Screen Production Research

Aimed at students and educators across all levels of Higher Education, this agenda-setting book defines what screen production research is and looks like—and by doing so celebrates creative practice as an important pursuit in the ...

Author: Craig Batty

Publisher: Palgrave Macmillan

ISBN: 3319628364

Category: Performing Arts

Page: 253

View: 506

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Aimed at students and educators across all levels of Higher Education, this agenda-setting book defines what screen production research is and looks like—and by doing so celebrates creative practice as an important pursuit in the contemporary academic landscape. Drawing on the work of international experts as well as case studies from a range of forms and genres—including screenwriting, fiction filmmaking, documentary production and mobile media practice—the book is an essential guide for those interested in the rich relationship between theory and practice. It provides theories, models, tools and best practice examples that students and researchers can follow and expand upon in their own screen production projects.

Screen Production Research

Aimed at students and educators across all levels of Higher Education, this agenda-setting book defines what screen production research is and looks like—and by doing so celebrates creative practice as an important pursuit in the ...

Author: Craig Batty

Publisher: Springer

ISBN: 9783319628370

Category: Performing Arts

Page: 253

View: 183

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Aimed at students and educators across all levels of Higher Education, this agenda-setting book defines what screen production research is and looks like—and by doing so celebrates creative practice as an important pursuit in the contemporary academic landscape. Drawing on the work of international experts as well as case studies from a range of forms and genres—including screenwriting, fiction filmmaking, documentary production and mobile media practice—the book is an essential guide for those interested in the rich relationship between theory and practice. It provides theories, models, tools and best practice examples that students and researchers can follow and expand upon in their own screen production projects.

The Palgrave Handbook of Screen Production

Exactly how these six researchers conducted their work will be addressed in the next section, “Screen Production Research Enquiries”.

Author: Craig Batty

Publisher: Springer Nature

ISBN: 9783030217440

Category: Performing Arts

Page: 482

View: 642

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This handbook is an essential creative, critical and practical guide for students and educators of screen production internationally. It covers all aspects of screen production—from conceptualizing ideas and developing them, to realizing and then distributing them—across all forms and formats, including fiction and non-fiction for cinema, television, gallery spaces and the web. With chapters by practitioners, scholars and educators from around the world, the book provides a comprehensive collection of approaches for those studying and teaching the development and production of screen content. With college and university students in mind, the volume purposely combines theory and practice to offer a critically informed and intellectually rich guide to screen production, shaped by the needs of those working in education environments where ‘doing’ and ‘thinking’ must co-exist. The Palgrave Handbook of Screen Production fills an important gap in creative-critical knowledge of screen production, while also providing practical tools and approaches for future practitioners.

Designing for Screen

This book explains how to approach design, whether for film, television, video promo or commercial making, and introduces the techniques needed to make ideas happen.

Author: Georgina Shorter

Publisher: Crowood

ISBN: 9781847974464

Category: Performing Arts

Page: 176

View: 323

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Design is at the essence of storytelling, but how does a production find its style and identity? This book explains how to approach design, whether for film, television, video promo or commercial making, and introduces the techniques needed to make ideas happen. Through theory and practical exercises, it looks at design in a different way and shows how the simplest decisions can become powerful ideas on screen. Explains the roles of the design team, including the production designer and art director; Explains how to extract design information from a script and how to identify key themes that can be used to support the telling of the story; Looks at how and where to research ideas, and suggests ways to illustrate them; Explores the importance of images, colour, texture and space to captivate an audience; Shows how to prepare drawings and models using various media; Refers to film and television productions, and shows how design decisions contribute to the story.

Filmmaking as Research

In this chapter I also look at the significant role of found film footage and ... (2018) Screen Production Research: Creative Practice as a Mode of Enquiry.

Author: Diane Charleson

Publisher: Springer Nature

ISBN: 9783030246358

Category: Social Science

Page: 147

View: 910

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This book examines the challenges often experienced by film practitioners who find themselves researching within the academy, either as students or academics. In light of this the author presents her own journey from practitioner to researcher as a lens. Her practice- based research has been a quest to ”revision” memories, by creating filmic images that elicit memory and remembering. In so doing she has used a range of platforms: multi- screen video installation, still- framing the moving image and remixing found footage. Central to this research has been the importance of family storytelling and sharing, the relationship of the visual and memory, the agency of nostalgia and the role of aura, particularly evident in the re-appropriating of super 8 home movies into a variety of forms. Important to this is has been the relationship of the viewer and the viewed in particular the role of an immersive environment of viewing.

