Robert Paul and the Origins of British Cinema

Telling the story of the white-hot years of filmmaking in the 1890s, Robert Paul and the Origins of British Cinema seeks to restore Robert Paul, Britain’s most important early innovator in film, to his rightful place.

Author: Ian Christie

Publisher: University of Chicago Press

ISBN: 9780226105635

Category: Performing Arts

Page: 355

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The early years of film were dominated by competition between inventors in America and France, especially Thomas Edison and the Lumière brothers . But while these have generally been considered the foremost pioneers of film, they were not the only crucial figures in its inception. Telling the story of the white-hot years of filmmaking in the 1890s, Robert Paul and the Origins of British Cinema seeks to restore Robert Paul, Britain’s most important early innovator in film, to his rightful place. From improving upon Edison’s Kinetoscope to cocreating the first movie camera in Britain to building England’s first film studio and launching the country’s motion-picture industry, Paul played a key part in the history of cinema worldwide. It’s not only Paul’s story, however, that historian Ian Christie tells here. Robert Paul and the Origins of British Cinema also details the race among inventors to develop lucrative technologies and the jumbled culture of patent-snatching, showmanship, and music halls that prevailed in the last decade of the nineteenth century. Both an in-depth biography and a magnificent look at early cinema and fin-de-siècle Britain, Robert Paul and the Origins of British Cinema is a first-rate cultural history of a fascinating era of global invention, and the revelation of one of its undervalued contributors.

Provenance and Early Cinema

I include a complete filmography, “Robert Paul Productions 1895–1909” in Ian Christie, Robert Paul and the Origins of British Cinema (Chicago: University of Chicago Press, 2019), 271–288. 3. Britain's national film archive was ...

Author: Joanne Bernardi

Publisher: Indiana University Press

ISBN: 9780253053022

Category: Performing Arts

Page: 430

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Remnants of early films often have a story to tell. As material artifacts, these film fragments are central to cinema history, perhaps more than ever in our digital age of easy copying and sharing. If a digital copy is previewed before preservation or is shared with a researcher outside the purview of a film archive, knowledge about how the artifact was collected, circulated, and repurposed threatens to become obscured. When the question of origin is overlooked, the story can be lost. Concerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, "How did these moving images get here for me to see them?" This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cinema, 2018, questions preservation, attribution, and patterns of reuse in order to explore singular artifacts with long and circuitous lives.

The Everyday in Visual Culture

talk given at Kings College Silent Film Symposium, 2019, www.youtube.com/wat ? v=dumCY01EoVM&ab_ annel=WilliamFriese-Greene. See also: Christie, Robert Paul and the Origins of British Cinema, 26–9. 19 What is known about the ...

Author: François Penz

Publisher: Taylor & Francis

ISBN: 9781000569841

Category: Art

Page: 252

View: 935

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This book explores how the comparative analysis of visual cultural artefacts, from objects to architecture and fiction films, can contribute to our understanding of everyday life in homes and cities around the globe. Investigating the multiple facets of the everyday, this interdisciplinary collection generates a new awareness of everyday lives across cultures and challenges our traditional understanding of the everyday by interweaving new thematic connections. It brings together debates around the analysis of the everyday in visual culture more broadly and explores the creation of innovative technological methods for comparative approaches to the study of the everyday, such as film databases, as well as the celebration of the everyday in museums. The volume is organized around four key themes. It explores the slices of everyday lives found in Visual Culture (Part I), Museums (Part II), the City (Part III) and the Home (Part IV). The book explores the growing area of the analysis of everyday life through visual culture both broadly and in depth. By building interdisciplinary connections, this book is ideal for the emerging community of scholars and students stemming from Visual Culture, Film and Media Studies, Architecture Studies and practice, Museum Studies, and scholars of Sociology and Anthropology as well as offering fresh insights into cutting-edge tools and practices for the rapidly growing field of Digital Humanities.

The British Boxing Film

Robert Paul and the Origins of British Cinema. University of Chicago Press. Doyle, A. C. (1896). Rodney Stone. Smith, Elder & Co.. Foxman, A. (2010). Jews and Money: The Story of a Stereotype. Macmillan. Gifford, D. (1973). The British ...

