Preparing Musicians for Precarious Work

Preparing Musicians for Precarious Work: Transformational Approaches to Music Careers Education promotes career counselling-informed te niques that encourage and guide musicians to drive their careers in necessary new directions.

Author: Nicole Canham

Publisher: Routledge

ISBN: 9781000432817

Category: Music

Page: 206

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Preparing Musicians for Precarious Work: Transformational Approaches to Music Careers Education promotes career counselling-informed techniques that encourage and guide musicians to drive their careers in necessary new directions. In exposing the ‘dark side’ of precarious work in the arts sector, these approaches acknowledge the high levels of risk many musicians face and focus on the fundamental and urgent skills they need to navigate uncertainty and hardship. The author calls for a greater recognition of the psychological magnitude of managing such work, drawing upon training as a career counsellor and the lived experience of a career musician to advance transformative learning principles as pathways for artists, students, and educators alike. Representing a radical shift from the content-knowledge approach to career development, a counselling-informed method is fortified by a broad range of ideas from vocational psychology and narrative therapy, emphasising the importance of change readiness and flexible identities while identifying the need for a post-portfolio paradigm. Preparing Musicians for Precarious Work proposes a new model for musicians’ career learning – the CHOICE model – in a timely and practical guide for 21st-century musicians looking to future-proof their careers.

Brazilian Research on Creativity Development in Musical Interaction

ISME Specialist Themes in Music Education Series Brazilian Research on Creativity Development in Musical Interaction Edited by Rosane Cardoso de Araújo Preparing Musicians for Precarious Work Transformational Approaches to Music Careers ...

Author: Rosane Cardoso de Araújo

Publisher: Routledge

ISBN: 9781000392463

Category: Music

Page: 232

View: 915

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Brazilian Research on Creativity Development in Musical Interaction focuses on creativity that involves interactive musical activities, with different groups, such as professional musicians, students, and student teachers. It seeks to present research with a theoretical foundation on musical creativity and interaction, within psychology and music pedagogy. A collection of ten contributed essays present studies that promote understanding of the possibilities of creative development from the interactive process. All are undertaken within the context of teaching and learning, whether one-on-one or group lessons, ranging from elementary school music class, instrument study, choral singing, composition and teaching an autistic student.

Reconstructing Solidarity

Labour Unions, Precarious Work, and the Politics of Institutional Change in Europe Virginia Doellgast, ... musicians should or shouldn't be prepared to accept, and which cautions against strategies to extract free labour such as ...

Author: Virginia Doellgast

Publisher: Oxford University Press

ISBN: 9780192509659

Category: Business & Economics

Page: 288

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Work is widely thought to have become more precarious. Many people feel that unions represent the interests of protected workers in good jobs at the expense of workers with insecure employment, low pay, and less generous benefits. Reconstructing Solidarity: Labour Unions, Precarious Work, and the Politics of Institutional Change in Europe argues the opposite: that unions try to represent precarious workers using a variety of creative campaigning and organizing tactics. Where unions can limit employers' ability to 'exit' labour market institutions and collective agreements, and build solidarity across different groups of workers, this results in a virtuous circle, establishing union control over the labour market. Where they fail to do so, it sets in motion a vicious circle of expanding precarity based on institutional evasion by employers. Ieconstructing Solidarity examines how unions build, or fail to build, inclusive worker solidarity to challenge this vicious circle and to re-regulate increasingly precarious jobs. Comparative case studies from fourteen European countries describe the struggles of workers and unions in industries such as local government, retail, music, metalworking, chemicals, meat packing, and logistics. Their findings argue against the thesis that unions act primarily to protect labour market insiders at the expense of outsiders.

Transnational Musicians

To prepare an event with a short deadline and limited budget, the host musician usually engages reliable colleagues to ... and are developed by individuals to tackle competitive and precarious settings in the neoliberal labour market.