Handbook of Qualitative Research Methodologies in Workplace Contexts

The Writer's Journey: Mythic Structure for Storytellers and Screenwriters. 2nd edn. London: Pan Books. Webb, J. (2017). Screen Production Research ...

Author: Joanna Crossman

Publisher: Edward Elgar Publishing

ISBN: 9781789904345

Category: Business & Economics

Page: 320

View: 791

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This comprehensive Handbook explores both traditional and contemporary interpretations of qualitative research in the workplace, examining a variety of foundational and innovative qualitative methodological approaches.

The Oxford Handbook of Group Creativity and Innovation

A “logical” explanation of screen production as method-led research. In C. Batty & S. Kerrigan (Eds.) Screen production research: Creative practice as a ...

Author: Paul B. Paulus

Publisher: Oxford University Press

ISBN: 9780190648084

Category: Psychology

Page: 616

View: 827

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Although creativity is often considered an individual ability or activity, innovation in teams and organizations involves collaboration of people with diverse perspectives, knowledge, and skills. The effective development of collaborative innovations and solutions to problems is critical to the success of teams and organizations, but research has also demonstrated many factors which tend to limit the effectiveness of collaborative innovation of groups and teams. This volume highlights recent theoretical, empirical, and practical developments that provide a solid basis for the practice of collaborative innovation and future research. It draws from a broad range of research perspectives including cognition, social influence, groups, teams, creativity, communication, networks, information systems, organizational psychology, engineering, computer science, and the arts. This volume is an important source of information for students, scholars, practitioners, and others interested in understanding the complexity of the group creative process and tapping the creative potential of groups and teams.

Educating for Creativity within Higher Education

Integration of Research into Media Practice Phillip McIntyre, Janet Fulton, ... In C. Batty & S. M. Kerrigan (Eds.), Screen production research: Creative ...

Author: Phillip McIntyre

Publisher: Springer

ISBN: 9783319906744

Category: Education

Page: 240

View: 286

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This book provides innovative insights into how creativity can be taught within higher education. Preparing students for employment in a dynamic set of global creative industries requires those students to not only be resilient and entrepreneurial, but also to be locally focused while being globally aware. Therefore it is imperative that they acquire a thorough understanding of creative processes and practice as they try to keep pace with worldwide digital trends. As the creation of media messages is a fundamental aspect of global creative industries, and that numerous concerns practitioners face are based upon a certain understanding of creativity, the authors propose an exploration of what creativity is in terms of research, and then apply it pedagogically. Drawing on extensive empirical research, the authors pose the thought-provoking question of whether creativity can be taught. This volume will be of interest to both students and scholars of creativity and higher education as well as to creatively-based practitioners more widely.

Creative Practice Research in the Age of Neoliberal Hopelessness

Batty, Craig and Susan Kerrigan (2018), Screen Production Research: Creative Practice as a Mode of Enquiry, Basingstoke: Palgrave Macmillan.

Author: Piotrowska Agnieszka Piotrowska

Publisher: Edinburgh University Press

ISBN: 9781474463584

Category: Education

Page: 344

View: 602

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In Creative Practice Research in Film and Media, creative practitioners discuss their experiences and examine how to retain integrity during times of political and economic battles in higher education, and attempts to quantify creative work. It uses the notion of tactical compliance to evaluate whether and when creative practitioners compromise their creativity by working within the higher education system. It offers a space for reflection for both practitioners and theorists, and it presents a much-needed intervention, which will be of interest to all academics engaged with creative practice as research.

Research Methods in Outdoor Studies

Lights, camera, research: The specificity of research in screen production. In C. Batty & K. Susan (Eds.), Screen production research (pp. 29–46).

Author: Barbara Humberstone

Publisher: Routledge

ISBN: 9780429583520

Category: Education

Page: 352

View: 422

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Over the last two decades Outdoor Studies has emerged as an innovative and vibrant field of study. This is the first book to offer a comprehensive appraisal of established and cutting-edge research methods as applied to Outdoor Studies. Covering qualitative, quantitative and mixed methods, the book examines key methodologies, themes and technologies such as digital research, mobile methodologies, ethnography, interviews, research design, research ethics and ways of disseminating research. Featuring contributions from leading researchers from a variety of disciplinary backgrounds, this is an essential text for any Outdoor Studies course or for researchers looking for innovative and creative research techniques.

