Precarity in European Film

This volume brings together renowned scholars and early career-researchers in mapping the ways in which European cinema —whether arthouse or mainstream, fictional or documentary, working with traditional or new media— engages with ...

Author: Elisa Cuter

Publisher: Walter de Gruyter GmbH & Co KG

ISBN: 9783110707816

Category: Social Science

Page: 390

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This volume brings together renowned scholars and early career-researchers in mapping the ways in which European cinema —whether arthouse or mainstream, fictional or documentary, working with traditional or new media— engages with phenomena of precarity, poverty, and social exclusion. It compares how the filmic traditions of different countries reflect the socioeconomic conditions associated with precarity, and illuminates similarities in the iconography of precarious lives across cultures. While some of the contributions deal with the representations of marginalized minorities, others focus on work-related precarity or the depictions of downward mobility. Among other topics, the volume looks at how films grapple with gender inequality, intersectional struggle, discriminatory housing policies, and the specific problems of precarious youth. With its comparative approach to filmic representations of European precarity, this volume makes a major contribution to scholarship on precarity and the representation of social class in contemporary visual culture.

Women at Work in Twenty First Century European Cinema

Importantly, however, precarious work defines twenty-first-century feminist cinema in Europe. Precarity does not characterize the shared embodiment of a victimized class offered for identification, as was the case with left-wing social ...

Author: Barbara Mennel

Publisher: University of Illinois Press

ISBN: 9780252050961

Category: Performing Arts

Page: 272

View: 918

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From hairdressers and caregivers to reproductive workers and power-suited executives, images of women's labor have powered a fascinating new movement within twenty-first century European cinema. Social realist dramas capture precarious working conditions. Comedies exaggerate the habits of the global managerial class. Stories from countries battered by the global financial crisis emphasize the patriarchal family, debt, and unemployment. Barbara Mennel delves into the ways these films about female labor capture the tension between feminist advances and their appropriation by capitalism in a time of ongoing transformation. Looking at independent and genre films from a cross-section of European nations, Mennel sees a focus on economics and work adapted to the continent's varied kinds of capitalism and influenced by concepts in second-wave feminism. More than ever, narratives of work put female characters front and center--and female directors behind the camera. Yet her analysis shows that each film remains a complex mix of progressive and retrogressive dynamics as it addresses the changing nature of work in Europe.

The Precarious in the Cinemas of the Americas

A look at these two Venezuelan films released in 2013 sheds light on the possible links between different public ... of the new cinema of precarity in Europe, as Alice Bardan has noted,34 and in this sense, by the end of the film, ...

Author: Constanza Burucúa

Publisher: Springer

ISBN: 9783319768076

Category: Performing Arts

Page: 301

View: 397

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Historically, cinema in the Americas has been signed by a state of precariousness. Notwithstanding the growing accessibility to video and digital technologies, access to the material means of film production is still limited, affecting the spheres of production, distribution, and reception. Equally, questions about the precarious can be traced in cultural and archival policies, film legislations, as well as in thematic and aesthetic choices. While conventional definitions of the precarious have been associated with notions of scarcity and insecurity, this volume looks at precariousness from a non-monolithic angle, exploring its productivity and potential for original, critical approaches, with the aim of providing new readings to the variedly rich and complex cinemas of the Americas.

Mapping Precarity in Contemporary Cinema and Television

emblematically embodying the dynamics of precarity. Trying to be Spinozists, the recognition of this inadequacy should ... The New European Cinema of Precarity: A Transnational Perspective. In Work in Cinema, ed. E. Mazierska, 69–90.

Author: Francesco Sticchi

Publisher: Springer Nature

ISBN: 9783030632618

Category: Anxiety on television

Page: 263

View: 251

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This book examines a corpus of films and TV series released since the global financial crisis, addressing them as emblematic expressions of our age of precarity. The analysis of the motifs and characters of these case studies is built around notions originating from Mikhail Bakhtins literary theory and, in particular, the concept of chronotope, affirming the material and dynamic connection between form and content in artistic experience. This book observes how precarious lives are enacted in forms of spatio-temporal compositions which carry conceptual and ethical challenges for their viewers. This book falls within the film-philosophy framework and, although primarily directed to an academic audience, it provides an interdisciplinary account of the notion of cinematic precarity. It puts the embodied analysis of viewers ethical participation in close dialogical relationship with a philosophical and sociological examination of current dynamics of inequality and exclusion.

