Miradas Sobre Pasado Y Presente en El Cine Espanol 1990 2005

Este lugar imperceptible es tradicional del cine documental según su guionista Román Gubern, y es lo que lo diferencia del reportaje televisivo.

Author: Pietsie Feenstra

Publisher: Rodopi

ISBN: 9789042024731

Category: Literary Criticism

Page: 295

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El cine español contemporáneo (1990-2005) dedica mucha atención a la rememoración del pasado (Segunda República, la Guerra Civil, el período franquista,¿) y la realidad social (el paro, la violencia doméstica, inmigración, eutanasia,¿). Directores renombrados como Pedro Almodóvar, Alejandro Amenábar, Fernando León de Aranoa, Icíar Bollaín, o Isabel Coixet, muestran este interés dentro de sus miradas cinematográficas. La gran popularidad de este cine ha estimulado su migración en pantallas ajenas y dentro de contextos universitarios nacionales e internacionales. Este libro reúne unos veinte artículos, de investigadores americanos y europeos, que ilustran las múltiples tradiciones culturales en vigor dentro de los estudios cinematográficos, y que se enfocan al mismo tiempo en el tema central del libro: ¿Cómo se puede leer, la mirada de los autores españoles, sobre el pasado y el presente, dentro del contexto de su cine nacional?

Merc Rodoreda

Pero practicará muchos más géneros : reportajes sobre cine , crónicas de viajes , artículos de opinión , críticas literarias y algunos textos de puramente ...

Author: Carme Arnau

Publisher: Institut d'Estudis Catalans

ISBN: 849232113X

Category: Authors, Catalan

Page: 174

View: 546

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The Cinema of Sara G mez

Mi aporte is explicitly presented as an instance of cine reportaje. However, it formally provides a report card on women's progress by employing other modes ...

Author: Susan Lord

Publisher: Indiana University Press

ISBN: 9780253057075

Category: Performing Arts

Page: 440

View: 155

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Throughout the 1960s until her untimely death in 1974, Afro-Cuban filmmaker Sara Gómez engaged directly and courageously with the social, political, economic, and cultural transformations promised by the Cuban Revolution. Gómez directed numerous documentary films in 10 prolific years. She also made De cierta manera (One way or another), her only feature-length film. Her films navigate complex experiences of social class, race, and gender by reframing revolutionary citizenship, cultural memory, and political value. Not only have her inventive strategies become foundational to new Cuban cinema and feminist film culture, but they also continue to inspire media artists today who deal with issues of identity and difference. The Cinema of Sara Gómez assembles history, criticism, biography, methodology, and theory of Gómez's work in scholarly writing; interviews with friends and collaborators; the film script of De cierta manera; and a detailed and complete filmography. Featuring striking images, this anthology reorients how we tell Cuban cinema history and how we think about the intersections of race, gender, and revolution. By addressing Gómez's entire body of work, The Cinema of Sara Gómez unpacks her complex life and gives weight to her groundbreaking cinema.

Identidad diferencia y ciudadan a en el cine transnacional contempor neo

... mediante críticas o reportajes antes de su estreno en otras ciudades. La forma tradicional para la promoción del cine latinoamericano reside en la ...

Author: José Luis Fecé

Publisher: Editorial UOC

ISBN: 9788490647301

Category: Photography

Page: 204

View: 640

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En los últimos años la expresión “cine transnacional” se viene utilizando como sinónimo de “cine contemporáneo” puesto que las actuales condiciones de producción, distribución y consumo cinematográficos conducen a unas transformaciones, también estéticas, que difícilmente pueden explicarse desde las culturas y políticas nacionales. La imposibilidad o, como mínimo, la dificultad de asignar una nacionalidad única o mayoritaria constituye una de las principales características del cine, y de la producción audiovisual, contemporáneos. Los textos incluidos en esta edición se ocupan de estas transformaciones a través de ejemplos relacionados con espacios geopolíticos (los países que componen Mercosur); la recepción y el consumo de producciones audiovisuales latinas en Estados Unidos o con el análisis de espacios ficcionales transnacionales: la ciudad global, la frontera y otros no lugares contemporáneos. Estos trabajos coinciden en una idea más general: el carácter transnacional del cine contemporáneo no es un asunto estrictamente cinematográfico, sino también político, pues tanto su realidad como su imaginario geopolítico afectan también al propio concepto de ciudadanía.