2nd European Conference on the Impact of Artificial Intelligence and Robotics

(2017) "A focus on collaboration: Fostering Australian screen production students' ... and research directions”, Journal of Management Studies, Vol 47, No.

Author: Florinda Matos

Publisher: Academic Conferences International limited

ISBN: 9781912764754

Category: Computers

Page:

View: 790

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These proceedings represent the work of contributors to the 2nd European Conference on the Impact of Artificial Intelligence and Robotics (ECIAIR 2020), hosted by ACI and Instituto Universitário de Lisboa (ISCTE-IUL), Portugal on 22-23 October 2020. The Conference Chair is Dr Florinda Matos, and the Programme Chairs are Dr Ana Maria de Almeida and Prof Isabel Salavisa, all from Instituto Universitário de Lisboa (ISCTE-IUL), Portugal.

17th International Conference on Intellectual Capital Knowledge Management Organisational Learning

(2017) "A focus on collaboration: Fostering Australian screen production students' ... and research directions”, Journal of Management Studies, Vol 47, No.

Author: Anthony Wensley

Publisher: Academic Conferences International limited

ISBN: 9781912764730

Category: Business & Economics

Page:

View: 455

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These proceedings represent the work of contributors to the 17th International Conference on Intellectual Capital, Knowledge Management & Organisational Learning (ICICKM 2020), hosted by ACI and the University of Toronto, Canada on 15-16 October 2020. The Conference Chairs are Dr. Anthony Wensley, from the University of Toronto and Dr. Max Evans, from McGill University. The Programme Chair is Dr. Ilja Frissen from McGill University.

Artists in the University

Positioning Artistic Research in Higher Education Jenny Wilson. Bast, G. (2015). ... The anonymous actor—Ethics and screen production research.

Author: Jenny Wilson

Publisher: Springer

ISBN: 9789811057748

Category: Education

Page: 229

View: 516

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This book focuses on the relationship between the university and a particular cohort of academic staff: those in visual and performing arts disciplines who joined the university sector in the 1990s. It explores how artistic researchers have been accommodated in the Australian university management framework and the impact that this has had on their careers, identities, approaches to their practice and the final works that they produce. The book provides the first analysis of this topic across the artistic disciplinary domain in Australia and updates the findings of Australia’s only comprehensive study of the position of research in the creative arts within the government funding policy setting reported in 1998 (The Strand Report). Using lived examples and a forensic approach to the research policy challenges, it shows that while limited progress has been made in the acceptance of artistic research as legitimate research, significant structural, cultural and practical challenges continue to undermine relationships between universities and their artistic staff and affect the nature and quality of artistic work.

The Doctoral Experience

(2019) and Screen Production Research: Creative Practice as a Mode of Enquiry (2018). He has also published over 50 book chapters and journals articles on ...

Author: Donna Lee Brien

Publisher: Springer Nature

ISBN: 9783030181994

Category: Education

Page: 253

View: 542

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This book offers important insights into the challenging yet rewarding journey of undertaking a PhD. Written by students, for students, the book explores a range of case studies from creative arts and humanities doctoral students, embracing a cognitive, emotional and transformational metaphor of the journey. The volume is organised around themes and concerns identified as important by PhD students, such as building resilience and working with supervisors, and includes personal stories, case studies, scholarly signposts and key take-away points relevant to all doctoral settings. With perspectives from all stages of the doctoral journey, this book is sure to become a valuable support to students and supervisors alike, as well as those working in research education and training.

Creating with Mobile Media

(Screen Production Research: The Big Questions). ... In 18th Biennial Conference of the Asian Studies Association of Australia in Adelaide, 5–8, ...

