Screenwriters and Screenwriting

We have experienced what we might call a 'screenwriting turn' in the last five or
so years. By this I mean that in the fields of screen and cultural studies, we have
begun to both understand and appreciate the role of the screenwriter much more
 ...

Author: C. Batty

Publisher: Springer

ISBN: 9781137338938

Category: Performing Arts

Page: 301

View: 958

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Screenwriters and Screenwriting is an innovative, fresh and lively book that is useful for both screenwriting practice and academic study. It is international in scope, with case studies and analyses from the US, the UK, Australia, Japan, Ireland and Denmark. The book presents a distinctive collection of chapters from creative academics and critical practitioners that serve one purpose: to put aspects of screenwriting practice into their relevant contexts. Focusing on how screenplays are written, developed and received, the contributors challenge assumptions of what 'screenwriting studies' might be, and celebrates the role of the screenwriter in the creation of a screenplay. It is intended to be thought provoking and stimulating, with the ultimate aim of inspiring current and future screenwriting practitioners and scholars.

Screenwriting is Storytelling

Provides guidance for aspiring scriptwriters on how to create a successful screenplay, offering practical suggestions on how to develop themes within the plot, use structure to define the story, create memorable characters, and present ...

Author: Kate Wright

Publisher: Penguin

ISBN: 039953024X

Category: Performing Arts

Page: 264

View: 422

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Provides guidance for aspiring scriptwriters on how to create a successful screenplay, offering practical suggestions on how to develop themes within the plot, use structure to define the story, create memorable characters, and present moral dilemmas andconflicts.

Screenwriting

This book explores the social, political, and economic implications of the changing craft of American screenwriting from the silent screen through the classical Hollywood years, the rise of independent cinema, and on to the contemporary ...

Author: Andrew Horton

Publisher: Rutgers University Press

ISBN: 9780813563428

Category: Performing Arts

Page: 224

View: 929

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Screenwriters often joke that “no one ever paid a dollar at a movie theater to watch a screenplay.” Yet the screenplay is where a movie begins, determining whether a production gets the “green light” from its financial backers and wins approval from its audience. This innovative volume gives readers a comprehensive portrait of the art and business of screenwriting, while showing how the role of the screenwriter has evolved over the years. Reaching back to the early days of Hollywood, when moonlighting novelists, playwrights, and journalists were first hired to write scenarios and photoplays, Screenwriting illuminates the profound ways that screenwriters have contributed to the films we love. This book explores the social, political, and economic implications of the changing craft of American screenwriting from the silent screen through the classical Hollywood years, the rise of independent cinema, and on to the contemporary global multi-media marketplace. From The Birth of a Nation (1915), Gone With the Wind (1939), and Gentleman’s Agreement (1947) to Chinatown (1974), American Beauty (1999), and Lost in Translation (2003), each project began as writers with pen and ink, typewriters, or computers captured the hopes and dreams, the nightmares and concerns of the periods in which they were writing. As the contributors take us behind the silver screen to chronicle the history of screenwriting, they spotlight a range of key screenplays that changed the game in Hollywood and beyond. With original essays from both distinguished film scholars and accomplished screenwriters, Screenwriting is sure to fascinate anyone with an interest in Hollywood, from movie buffs to industry professionals.

Screenplay

In Screenplay, Syd Field can help you discover: • Why the first ten pages of every script are crucial to keeping professional readers’ interest • How to visually “grab” these influential readers from page one, word one • Why ...