The Figure of the Migrant in Contemporary European Cinema

26 Berlant locates this shift in the term's meaning “from limited structure to pervasive life environment” in French “New Realism” of the 1990s and after, marking the emergence of a “cinema of precarity,” which builds upon the legacy of ...

Author: Temenuga Trifonova

Publisher: Bloomsbury Publishing USA

ISBN: 9781501362491

Category: Performing Arts

Page: 288

View: 474

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The Figure of the Migrant in Contemporary European Cinema explores contemporary debates around the concepts of 'Europe' and 'European identity' through an examination of recent European films dealing with various aspects of globalization (the refugee crisis, labour migration, the resurgence of nationalism and ethnic violence, neoliberalism, post-colonialism) with a particular attention to the figure of the migrant and the ways in which this figure challenges us to rethink Europe and its core Enlightenment values (citizenship, justice, ethics, liberty, tolerance, and hospitality) in a post-national context of ephemerality, volatility, and contingency that finds people desperately looking for firmer markers of identity. The book argues that a compelling case can be made for re-orienting the study of contemporary European cinema around the figure of the migrant viewed both as a symbolic figure (representing post-national citizenship, urbanization, the 'gap' between ethics and justice) and as a figure occupying an increasingly central place in European cinema in general rather than only in what is usually called 'migrant and diasporic cinema'. By drawing attention to the structural and affective affinities between the experience of migrants and non-migrants, Europeans and non-Europeans, Trifonova shows that it is becoming increasingly difficult to separate stories about migration from stories about life under neoliberalism in general

Freedom and Vengeance on Film

In particular, this film can be helpfully situated within what Lauren Berlant has called the “Cinema of Precarity. ... Though she focuses on a handful of contemporary European films and analyses no American movies, Wendy and Lucy shares ...

Author: Robert E. Watkins

Publisher: Bloomsbury Publishing

ISBN: 9780857727374

Category: Performing Arts

Page: 176

View: 298

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Films both reflect and construct social reality, especially in the way they employ, affirm and critique the discourses through which we grasp political life. This book examines five contemporary feature films that engage our deep attachments to two core political ideas freedom and vengeance asking: what do audiences learn about freedom and vengeance from film, and what are the political consequences of the reproduction or disruption of their meanings? Often, contemporary films represent the pursuit of freedom and revenge in a depoliticized way, erasing the precarious character of social life. Other films, however, foreground the negotiation of unchosen relations and circumstances in their drama. Films examined include Into the Wild, Mystic River, The Three Burials of Melquiades Estrada, Wendy and Lucy and Winter s Bone."

Work in Cinema

RECARITY Although criticized at times (Horning 2012), the notion of precarity has been widely used by critics who sought ... Somecritics arguethat contemporary European films, suchasMichaelHaneke's CodeUnknown(Code Inconnu, 2000,France) ...

Author: E. Kerr

Publisher: Springer

ISBN: 9781137370860

Category: Performing Arts

Page: 296

View: 553

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Cinema frequently depicts various types of work, but this representation is never straightforward. It depends on and reflects many factors, especially the place and time the film is made and the type of audience it addresses. Here, the contributors employ transnational and transhistorical perspectives to compare filmic depictions of work.

Precarious Times

It was nominated for the Palme d'Or and won the competition award at the Cannes Film Festival in 2016. It won the European Film Awards for Best Film, Best Director, Best Screenwriter, Best Actor, and Best Actress in 2016.

Author: Anne Fuchs

Publisher: Cornell University Press and Cornell University Library

ISBN: 9781501734816

Category: Literary Criticism

Page: 344

View: 331

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In Precarious Times, Anne Fuchs explores how works of German literature, film, and photography reflect on the profound temporal anxieties precipitated by contemporary experiences of atomization, displacement, and fragmentation that bring about a loss of history and of time itself and that is peculiar to our current moment. The digital age places premiums on just-in-time deliveries, continual innovation, instantaneous connectivity, and around-the-clock availability. While some celebrate this 24/7 culture, others see it as profoundly destructive to the natural rhythm of day and night—and to human happiness. Have we entered an era of a perpetual present that depletes the future and erodes our grasp of the past? Beginning its examination around 1900, when rapid modernization was accompanied by comparably intense reflection on changing temporal experience, Precarious Times provides historical depth and perspective to current debates on the "digital now." Expanding the modern discourse on time and speed, Fuchs deploys such concepts as attention, slowness and lateness to emphasize the uneven quality of time around the world.