Author: Beata M. Kowalczyk

Publisher: Routledge

ISBN: 9781000330182

Category: Social Science

Page: 232

View: 315

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Informed by theories pertaining to transnational mobility, ethnicity and race, gender, postcolonialism, as well as Japanese studies, Transnational Musicians explores the way Japanese musicians establish their transnational careers in the hierarchically-structured classical music world. Drawing on rich material from multi-sited fieldwork and in-depth interviews with Japanese artists in Japan, France and Poland, this study portrays the structurally – and individually – conditioned opportunities and constraints of becoming transnational classical musician. It shows how transnational artists strive to conciliate the irreconcilable: their professional identification with the dominant image of ‘rootless’ classical musicianship and their ethno-cultural affiliation with Japan. As such this book critically engages with the neoliberal discourse on talent and meritocracy prevailing in the creative/cultural industry, which promotes the common image of cosmopolitan artists, whose high, universal skills allow them to carry out their occupational activity internationally, regardless of such prescriptive criteria as gender, ethnicity and race. Highly interdisciplinary, this book will appeal to students and researchers interested in such fields as migration, transnational mobility, ethnicity and race in the creative/cultural sector, gender studies, Japanese culture and related social issues. It will also be instructive for professionals from the world of classical music, as well as ordinary readers passionate about Japanese society.

The Hidden Musicians

Music-Making in an English Town Ruth Finnegan. tion of WAP- though even there the artistic side was organised by a local teacher and folk musician). The work involved was extensive - arranging with the local pub, booking guests, ...

Author: Ruth Finnegan

Publisher: Wesleyan University Press

ISBN: 9780819574466

Category: Music

Page: 400

View: 597

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A landmark in the study of music and culture, this acclaimed volume documents the remarkable scope of amateur music-making in the English town of Milton Keynes. It presents in vivid detail the contrasting yet overlapping worlds of classical orchestras, church choirs, brass bands, amateur operatic societies, and amateur bands playing jazz, rock, folk, and country. Notable for its contribution to wider theoretical debates and its influential challenge to long-held assumptions about music and how to study it, the book focuses on the practices rather than the texts or theory of music, rejecting the idea that only selected musical traditions, “great names,” or professional musicians are worth studying. This opens the door to the invisible work put in by thousands of local people of diverse backgrounds, and how the pathways creatively trodden by amateur musicians have something to tell us about both urban living and what it is to be human. Now with a new preface by the author, this long-awaited reissue of The Hidden Musicians will bring its insights and innovations to a new generation of students and scholars.

Can Music Make You Sick

... the intermittents du spectacle (IDS) system that was set up in 1936 in order to promote French culture and to protect these specific cultural workers – including technicians and artists – from the worst ravages of precarious work.

Author: Sally Anne Gross

Publisher: University of Westminster Press

ISBN: 9781912656615

Category: Music

Page: 198

View: 240

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“Musicians often pay a high price for sharing their art with us. Underneath the glow of success can often lie loneliness and exhaustion, not to mention the basic struggles of paying the rent or buying food. Sally Anne Gross and George Musgrave raise important questions – and we need to listen to what the musicians have to tell us about their working conditions and their mental health.” Emma Warren (Music Journalist and Author). “Singing is crying for grown-ups. To create great songs or play them with meaning music's creators reach far into emotion and fragility seeking the communion we demand of it. However, music’s toll on musicians can leave deep scars. In this important book, Sally Anne Gross and George Musgrave investigate the relationship between the wellbeing music brings to society and the wellbeing of those who create. It’s a much needed reality check, deglamorising the romantic image of the tortured artist.” Crispin Hunt (Multi-Platinum Songwriter/Record Producer, Chair of the Ivors Academy). It is often assumed that creative people are prone to psychological instability, and that this explains apparent associations between cultural production and mental health problems. In their detailed study of recording and performing artists in the British music industry, Sally Anne Gross and George Musgrave turn this view on its head. By listening to how musicians understand and experience their working lives, this book proposes that whilst making music is therapeutic, making a career from music can be traumatic. The authors show how careers based on an all-consuming passion have become more insecure and devalued. Artistic merit and intimate, often painful, self-disclosures are the subject of unremitting scrutiny and data metrics. Personal relationships and social support networks are increasingly bound up with calculative transactions. Drawing on original empirical research and a wide-ranging survey of scholarship from across the social sciences, their findings will be provocative for future research on mental health, wellbeing and working conditions in the music industries and across the creative economy. Going beyond self-help strategies, they challenge the industry to make transformative structural change. Until then, the book provides an invaluable guide for anyone currently making their career in music, as well as those tasked with training and educating the next generation.