Author: Syd Field

Publisher: Delta

ISBN: 0307423263

Category: Reference

Page: 336

View: 487

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Hollywood’s script guru teaches you how to write a screenplay in “the ‘bible’ of screenwriting” (The New York Times)—now celebrating forty years of screenwriting success! Syd Field’s books on the essential structure of emotionally satisfying screenplays have ignited lucrative careers in film and television since 1979. In this revised edition of his premiere guide, the underpinnings of successful onscreen narratives are revealed in clear and encouraging language that will remain wise and practical as long as audiences watch stories unfold visually—from hand-held devices to IMAX to virtual reality . . . and whatever comes next. As the first person to articulate common structural elements unique to successful movies, celebrated producer, lecturer, teacher and bestselling author Syd Field has gifted us a classic text. From concept to character, from opening scene to finished script, here are fundamental guidelines to help all screenwriters—novices and Oscar-winners—hone their craft and sell their work. In Screenplay, Syd Field can help you discover: • Why the first ten pages of every script are crucial to keeping professional readers’ interest • How to visually “grab” these influential readers from page one, word one • Why structure and character are the basic components of all narrative screenplays • How to adapt a novel, a play, or an article into a saleable script • Tips on protecting your work—three ways to establish legal ownership of screenplays • Vital insights on writing authentic dialogue, crafting memorable characters, building strong yet flexible storylines (form, not formula), overcoming writer's block, and much more Syd Field is revered as the original master of screenplay story structure, and this guide continues to be the industry’s gold standard for learning the foundations of screenwriting.

A Philosophy of the Screenplay

To this end, this volume addresses the fundamental philosophical questions about the nature of the screenplay: What is a screenplay? Is the screenplay art—more specifically, literature? What kind of a thing is a screenplay?

Author: Ted Nannicelli

Publisher: Routledge

ISBN: 9780415521444

Category: Art

Page: 270

View: 872

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Recently, scholars in a variety of disciplines—including philosophy, film and media studies, and literary studies—have become interested in the aesthetics, definition, and ontology of the screenplay. To this end, this volume addresses the fundamental philosophical questions about the nature of the screenplay: What is a screenplay? Is the screenplay art—more specifically, literature? What kind of a thing is a screenplay? Nannicelli argues that the screenplay is a kind of artefact; as such, its boundaries are determined collectively by screenwriters, and its ontological nature is determined collectively by both writers and readers of screenplays. Any plausible philosophical account of the screenplay must be strictly constrained by our collective creative and appreciative practices, and must recognize that those practices indicate that at least some screenplays are artworks.

Essentials of Screenwriting

There is never a shortage of aspiring screenwriters, and this book is their bible.

Author: Richard Walter

Publisher: Penguin

ISBN: 9781101664681

Category: Performing Arts

Page: 400

View: 351

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Hollywood's premier teacher of screenwriting shares the secrets of writing and selling successful screenplays Anyone fortunate enough to win a seat in Professor Richard Walter's legendary class at UCLA film school can be confident their career has just taken a quantum leap forward. His students have written more than ten projects for Steven Spielberg alone, plus hundreds of other Hollywood blockbusters and prestigious indie productions, including two recent Oscar winners for best original screenplay-Milk (2008) and Sideways (2006). In this updated edition, Walter integrates his highly coveted lessons and principles from Screenwriting with material from his companion text, The Whole Picture, and includes new advice on how to turn a raw idea into a great movie or TV script-and sell it. There is never a shortage of aspiring screenwriters, and this book is their bible.

Writing the Character Centered Screenplay Updated and Expanded edition

With this book, Horton, a film scholar and successful screenwriter, provides the definitive work on the character-based screenplay.

Author: Andrew Horton

Publisher: Univ of California Press

ISBN: 0520924177

Category: Performing Arts

Page: 249

View: 925

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"We need good screenwriters who understand character." Everywhere Andrew Horton traveled in researching this book—from Hollywood to Hungary—he heard the same refrain. Yet most of the standard how-to books on screenwriting follow the film industry's earlier lead in focusing almost exclusively on plot and formulaic structures. With this book, Horton, a film scholar and successful screenwriter, provides the definitive work on the character-based screenplay. Exceptionally wide-ranging—covering American, international, mainstream, and "off-Hollywood" films, as well as television—the book offers creative strategies and essential practical information. Horton begins by placing screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character. He then suggests specific techniques and concepts to help any writer—whether new or experienced—build more vivid characters and screenplays. Centering his discussion around four film examples—including Thelma & Louise and The Silence of the Lambs—and the television series, Northern Exposure, he takes the reader step-by-step through the screenwriting process, starting with the development of multi-dimensional characters and continuing through to rewrite. Finally, he includes a wealth of information about contests, fellowships, and film festivals. Espousing a new, character-based approach to screenwriting, this engaging, insightful work will prove an essential guide to all of those involved in the writing and development of film scripts.