Cosmopolitan Film Cultures in Latin America 1896 1960

See, e.g., Octávio de Faria, “O scenario e o futuro do cinema,” O Fan, ... pantalla: Rusia inaugura un nuevo cine,” in Ensayos y reportajes completos, ed.

Author: Rielle Edmonds Navitski

Publisher: Indiana University Press

ISBN: 9780253026552

Category: Performing Arts

Page: 390

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Cosmopolitan Film Cultures in Latin America examines how cinema forged cultural connections between Latin American publics and film-exporting nations in the first half of the twentieth century. Predating today’s transnational media industries by several decades, these connections were defined by active economic and cultural exchanges, as well as longstanding inequalities in political power and cultural capital. The essays explore the arrival and expansion of cinema throughout the region, from the first screenings of the Lumière Cinématographe in 1896 to the emergence of new forms of cinephilia and cult spectatorship in the 1940s and beyond. Examining these transnational exchanges through the lens of the cosmopolitan, which emphasizes the ethical and political dimensions of cultural consumption, illuminates the role played by moving images in negotiating between the local, national, and global, and between the popular and the elite in twentieth-century Latin America. In addition, primary historical documents provide vivid accounts of Latin American film critics, movie audiences, and film industry workers’ experiences with moving images produced elsewhere, encounters that were deeply rooted in the local context, yet also opened out onto global horizons.

Spanish Film Cultures

Palomo, Miguel Ángel and Natalia Marcos, 'El cine español que le gusta al ministro ... Available at: <www.accioncine.es/reportajes/noticias/333-buenafuente- ...

Author: Núria Triana-Toribio

Publisher: Bloomsbury Publishing

ISBN: 9781838718305

Category: Performing Arts

Page: 168

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The past four decades have seen the Spanish film industry rise from isolation in the 1970s to international recognition within European and World Cinema today. Exploring the cultural and political imperatives that governed this success, this book shows how Spanish film culture was deliberately and strategically shaped into its current form.

South American Cinema

Cahiers du Cinéma, no. 222 (1970): 33–37. Calistro, Mariano, Oscar Cetrángolo, Claudio España, Andrés Insaurralde, and Carlos Landini. Reportaje al cine ...

Author: Timothy Barnard

Publisher: University of Texas Press

ISBN: 9780292792104

Category: Performing Arts

Page: 426

View: 723

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Originally issued in hardcover in 1996 by Garland Publishing, this important reference work is now available in paperback for a wider audience. A distinguished team of contributors has compiled entries on 140 significant South American feature films from the silent era until 1994. The entries discuss each film's subject matter, critical reception, and social and political contexts, as well as its production, distribution, and exhibition history, including technical credits. The entries are grouped by country and arranged chronologically. Both fiction and documentary films (some no longer in existence) are included, as well as extensive title, name, and subject indexes and glossaries of film and foreign terms.

Mexican Cinema

“ Seis años de cine mexicano . ... “ ' Actas de Marusia ' - la posibilidad de un cine popular . ... “ Cine latinoamericano : reportaje a Luis Alcoriza .

Author: Carl J. Mora

Publisher: Univ of California Press

ISBN: 0520043049

Category: History

Page: 256

View: 998

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The author's main reason for writing this book, however, is simply to provide an introduction to the Mexican commercial cinema for American and other English-speaking readers. Although the United States has been, and continues to be, a major foreign market for Mexican movies, the overwhelming majority of Americans are unaware of them. Mexican films are restricted to the Hispanic theater circuits and shown without English subtitles; therefore anyone wishing to see a Mexican movie would have to be fairly fluent in Spanish. Such a requisite effectively eliminates almost the entire general audience in the United States from exposure to Mexican cinema.

Cuban Cinema

These terms , of which didactic cinema ( cine didáctico ) is one ... cine ensayo - the film essay ; cine reportaje — reportage , not quite the same as ...

Author: Michael Chanan

Publisher: U of Minnesota Press

ISBN: 0816634246

Category: Performing Arts

Page: 538

View: 141

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New chapters express ongoing concerns about freedom of expression, the role of the Havana Film Festival in restoring Havana's central position in Latin American cinema, & the changing audience for Cuban films.