Research in the Sociology of Work

uncertainty of employment also means that many, if not most, artists are unable to support themselves solely through ... to three separate labour markets: the market for their creative work (including time spent on all preparation, ...

Author: Steven P. Vallas

Publisher: Emerald Group Publishing

ISBN: 9781786354051

Category: Business & Economics

Page: 296

View: 133

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This volume includes contributions which discuss: work and identity, including the experiences of actors and teachers; authority and control at work, including insights from the hospitality and publishing industries; and issues of gender and sexuality in the workplace, including insights on sexual harassment in the workplace.

Routledge International Handbook of Music Psychology in Education and the Community

Typical of industries which feature fierce competition for work (Bennett & Bridgstock, 2015), music work tends to be both insecure and highly mobile (Connell & Gibson, 2003). As such, musicians typically hold a portfolio of concurrent ...

Author: Andrea Creech

Publisher: Routledge

ISBN: 9781000383089

Category: Psychology

Page: 528

View: 352

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This handbook provides an evidence-based account of psychological perspectives on issues in music education and music in the community through the life course, exploring our understanding of music learning and participation across contexts. The contributors draw on multidisciplinary research from different cultures and contexts in order to set out the implications of music psychology for music education and music in the community. Highlighting the intersecting issues across education and community contexts, the book proposes new theories as well as offering important refinements to existing conceptual models. Split into six parts, it considers the role of music in society as well as for groups and individuals, and explores topics such as processing and responding to music; pedagogical and musical practices that support or pose challenges to the emotional, cognitive, social or physical wellbeing of learners and participants in a range of contexts; and ‘music in identity’ or ‘identity in music’. With the final part on future directions and the implications for professional practice in music education and music in the community, the book concludes by exploring how the two sectors might work more closely together within a post-COVID-19 world. Based on cutting-edge research from an international team, this is essential reading for anyone interested in music psychology, education and community, and it will be particularly helpful for undergraduate and graduate students in music psychology, music education and community music.

Women in Jazz

Yet this rolling doldrum is not only of seasonal making, but the product of an extraordinary and unsettling year. ... discrimination and systemic devaluing of women's musical work remain a central part of their everyday music-making.

Author: Marie Buscatto

Publisher: Routledge

ISBN: 9781000475975

Category: Music

Page: 174

View: 431

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Women in Jazz: Musicality, Femininity, Marginalization examines the invisible discrimination against female musicians in the French jazz world and the ways in which women thrive as professionals despite such conditions. The author shines a light on the paradox for women in jazz: to express oneself in a "feminine" way is to be denigrated for it, yet to behave in a "masculine" manner is to be devalued for a lack of femininity. This masculine world ensures it is more difficult for women to be recognized as jazz musicians than it is for men – even when musicians, critics and audiences are ideologically opposed to discrimination. Female singers are confined by the feminine stereotypes of their profession, while female instrumentalists must comport themselves into traditionally masculine roles. The author explores the academic and professional socializations of these musicians, the musical choice they make and how they are perceived by jazz professionals as a result. First published in French by CNRS Editions in 2007 (and later reissued in paperback in 2018, with the author’s postscript that "nothing much has changed"), Women in Jazz: Musicality, Femininity, Marginalization expands the conversation beyond the French border, identifying female jazz musicians as a discriminated minority all around the world.

Musical News

129 MUSICAL I NEWS 6 Office : 130 , Fleet Street , London , No. ... or less definite expectation of making money on the platform , and , after a little perfunctory study , launch themselves ... a very poor and precarious livelihood .

Author:

Publisher:

ISBN: UIUC:30112014391871

Category: Music

Page:

View: 344

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