Screenwriting for Neurotics

With an emphasis on helping a writer not just to begin, but also to finish a script, Screenwriting for Neurotics is the screenwriting book to help you actually write one.

Author: Scott Winfield Sublett

Publisher: University of Iowa Press

ISBN: 9781609382766

Category: Performing Arts

Page: 262

View: 574

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Screenwriting for Neurotics is a quirky and accessible handbook for beginning screenwriters. Whether you are a student in a screenwriting class or just someone who wants to try their hand at writing for film or television, this handy guidebook makes the entire process simple and unintimidating. Scott Winfield Sublett, a veteran screenwriter and screenwriting teacher, walks you step by step from start to finish and helps you navigate potential and unforeseen difficulties along the way, offering handy tips and suggestions to keep you from becoming blocked or stalled. Rather than throwing you into the writing process headfirst, Sublett guides you through the various decisions you need to make—about plot, character, structure, conflict—in the order you need to make them. He explains in straightforward terms the terminology and jargon, the theory and industry standards, and dispels common myths about screenwriting that can discourage or hold back a beginning writer. Balancing theory and practice and offering valuable and insightful examples from recognizable and well-known classic and contemporary films, ranging from Casablanca to A Christmas Story to Clerks, Sublett provides the new writer with the necessary tools to successfully write a feature-length screenplay and offers a roadmap of where to go next. With an emphasis on helping a writer not just to begin, but also to finish a script, Screenwriting for Neurotics is the screenwriting book to help you actually write one.

Screenwriting

Working across contemporary histories of film and screenwriting, and US screenwriting manuals from the 1910s and 1920s, this volume breaks new ground in thinking about the nature of scripting, and how screenwriting took shape as a ...

Author: Steven Maras

Publisher:

ISBN: UOM:39015078794248

Category: Performing Arts

Page: 227

View: 508

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Working across contemporary histories of film and screenwriting, and US screenwriting manuals from the 1910s and 1920s, this volume breaks new ground in thinking about the nature of scripting, and how screenwriting took shape as a particular kind of practice.

The Essential Screenplay 3 Book Bundle

This blockbuster ebook bundle includes: SCREENPLAY: FOUNDATIONS OF SCREENWRITING • THE SCREENWRITER’S WORKBOOK • THE SCREENWRITER’S PROBLEM SOLVER Syd Field was “the most sought-after screenwriting teacher in the world” ...