Author: Stephen Glynn

Publisher: Springer Nature

ISBN: 9783030742102

Category: Boxing films

Page: 258

View: 268

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"Stephen Glynn is the authority on sport in British cinema, and The British Boxing Film is a very welcome addition to his previous surveys of the people's game and the sport of kings. Glynn makes a highly persuasive case for the boxing picture as a site of significant cultural interest, especially through its engagement with class and gender politics. As relevant for social historians of sport as for film studies, The British Boxing Film is an undisputed knock-out winner." James Chapman, Professor of Film Studies at the University of Leicester and editor of the Historical Journal of Film, Radio and Television. This book constitutes the first full volume dedicated to an academic analysis of the sport of boxing as depicted in British film. Through close textual analysis, production and reception histories and readings that establish social, cultural and political contexts, the book explores the ways in which prizefighters, amateur boxers, managers and supporters (from Regency gentry to East End gangsters) are represented on the British screen. Exploring a complex and controversial sport, it addresses not only the pain-versus-reward dilemma that boxing necessarily engenders but also the frequently censorious attitude of those in authority with boxing's social development facilitating a wider study around issues of class, gender and race, latterly contesting the whole notion of 'Britishness'. Varying in scope from Northern circuit comedies to London-based 'ladsploitation' films, from auteur entries by Alfred Hitchcock to programme fillers by E.J. Fancey, the boxing film also serves as a prism through which one can trace major historical shifts in the British film industry Stephen Glynn lectures in Film and Television at De Montfort University, UK. This volume completes a trilogy of sports genre studies for Palgrave, following on from The British Football Film (2018) and The British Horseracing Film (2019).

The Brighton School and the Birth of British Film

associated with the origins of the cinema by plotting a linear history from pre-cinema (the zoetrope, ... They included Frank Dyer (the president of Thomas A. Edison), William Friese-Greene, Robert Paul, Lumière & Sons, George Albert ...

Author: Frank Gray

Publisher: Springer

ISBN: 9783030175054

Category: Performing Arts

Page: 304

View: 241

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This study is devoted to the work of two early British filmmakers, George Albert Smith and James Williamson, and the films that they made around 1900. Internationally, they are known collectively as the ‘Brighton School’ and are positioned as being at the forefront of Britain’s contribution to the birth of film. The book focuses on the years 1896 to 1903, as it was during this short period that film emerged as a new technology, a new enterprise and a new form of entertainment. Beginning with a historiography of the Brighton School, the study goes on to examine the arrival of the first 35mm films in Britain, the first film exhibitions in Brighton and the first projection of film in Brighton. Both Smith and Williamson’s work features a progression from the production of single shot unedited films to multi-shot edited films. Their subject matter was inspired by a knowledge of contemporary pantomime, humour, literature, theatre, mesmerism, the magic lantern and current affairs and their practices were underpinned by active involvement in the new film trade. Through the exploration of how these filmmakers cultivated a new way of understanding film and its commercial potential, this book establishes them as key figures in the development of British film culture.

An International Study of Film Museums

1895, Revue d'histoire du cinéma, numéro hors-série. Bottomore, S. (2006) Film Museums: A Bibliography. Film History, 18, 3: 327–349. Christie, I. (2019) Robert Paul and the Origins of British Cinema. Chicago: The University of Chicago ...

Author: Rinella Cere

Publisher: Routledge

ISBN: 9781000317527

Category: Language Arts & Disciplines

Page: 112

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An International Study of Film Museums examines how cinema has been transformed and strengthened through museological and archival activities since its origins and asks what paradoxes may be involved, if any, in putting cinema into a museum. Cere explores the ideas that were first proposed during the first half of the twentieth century around the need to establish national museums of cinema and how these have been adapted in the subsequent development of the five case studies presented here: four in Europe and one in the USA. The book traces the history of the five museums' foundation, exhibitions, collections, and festivals organised under their aegis and it asks how they resolve the tensions between cinema as an aesthetic artefact – now officially recognised as part of humanity's cultural heritage – and cinema as an entertainment and leisure activity. It also gives an account of recent developments around unifying collections, exhibition activities and archives in one national film centre that offers the general public a space totally devoted to film and cinematographic culture. An International Study of Film Museums provides a unique comparative study of museums of cinema in varying national contexts. The book will be of interest to academics and students around the world who are engaged in the study of museums, archives, heritage, film, history and visual culture.

Empire and Film

He is the author of Public Relations and the Making of Modern Britain (2011), the BFI Film Classics volume on Nightmail (2007) and co-editor of ... A study of Robert Paul and the origins of the British film business is in preparation.

