363583

Category: Performing Arts

Page: 262

View: 436

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Great Adaptations: Screenwriting and Global Storytelling is the Second Place Winner in the 2019 International Writers Awards! A vast majority of Academy Award-winning Best Pictures, television movies of the week, and mini-series are adaptations, watched by millions of people globally. Great Adaptations: Screenwriting and Global Storytelling examines the technical methods of adapting novels, short stories, plays, life stories, magazine articles, blogs, comic books, graphic novels and videogames from one medium to another, focusing on the screenplay. Written in a clear and succinct style, perfect for intermediate and advanced screenwriting students, Great Adaptations explores topics essential to fully appreciating the creative, historical and sociological aspects of the adaptation process. It also provides up-to-date, practical advice on the legalities of acquiring rights and optioning and selling adaptations, and is inclusive of a diverse variety of perspectives that will inspire and challenge students and screenwriters alike. Please follow the link below to a short excerpt from an interview with Carole Dean about Great Adaptations: https://fromtheheartproductions.com/getting-creative-when-creating-great-adaptations/

The EEEEasy Approach to Great Storytelling and Screenwriting

There are many scriptwriting software programs and options available that will automatically format your script properly, saving you time, energy, and your sanity, so you can focus more on great storytelling rather than margins and ...

Author: Trevor L. Smith

Publisher: Legacy Street, LLC

ISBN: 9780988838321

Category: Performing Arts

Page:

View: 389

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Do you want to be a great storyteller or screenwriter? Well, consider it done! It all starts with a decision... and The EEEEasy Approach to Great Storytelling and Screenwriting is a step-by-step comprehensive guidebook that will teach you how to craft great stories and characters that are compelling and as unique as you are. You will learn how to write a professional industry-standard screenplay or manuscript, and this book will give you the tools, inspiration, and motivation to turn your decision into action so that you can start and finish your creative projects. The EEEEasy Approach to Great Storytelling and Screenwriting is Trevor L. Smith’s unique method of teaching the structure and form (not formula) of great storytelling and screenwriting, focusing on the four simple and EEEEasy elements of experience, express, extract, and embody, to help you build complex stories, and characters that are unique, real, and relatable. This book will teach you great storytelling and screenwriting in a way that is EEEEasy to learn and understand so you can start writing with creative excellence... Now. In this book you will learn how to: Find story-worthy ideas • Turn your ideas into a premise • Develop your premise into an engaging story • Masterfully develop characters and dialogue • Write professional and visually written screenplays • Protect your intellectual property • Effectively rewrite your stories and scripts • Draft attention-grabbing loglines and query letters • Set goals, establish and change mindsets, overcome writer’s block, and more... This book is perfect for new screenwriters and authors, struggling writers who feel stuck and unable to complete their projects, experienced writers looking for a fresh perspective, and producers, directors, actors, and any creatives with a desire to tell their own engaging stories.

Transcultural Screenwriting

This volume combines methods for studying, as well as methods for doing. It draws on case studies and testimonials from writers from all over the globe including South America, Europe and Asia.

Author: Carmen Sofia Brenes

Publisher: Cambridge Scholars Publishing

ISBN: 9781443893909

Category: Performing Arts

Page: 199

View: 743

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The world in which we live and work today has created new working conditions where storytellers, screenwriters and filmmakers collaborate with colleagues from other countries and cultures. This involves new challenges regarding the practice of transcultural screenwriting and the study of writing screenplays in a multi-cultural environment. Globalisation and its imperatives have seen the film co-production emerge as a means of sharing production costs and creating stories that reach transnational audiences. Transcultural Screenwriting: Telling Stories for a Global World provides an interdisciplinary approach to the study of screenwriting as a creative process by integrating the fields of film and TV production studies, screenwriting studies, narrative studies, rhetorics, transnational cinema studies, and intercultural communication studies. The book applies the emerging theoretical lens of ‘transcultural studies’ to open new perspectives in the debate around notions of transnationalism, imperialism and globalisation, particularly in the screenwriting context, and to build stronger links across academic disciplines. This volume combines methods for studying, as well as methods for doing. It draws on case studies and testimonials from writers from all over the globe including South America, Europe and Asia. Transcultural Screenwriting: Telling Stories for a Global World is characterised by its scope, broad relevance, and emphasis on key aspects of screenwriting in an international environment.

How to Build a Great Screenplay

He offers in-depth considerations of: * characterization * story arc * plotting and subplotting * dealing with coincidence in story plotting * classical vs. revolutionary screenplay structure * tone, style, and atmosphere * the use of time ...

Author: David Howard

Publisher: St. Martin's Press

ISBN: 9781429994781

Category: Performing Arts

Page: 464

View: 323

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How to Bulid a Great Screenplay is a definitive guide on the mechanics of screenwriting--filled with examples--from the author of The Tools of Screenwriting. Acclaimed USC screenwriting teacher David Howard has guided hundreds of students to careers in writing for film and television. Drawing on decades of practical experience and savvy, How to Build a Great Screenplay deconstructs the craft of screenwriting and carefully reveals how to build a good story from the ground up. Howard eschews the "system" offered by other books, emphasizing that a great screenplay requires dozens of unique decisions by the author. He offers in-depth considerations of: * characterization * story arc * plotting and subplotting * dealing with coincidence in story plotting * classical vs. revolutionary screenplay structure * tone, style, and atmosphere * the use of time on screen * the creation of drama and tension * crucial moments in storytelling Throughout the book, Howard clarifies his lessons through examples from some of the most successful Hollywood and international script-oriented films, including Pulp Fiction, American Beauty, Trainspotting, North by Northwest, Chinatown, and others. The end result is what could very well become the classic text in the field---a bible for the burgeoning screenwriter.

Harry Potter and the Prisoner of Azkaban

On darkest moments, see Paul Lucey, Story Sense: A Screenwriter's Guide for Film and Television (New York: McGraw-Hill, 1994), 63; and Kate Wright, Screenwriting Is Storytelling: Creating an A-List Screenplay that Sells!

Author: Patrick Keating

Publisher: University of Texas Press

ISBN: 9781477323144

Category: Performing Arts

Page: 186

View: 407

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An essential work of twenty-first-century cinema, Alfonso Cuarón’s 2004 film Harry Potter and the Prisoner of Azkaban is an elegant exemplar of contemporary cinematic trends, including serial storytelling, the rise of the fantasy genre, digital filmmaking, and collaborative authorship. With craft, wonder, and wit, the film captures the most engaging elements of the novel while artfully translating its literary point of view into cinematic terms that expand on the world established in the book series and previous films. In this book, Patrick Keating examines how Cuarón and his collaborators employ cinematography, production design, music, performance, costume, dialogue, and more to create the richly textured world of Harry Potter—a world filtered principally through Harry’s perspective, characterized by gaps, uncertainties, and surprises. Rather than upholding the vision of a single auteur, Keating celebrates Cuarón’s direction as a collaborative achievement that resulted in a family blockbuster layered with thematic insights.