The Cinema of Latin America

Paranaguá, P. A. (1985) Cinema na América Latina: longe de Deus e perto de ... and C. Landini (1978) Reportaje al cine argentino: los pioneros del sonoro.

Author: Alberto Elena

Publisher: Columbia University Press

ISBN: 9780231501941

Category: Performing Arts

Page: 288

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The Cinema of Latin America is the first volume in the new 24 Frames series of studies of national and regional cinema. In taking an explicitly text-centered approach, the books in this series offer a unique way of considering the particular concerns, styles and modes of representation of numerous national cinemas around the world. This volume focuses on the vibrant practices that make up Latin American cinema, a historically important regional cinema and one that is increasingly returning to popular and academic appreciation. Through 24 individual concise and insightful essays that each consider one significant film or documentary, the editors of this volume have compiled a unique introduction to the cinematic output of countries as diverse as Brazil, Argentina, Cuba, Mexico, Bolivia, Chile and Venezuala. The work of directors such as Luis Buñuel, Thomas Guiterrez Alea, Walter Salles, and Alfonso Arau is discussed and the collection includes in-depth studies of seminal works as such Los Olvidados, The Hour of the Furnaces, Like Water For Chocolate, Foreign Land, and Amoros Perros.

Alternative Europe

Eurotrash and Exploitation Cinema Since 1945 Ernest Mathijs, Xavier Mendik ... Sala 1 , Diario de cine . < http://www.salal.com/ reportajes / alex.html > .

Author: Ernest Mathijs

Publisher: Wallflower Press

ISBN: 1903364930

Category: Performing Arts

Page: 269

View: 731

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Whether defined by the comic excesses of Spanish director Alex de la Iglesia, the cult horrors of Black Emanuelle and the Italian 'Nunspolitation' movie, or the surreal vampire experimentations of Jean Rollin, trash and exploitation cinema represents the alternative face of European film. Although extremely popular with post-war audiences, these historically significant traditions of 'Eurotrash' have often been ridiculed or ignored by an established film criticism eager to define 'legitimate' European cinema as either avant-garde or socially realist. Alternative Europe: Eurotrash and Exploitation Cinema Since 1945 investigates these previously under-explored national traditions of film culture, with essays and festival reports uncovering the social and cultural trends and tensions within a wide range of European exploitation movies.

Historical Dictionary of South American Cinema

Reportaje al cine agentino, Los pioneros del sonoro. Buenos Aires: America Norildis, 1978. Campero, Agustin. Nuevo cine Argentino: De “Rapado” a “Historias ...

Author: Peter H. Rist

Publisher: Rowman & Littlefield

ISBN: 9780810880368

Category: Performing Arts

Page: 760

View: 296

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The Historical Dictionary of South American Cinema covers the long history of cinema in Portuguese-speaking Brazil and the nine Spanish-speaking countries. These films include Los tres berretines, Prisioneros de la tierra, La balandra Isabel llegó esta tarde, La hora de los hornos, El chacal de Nahueltoro, La teta asustada, Abrir puertas y ventanas, El secreto de sus ojos, and NO. This is done through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 300 cross-referenced dictionary entries on directors, producers, performers, films, film studios and genres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the South American Cinema.

New Latin American Cinema

63-76 and Alberto Isaac , “ Cine latinoamericano : reportaje a Luis Alcoriza , ” Tiempo de cine , año 5 , no . 20/21 ( Spring - Summer 1965 ) , pp .

Author: Timothy Barnard

Publisher: Wayne State University Press

ISBN: 0814325866

Category: Art

Page: 544

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Presents essays that the influence and development of Latin American cinema.

Contemporary Hispanic Cinema

Spanish National Cinema (London: Routledge, 2003). ... Available at: http://www.americaeconomica.com/ numeros/84/reportajes/ncine.htm. Vieira, Else (ed.) ...

Author: Stephanie Dennison

Publisher: Tamesis Books

ISBN: 9781855662612

Category: Literary Criticism

Page: 244

View: 835

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This collection of original essays focuses on the cross-currents and points of contact among Spain, Portugal and Latin America and ther impact on the regions' film industries.