Precarious Creativity

“The Hungarian Tax Credit System and the 20% Rebate Scheme,” Studies in Eastern European Cinema 1.1 (2010): 127–130. 15. See government-sponsored reports on audiovisual industry: Olsberg SPI, “Economic Impact Study of the Film Industry ...

Author: Michael Curtin

Publisher: Univ of California Press

ISBN: 9780520290853

Category: Social Science

Page: 337

View: 393

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Precarious Creativity examines the seismic changes confronting media workers in an age of globalization and corporate conglomeration. This pathbreaking anthology peeks behind the hype and supposed glamor of screen media industries to reveal the intensifying pressures and challenges workers face. The authors take on crucial issues and provide insightful case studies of workplace dynamics regarding creativity, collaboration, exploitation, and cultural difference. Furthermore, they investigate working conditions and organizing efforts on all six continents, offering comprehensive analysis of contemporary screen media labor in places such as Lagos, Prague, Hollywood, and Hyderabad, across a range of job categories that includes visual effects, production services, and adult entertainment. With contributions from John Caldwell, Vicki Mayer, Herman Gray, Tejaswini Ganti, and others, this collection offers timely critiques of media globalization and broader debates about labor, creativity, and precarity. “Every case study is an eye-opener, and no other book comes close in assessing the plight of creative workers in the era of global conglomerate Hollywood.” -THOMAS SCHATZ, University of Texas at Austin “A corrective to previous, U.S.-centric attempts to understand the global media economy by offering a bracing look at the dark underbelly of life for most media workers today.” -DENISE MANN, University of California, Los Angeles “A balanced and comprehensive portrayal of the reshaping of the contours of work and industry organization under the twin circumstances of digital disruption and a globalizing media system.” -TOM O'REGAN, The University of Queensland MICHAEL CURTIN is a professor of Film and Media Studies at University of California, Santa Barbara. KEVIN SANSON is a Lecturer in Entertainment Industries at Queensland University of Technology in Australia.

Precarious Visualities

Two features of the film are crucial here: first, its ultimate reduction of the gigantic battle to the conflict of two ... The most expensive European film of all time (dm$200 million), destined to assert Europe against Hollywood, ...

Author: Olivier Asselin

Publisher: McGill-Queen's Press - MQUP

ISBN: 9780773578111

Category: Art

Page: 448

View: 898

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Through the study of exemplary media works and practices - photography, film, video, performance, installations, web cams - scholars from various disciplines call attention to the unsettling of identification and the disablement of vision in contemporary aesthetics. To look at an image that prevents the stabilization of identification, identity and place; to perceive a representation that oscillates between visibility and invisibility; to relate to an image which entails a rebalancing of sight through the valorization of other senses; to be exposed, through surveillance devices, to the gaze of new figures of authority - the aesthetic experiences examined here concern a spectator whose perception lacks in certainty, identification, and opticality what it gains in fallibility, complexity, and interrelatedness. Precarious Visualities provides a new understanding of spectatorship as a relation that is at once corporeal and imaginary, and persistently prolific in its cultural, social, and political effects. Contributors include Raymond Bellour (École des hautes études en sciences sociales), Monika Kin Gagnon (Concordia University), Beate Ochsner (University of Mannheim -Universität Mannheim), Claudette Lauzon (McGill University), David Tomas (Université du Québec à Montréal), Slavoj Zizek (Ljubljiana University and University of London), Marie Fraser (Université du Québec à Montréal), Alice Ming Wai Jim (Concordia University), Julie Lavigne (Université du Québec à Montréal), Amelia Jones (University of Manchester), Eric Michaud (École des hautes études en sciences sociales), Hélène Samson (McCord Museum), and Thierry Bardini (Université de Montréal)."