Author: Syd Field

Publisher: Bantam

ISBN: 9781101969595

Category: Reference

Page: 1040

View: 263

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Hollywood’s script guru teaches you how to write a screenplay in the ultimate three-volume guide to writing for film, featuring “the ‘bible’ of screenwriting” (The New York Times), Screenplay—now celebrating forty years of screenwriting success! This blockbuster ebook bundle includes: SCREENPLAY: FOUNDATIONS OF SCREENWRITING • THE SCREENWRITER’S WORKBOOK • THE SCREENWRITER’S PROBLEM SOLVER Syd Field was “the most sought-after screenwriting teacher in the world” according to The Hollywood Reporter. His pioneering insights into structure, concept, and character launched innumerable careers. Now in one handy collection, his invaluable expertise is available to aspiring writers and working professionals alike. The Essential Screenplay contains Syd Field’s Screenplay: The Foundations of Screenwriting, the industry standard for script development; The Screenwriter’s Workbook, a hands-on workshop full of practical exercises for creating successful screenplays; and The Screenwriter’s Problem Solver, a guide to identifying and fixing problems in your latest draft. Throughout, you’ll learn: • why the first ten pages of your script are crucially important • how to visually “grab” the reader from page one • what makes great stories work • the basics of writing dialogue • the essentials of creating great characters • how to adapt a novel, a play, or an article for the screen • the three ways to claim legal ownership of your work • tips for allowing your creative self to break free when you hit the “wall” • how to overcome writer’s block forever Featuring expert analysis of popular films including Pulp Fiction, Thelma & Louise, and the Lord of the Rings trilogy, The Essential Screenplay will transform your initial idea into a screenplay that’s destined for success—and maybe even Cannes. Praise for Syd Field “The most sought-after screenwriting teacher in the world.”—The Hollywood Reporter “Syd Field is the preeminent analyzer in the study of American screenplays.”—James L. Brooks, Academy Award–winning writer, director, producer

The Screenwriter Activist

Using examples from classic and recent popular films, The Screenwriter Activist: Explores the motivation and sensibility a screenwriter needs to embark on a social issue project Gives techniques for choosing compelling subjects Provides ...

Author: Marilyn Beker

Publisher: Routledge

ISBN: 9780415897143

Category: Social Science

Page: 186

View: 402

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Hotel Rwanda. Philadelphia. Silkwood. Some of the most important films ever made have tackled real-world social issues, from genocide to homophobia to corporate greed. As storytellers, activist screenwriters recognize that social issues make great stories that can be gut-wrenching, heart-tugging, funny, tragic, and interesting to watch. The Screenwriter Activist helps screenwriters tell those stories in compelling, non-preachy, and inspiring ways. The Screenwriter Activist is an in-depth, practical guide, appropriate for students in intermediate or graduate screenwriting courses in Film and English Programs as well as professionals who want to write a movie that can make a difference in the world. Using examples from classic and recent popular films, The Screenwriter Activist: Explores the motivation and sensibility a screenwriter needs to embark on a social issue project Gives techniques for choosing compelling subjects Provides historical context for social issue movies Explains how characters legitimize social issue themes Puts forward specific models for structuring advocacy screenplays Lays out a roadmap for how screenwriters can get a social issue movie made If you care deeply about social issues and recognize that films can be highly effective platforms for motivativng audiences to civic involvement and social action, this is the one screenwriting book you need to read.

The Screenwriter s Bible

Among this book's wealth of practical information are sample query letters, useful worksheets and checklists, hundreds of examples, sample scenes, and straightforward explanations of screenwriting fundamentals.

Author: David Trottier

Publisher:

ISBN: 1935247107

Category: Performing Arts

Page: 442

View: 460

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The 20th anniversary edition of one of the most popular, authoritative, and useful books on screenwriting. A standard by which other screenwriting books are measured, it has sold over 250,000 copies in its twenty-year life. Always up-to-date and reliable, it contains everything that both the budding and working screenwriter need under one cover - five books in one! A Screenwriting Primer -- that provides a concise course in screenwriting basics; A Screenwriting Workbook -- that walks you through the complete writing process, from nascent ideas through final revisions; A Formatting Guide -- that thoroughly covers todays correct formats for screenplays and TV scripts; A Spec Writing Guide -- that demonstrates todays spec style through sample scenes and analysis, with an emphasis on grabbing the readers interest in the first ten pages; A Sales and Marketing Guide -- that presents proven strategies to help you create a laser-sharp marketing plan. Among this books wealth of practical information are sample query letters, useful worksheets and checklists, hundreds of examples, sample scenes, and straightforward explanations of screenwriting fundamentals. This 6th edition is full of new examples, the latest practices, and new material on non-traditional screenplay outlets.