Author: Marsha Berry

Publisher: Springer

ISBN: 9783319653167

Category: Social Science

Page: 172

View: 804

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This book investigates the convergence between locative, mobile and social media in order to show how people use mobile media for their creative practice—creative writing, photography, video and filmmaking. The central thematic focus of this book explores how mobile media has created new opportunities and contexts for creative practitioners. It draws together creative practice research with non-representational theory and digital ethnography to provide a fresh perspective on the place mobile media has in our everyday creative lives. Fictionalized and semi-fictional vignettes are used to present empirical material taken from fieldnotes and interviews to demonstrate how new forms and genres of art making have arisen because of the affordances of mobile media. The chapters in this volume have been arranged into a sequence according to the kinds of actions that make up various creative practices.

Australian Screen in the 2000s

Therese has published articles on Indigenous Australian screen production in Studies in Australasian Cinema, Screening the Past, Continuum: Journal of Media ...

Author: Mark David Ryan

Publisher: Springer

ISBN: 9783319482996

Category: Performing Arts

Page: 370

View: 241

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This book provides coverage of the diversity of Australian film and television production between 2000 and 2015. In this period, Australian film and television have been transformed by new international engagements, the emergence of major new talents and a movement away with earlier films’ preoccupation with what it means to be Australian. With original contributions from leading scholars in the field, the collection contains chapters on particular genres (horror, blockbusters and comedy), Indigenous Australian film and television, women’s filmmaking, queer cinema, representations of history, Australian characters in non-Australian films and films about Australians in Asia, as well as chapters on sound in Australian cinema and the distribution of screen content. The book is both scholarly and accessible to the general reader. It will be of particular relevance to students and scholars of Anglophone film and television, as well as to anyone with an interest in Australian culture and creativity.

Research in Education

Descriptors— * Acting , * Biographies , * Comedy , Creative Activities , Creative Expression , Film Production , * Film Production Specialists , * Film ...

Author:

Publisher:

ISBN: UOM:39015023534244

Category: Education

Page:

View: 593

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Production Research Report

The study was designed to provide information on : ( 1 ) Mechanical ... 7 - cylinder revolving - screen cleaner , and extractor - feeder - cleaners . 2.

Author:

Publisher:

ISBN: HARVARD:LI5GAT

Category: Agriculture

Page:

View: 153

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Qualitative Data Analysis

Screen production research: Creative practice as a mode of enquiry. ... pieces on screenplays and film production as forms of qualitative research.

Author: Matthew B. Miles

Publisher: SAGE Publications

ISBN: 9781506353081

Category: Social Science

Page: 408

View: 805

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"This comprehensive, practical, user-friendly book provides a wealth of data analysis strategies that are essential for any qualitative research. It is a must-have tool book for moving from data analysis to writing for publication!" –Guofang Li, University of British Columbia, Canada Miles, Huberman, and Saldaña’s Qualitative Data Analysis: A Methods Sourcebook is the authoritative text for analyzing and displaying qualitative research data. The Fourth Edition maintains the analytic rigor of previous editions while showcasing a variety of new visual display models for qualitative inquiry. Graphics are added to the now-classic matrix and network illustrations of the original co-authors. Five chapters have been substantially revised, and the appendix’s annotated bibliography includes new titles in research methods. Graduate students and established scholars from all disciplines will find this resource an innovative compendium of ideas for the representation and presentation of qualitative data. As the authors demonstrate, when researchers "think display," their analyses of social life capture the complex and vivid processes of the people and institutions studied.

European Television Crime Drama and Beyond

He is senior researcher at imec-SMIT-VUB (Studies on Media, ... His research focus on written and audiovisual crime fiction and screen production research, ...

Author: Kim Toft Hansen

Publisher: Springer

ISBN: 9783319968872

Category: Social Science

Page: 294

View: 409

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This book is the first to focus on the role of European television crime drama on the international market. As a genre, the television crime drama has enjoyed a long and successful career, routinely serving as a prism from which to observe the local, national and even transnational issues that are prevalent in society. This extensive volume explores a wide range of countries, from the US to European countries such as Spain, Italy, the Scandinavian countries, Germany, England and Wales, in order to reveal the very currencies that are at work in the global production and circulation of the TV crime drama. The chapters, all written by leading television and crime fiction scholars, provide readings of crime dramas such as the Swedish-Danish The Bridge, the Welsh Hinterland, the Spanish Under Suspicion, the Italian Gomorrah, the German Tatort and the Turkish Cinayet. By examining both European texts and the ‘European-ness’ of various international dramas, this book ultimately demonstrates that transnationalism is at the very core of TV crime drama in Europe and beyond.