Third World Film Making and the West

Reportaje al cine argentino: Los pioneros del sonoro. Buenos Aires: América Norildis, 1978. “Third World Cinema.” Dossier. Afterimage, no.

Author: Roy Armes

Publisher: Univ of California Press

ISBN: 9780520056909

Category: Business & Economics

Page: 381

View: 437

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Looks at film making in Asia, Africa, and Latin America, discusses the influence of films made in the West, and analyzes the work of prominent directors

Historical Dictionary of Spanish Cinema

“Políticas de la memoria: La guerra civil española en el cine y el reportaje televisivo.” Archivos de la Filmoteca 49 (February 2005): 32–53.

Author: Alberto Mira

Publisher: Rowman & Littlefield Publishers

ISBN: 9781538122686

Category: Performing Arts

Page: 602

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Historical Dictionary of Spanish Cinema covers Spanish cinema, its treasures its constant attempts to break through internationally, reaching out towards universal themes and conventions, and the specific obstacles and opportunities that have shaped the careers of filmmakers and stars. This book contains a chronology, an introduction, an appendix and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on titles, movements, filmmakers and performers, and genres (such as homosexuality, nuevo cine español or horror). This book is an excellent resource for students, researchers, and anyone wanting to know more about Spanish cinema.

Terapias de cine

Le puede la ambición, es periodista y quiere el premio Pulitzer, y cree que tiene entre manos el reportaje de su vida, si juega bien sus cartas.

Author: Tabernero Holgado, Carlos

Publisher: Editorial UOC

ISBN: 9788491163466

Category: Performing Arts

Page: 216

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La medicina y el cine son parte de nuestro día a día. Acudimos a la consulta o a la sala en busca de algún tipo de alivio y de puertas a otros mundos. Y la consulta y la sala, la medicina y el cine, se miran de reojo. La medicina quiere al cine para mirar, explorar y estudiar, diagnosticar y operar; también como herramienta publicitaria y de propaganda, para construir su autoridad. Y el cine cuenta muy a menudo con la medicina porque trabaja con experiencias rutinarias de salud y enfermedad, sus miedos y sus osadías, sus servidumbres y sus rebeldías. La medicina y el cine caminan de la mano con la experiencia cotidiana de la muerte y de la vida. Y la medicina es cine porque es soñar, cuestionar y luchar, como lo es sufrir, morir y amar. Y es por esto mismo que también, en nuestro día a día, el cine es medicina.

Splendors of Latin Cinema

Umberto Valverde, Reportaje Crıtico del Cine Colombiano (Bogota ́: Editorial Toro Nuevo, 1978), 16. 11. Carlos A ́lvarez, Sobre Cine Colombiano y ...

Author: R. Hernandez-Rodriguez

Publisher: ABC-CLIO

ISBN: 9780313349782

Category: Social Science

Page: 203

View: 370

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This insightful account analyzes and provides context for the films and careers of directors who have made Latin American film an important force in Hollywood and in world cinema.

Otherness and the Media

Rocha , Glauber 1963 Revisão Crítica do Cinema Brasileiro . Rio de Janeiro : Civilização Brasileira ... Umberto 1978 Reportaje Crítico al Cine Colombiano .

Author: Hamid Naficy

Publisher: Routledge

ISBN: 9781315515168

Category: Performing Arts

Page: 306

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This anthology on otherness and the media, first published in 1993, was prompted by the proliferation of writings centring on issues of ‘difference’, ‘diversity’, ‘multiculturalism’, ‘representation’ and ‘postcolonial’ discourses. Such issues and discourses question existing canons of criticism, theory and cultural practice but also because they suggest a new sense of direction in theorisation of difference and representation.

Routledge Library Editions Cultural Studies

Rocha , Glauber 1963 Revisão Crítica do Cinema Brasileiro . Rio de Janeiro : Civilização ... Valverde , Umberto 1978 Reportaje Critico al Cine Colombiano .

Author: Various Authors

Publisher: Routledge

ISBN: 9781315459967

Category: Social Science

Page: 6142

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This seven volume set reissues a collection of out-of-print titles covering a range of responses to modern culture. They include in-depth analyses of US and Australian popular culture, works on the media and television, macrosociology, and the media and ‘otherness’. Taken together, they provide stimulating and thought-provoking debate on a wide range of topics central to many of today’s cultural controversies.