How Not to Write a Screenplay

Offers advice on how to avoid the pitfalls of bad screenwriting, including spelling and typos, character description, camera work, and structure

Author: Denny Martin Flinn

Publisher: Lone Eagle

ISBN: 1580650155

Category: Performing Arts

Page: 226

View: 296

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Offers advice on how to avoid the pitfalls of bad screenwriting, including spelling and typos, character description, camera work, and structure

Notes to Screenwriters

This book is destined to be a resource for every writer who gets past the initial stage of writing a first draft and needs sage counsel for what to do next.

Author: Barbara Nicolosi

Publisher:

ISBN: 1615932135

Category: Performing Arts

Page: 256

View: 663

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Screen storytelling is an essentially collaborative process. Writers need feedback but too often the notes they receive stall them and even demoralize them. This book unpacks the whys and what-fors of all the most commonly given notes on scripts, stories, and writers themselves. Coming from the perspective of experienced Hollywood professionals, Notes to Screenwriters offers insightful and concise guidance on the entire storytelling process, as well as what comes before it in the life of the writer, and after it in the marketing of the screenplay. It is a unique blend of classical storytelling principles combined with practical knowledge of the contemporary marketplace. This book is destined to be a resource for every writer who gets past the initial stage of writing a first draft and needs sage counsel for what to do next.

The Screenwriter s Workout

The Screenwriter's Workout is a complete training program for your mind - with over 75 exercises and hundreds of activities specifically designed for both new and experienced screenwriters to train the neural pathways that generate story.

Author: Will Hicks

Publisher: Independently Published

ISBN: 1793197318

Category: Performing Arts

Page: 454

View: 151

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Flex your screenwriting skills and stretch your creativity with The Screenwriter's Workout! The Screenwriter's Workout is a complete training program for your mind - with over 75 exercises and hundreds of activities specifically designed for both new and experienced screenwriters to train the neural pathways that generate story. Have Fun While You: Design Dynamic Characters - New character creation tools make it easy to create characters designed to fit seamlessly with your script. Explore Structure - Delve inside structure to learn what it does, what it really is, and why you need it. Create Stories - Explore the art, science and craft of cinematic narrative with story-building tools, lessons and theories specifically designed to enhance your storytelling skills. Redefine Conflict - Learn what conflict actually is and what it does to an audience. Analyze Your Work - Save time and effort with rewriting tools to analyze the design of your screenplay. Craft Compelling Loglines - Learn how to write powerful loglines designed to help your screenplay sell. Discover Interactive Screenwriting - Learn the techniques and theories behind writing screenplays that engage and interact with audiences. Written in a conversational style, The Screenwriter's Workout is a fun and interactive way to strengthen your craft, hone your writing skills and refine your storytelling.

The Screenwriter s Workbook

Exercises and Step-by-Step Instructions for Creating a Successful Screenplay,
Newly Revised and Updated Syd Field. Helgeland), Cimlcrella Mun (Chris
Hollingsworth and Akiva Goldsman), all three parts of The Lord of the Rings, The
 ...

Author: Syd Field

Publisher: Delta

ISBN: 9780307497727

Category: Reference

Page: 320

View: 212

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At last! The classic screenwriting workbook—now completely revised and updated—from the celebrated lecturer, teacher, and bestselling author, Syd Field: “the most sought-after screenwriting teacher in the world”* No one knows more about screenwriting than Syd Field—and now the ultimate Hollywood insider shares his secrets and expertise, completely updating his bestselling workbook for a new generation of screenwriters. Filled with new material—including fresh insights and anecdotes from the author and analyses of films from Pulp Fiction to Brokeback Mountain—The Screenwriter’s Workbook is your very own hands-on workshop, the book that allows you to participate in the processes that have made Syd Field’s workshops invaluable to beginners and working professionals alike. Follow this workbook through to the finish, and you’ll end up with a complete and salable script! Learn how to: • Define the idea on which your script will be built • Create the model—the paradigm—that professionals use • Bring your characters to life • Write dialogue like a pro • Structure your screenplay for success from the crucial first pages to the final act Here are systematic instructions, easy-to-follow exercises, a clear explanation of screenwriting basics, and expert advice at every turn—all the moment-to-moment, line-by-line help you need to transform your initial idea into a professional screenplay that’s earmarked for success. The Perfect Companion Volume to Syd Field’s Revised and Updated Edition of Screenplay: The Foundations of Screenwriting *Hollywood Reporter From the Trade Paperback edition.