Author: Lee Grieveson

Publisher: Bloomsbury Publishing

ISBN: 9781838715557

Category: Performing Arts

Page: 304

View: 837

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'This important new volume reconstructs the forms of production, distribution and exhibition of films made in and about the colonies. It then ties them to wider theoretical issues about film and liberalism, spectacle and political economy, representation and rule. The result is one of the first volumes to examine how imperial rule is intimately tied to the emergence of documentary as a form and, indeed, how the history of cinema is at the same time the history of Empire.' BRIAN LARKIN, Barnard College 'This superb collection of new scholarship shows how cinema both communicated and aided the imperialist agenda throughout the twentieth century. In doing so, it shows film can be understood as one of the tools of empire, as much as the technology of weaponry or modes of administration: a means of education and indoctrination in the colonies and at home.' TOM GUNNING, University of Chicago At its height in 1919, the British Empire claimed 58 countries, 400 million subjects, and 14 million square miles of ground. Empire and Film brings together leading international scholars to examine the integral role cinema played in the control, organisation, and governance of this diverse geopolitical space. The essays reveal the complex interplay between the political and economic control essential to imperialism and the emergence and development of cinema in the late nineteenth and first half of the twentieth century. Contributors address how the production, distribution and exhibition of film were utilised by state and industrial and philanthropic institutions to shape the subject positions of coloniser and colonised; to demarcate between 'civilised' and 'primitive' and codify difference; and to foster a political economy of imperialism that was predicated on distinctions between core and periphery. The generic forms of colonial cinema were, consequently, varied: travelogues mapped colonial spaces; actuality films re-presented spectacles of royal authority and imperial conquest and conflict; home movies rendered colonial self-representation; state-financed newsreels and documentaries fostered political and economic control and the 'education' of British and colonial subjects; philanthropic and industrial organisations sponsored films to expand Western models of capitalism; British and American film companies made films of imperial adventure. These films circulated widely in Britain and the empire, and were sustained through the establishment of imperial networks of distribution and exhibition, including in particular innovative mobile exhibition circuits and non-theatrical spaces like schools, museums and civic centres. Empire and Film is a significant revision to the historical and conceptual frameworks of British cinema history, and is a major contribution to the history of cinema as a global form that emerged amid, and in dialogue with, the global flows of imperialism. The book is produced in conjunction with a major website housing freely available digitised archival films and materials relating to British colonial cinema, www.colonialfilm.org.uk, and a companion volume entitled Film and the End of Empire.

Stars and Spies

Ian Christie, Robert Paul and the Origins of British Cinema (Chicago: University of Chicago Press, 2019), pp. 152–4. 56. screenonline.org.uk/film/id/1114460/index.html. 57. Though not responsible to the Lord Chancellor, ...

Author: Christopher Andrew

Publisher: Random House

ISBN: 9781473558281

Category: Political Science

Page: 426

View: 828

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A vastly entertaining and unique history of the interaction between spying and showbiz, from the Elizabethan age to the Cold War and beyond. 'A treasure trove of human ingenuity' The Times Written by two experts in their fields, Stars and Spies is the first history of the extraordinary connections between the intelligence services and show business. We travel back to the golden age of theatre and intelligence in the reign of Elizabeth I. We meet the writers, actors and entertainers drawn into espionage in the Restoration, the Ancien Régime and Civil War America. And we witness the entry of spying into mainstream popular culture throughout the twentieth century and beyond - from the adventures of James Bond to the thrillers of John le Carré and long-running TV series such as The Americans. 'Thoroughly entertaining' Spectator 'Perfect...read as you settle into James Bond on Christmas afternoon.' Daily Telegraph

London on Film

See:http://www.thecinetourist.net/robert-paul-in-london-tour-guideand-film-maker.html. 2. British History Online: Friern Barnet: http://www.british-history.ac.uk/ vch/middx/vol6/pp6-15. 3. See A Switchback Railway (1898).

Author: Pam Hirsch

Publisher: Springer

ISBN: 9783319649795

Category: Performing Arts

Page: 257

View: 371

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This book, a collection of essays by expert film researchers and lecturers, contributes to the growing body of scholarship on cinematic cities by looking at how one city—London—has been represented on film. In particular, the collection examines how films about London have responded to social, material and political change in the city, either by capturing and so influencing how we think about London, or by acting as catalysts (intentionally or otherwise) for public debate. Individual essays explore films ranging from the earliest actualities of the late nineteenth century to contemporary blockbusters. The book will appeal to film scholars and students, as well as to readers interested in the history of London and its changing image.

Fifty Key British Films

She has published various book chapters on British and Latin American cinema, and is preparing a book on Peruvian ... of the Modern World (1994), and he is working on a history of Robert Paul and the early film business in Britain.

Author: Sarah Barrow

Publisher: Routledge

ISBN: 9781134081233

Category: Performing Arts

Page: 274

View: 782

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In Fifty Key British Films, Britain's best known films such as Clockwork Orange, The Full Monty and Goldfinger are scrutinised for their outstanding ability to articulate the issues of the time. This is essential reading for anyone interested in quality, cult film.