Elements of Style for Screenwriters

Alphabetical entries provide detailed explanations of the acceptable format, structure, and style for television and film screenplay submissions

Author: Paul Argentini

Publisher: Lone Eagle Publishing Company

ISBN: UOM:39015046880392

Category: Language Arts & Disciplines

Page: 176

View: 266

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Alphabetical entries provide detailed explanations of the acceptable format, structure, and style for television and film screenplay submissions

The Art and Science of Screenwriting

As screenwriters come to be seen as the storytellers of the age this book presents the fundamentals of writing a really compelling screenplay.

Author: Philip Parker

Publisher: Intellect Books

ISBN: 1841500658

Category: Performing Arts

Page: 219

View: 299

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As screenwriters come to be seen as the storytellers of the age this book presents the fundamentals of writing a really compelling screenplay. Parker's new approach to writing for film and TV covers everything from finding an idea to writing a finished piece, containing advice on how to apply creative vision and the needs of the market. Parker breaks from the dominant concerns of act structure and character-driven narratives with a six-part framework comprising story, plot, dramatic structures, narrative and style.

How to Write a Screenplay in Ten Weeks

Used as a textbook at New York University for over 10 years, How to Write a Screenplay in 10 Weeks Using the Horowitz System teaches screenwriters to better fulfill their creative vision by giving them a clear, focused method.

Author: Marilyn Horowitz

Publisher: Marilyn Horowitz

ISBN: 0979908914

Category: Language Arts & Disciplines

Page: 225

View: 806

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The Horowitz System(tm) shows how to turn an idea into the first draft of a screenplay in 10 weeks or less -- 80 percent of students who have used the method have completed original, well-structured scripts, many of which have gone on to win screenplay competitions, be optioned, or get produced. Used as a textbook at New York University for over 10 years, How to Write a Screenplay in 10 Weeks Using the Horowitz System(tm) teaches screenwriters to better fulfil their creative vision by giving them a clear, focused method. The Horowitz System(tm) uses a series of intuitive, visual exercises combined with a non-linear approach to traditional three-act structure -- the result is an organic, finely tuned first draft with high stakes and memorable characters.

Analysing the Screenplay

Analysing the Screenplay highlights the screenplay as an important form in itself, as opposed to merely being the first stage of the production process.

Author: Jill Nelmes

Publisher: Routledge

ISBN: 9781136912443

Category: Performing Arts

Page: 288

View: 630

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Most producers and directors acknowledge the crucial role of the screenplay, yet the film script has received little academic attention until recently, even though the screenplay has been in existence since the end of the 19th century. Analysing the Screenplay highlights the screenplay as an important form in itself, as opposed to merely being the first stage of the production process. It explores a number of possible approaches to studying the screenplay, considering the depth and breadth of the subject area, including: the history and early development of the screenplay in the United States, France and Britain the process of screenplay writing and its peculiar relationship to film production the assumption that the screenplay is standardised in form and certain stories or styles are universal the range of writing outside the mainstream, from independent film to story ideas in Bhutanese film production to animation possible critical approaches to analysing the screenplay. Analysing the Screenplay is a comprehensive anthology, offering a global selection of contributions from internationally renowned, specialist authors. Together they provide readers with an insight into this fascinating yet complex written form. This anthology will be of interest to undergraduate and postgraduate students on a range of Film Studies courses, particularly those on scriptwriting.