Moments in Indonesian Film History

This book explores Indonesian cinema, focusing on moments of unique creativity by Indonesian film artists who illuminate important but less-widely-known aspects of their multi-dimensional society.

Author: David Hanan

Publisher: Springer Nature

ISBN: 9783030726133

Category: Performing Arts

Page: 354

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This book explores Indonesian cinema, focusing on moments of unique creativity by Indonesian film artists who illuminate important but less-widely-known aspects of their multi-dimensional society. It begins by exploring early 1950s ‘Indonesian neorealist films’ of the Perfini group, which depict the ethos and emerging moral issues of the period of struggle for independence (1945–49). It continues by discussing four audacious political allegories produced in four discrete political eras—including the Sukarno, Suharto and Reformasi periods. It also surveys the main approaches to Islam in both popular cinema and auteur films during the Suharto New Order. One chapter celebrates the popular songs and B-movies of the Betawi comedian, Benyamin S, which dramatize the experience of the poor in ‘modernizing’ Jakarta. Another examines persisting Third World dimensions of Indonesian society as critiqued in two experimental features. The concluding chapter highlights innovation in a renewed Indonesian cinema of the post-Suharto Reformasi period (1999–2020), including films by an unprecedented generation of women writer-directors

Rethinking Third Cinema

And yet Indonesian radicalism and “Third Cinema” (both as movements and as sets of ideas) seem to have bypassed each other. Re-reading two important moments of Indonesian film history in relation to Third Cinema theorising I suggest ...

Author: Wimal Dissanayake

Publisher: Routledge

ISBN: 9781134613243

Category: Performing Arts

Page: 256

View: 515

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This important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations. The 'Third Cinema' movement called for a politicised film-making practice in Africa, Asia and Latin America, one which would take on board issues of race, class, religion, and national integrity. The films which resulted from the movement, from directors such as Ousmane Sembene, Satyajit Ray and Nelson Pereira dos Santos, are among the most culturally signficant, politically sophisticated and frequently studied films of the 1960s and 1970s. However, despite the contemporary popularity and critical attention enjoyed by films from Asia and Latin America in particular, Third Cinema and Third Cinema theory appears to have lost its momentum. Rethinking Third Cinema seeks to bring Third Cinema and Third Cinema theory back into the critical spotlight. The contributors address the most difficult and challenging questions Third Cinema poses, suggesting new methodologies and redirections of existing ones. Crucially, they also re-examine the entire phenomenon of film-making in a fast-vanishing 'Third World', with case studies of the cinemas of India, Iran and Hong Kong, among others.

Contemporary Indonesian Film

But instead of co-existing as different types of imaginary worlds (science fiction, westerns, melodrama), modes represent different concepts of historical representation. Nichols claims that different modes may co-exist at any moment in ...

Author: Katinka van Heeren

Publisher: BRILL

ISBN: 9789004253476

Category: Social Science

Page: 250

View: 291

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This highly informative book explores the world of Post-Soeharto Indonesian audio-visual media in the exiting era of Reform. From a multidisciplinary approach it considers a wide variety of issues such as mainstream and alternative film practices, ceremonial and independent film festivals, film piracy, history and horror, documentary, television soaps, and Islamic films, as well as censorship from the state and street. Through the perspective of discourses on, and practices of film production, distribution, and exhibition, this book gives a detailed insight into current issues of Indonesia’s social and political situation, where Islam, secular realities, and ghosts on and off screen, mingle or clash.

Postcolonial Hangups in Southeast Asian Cinema

Today, that process splutters along, and while the crisis and tumult that gripped Indonesia from 1997 to 2004 has ... in Indonesian Cinema,” 500-512; Yngvesson, “Kuldesak and the Inoexorable Pulp Fiction of Indonesian Film History,” and ...

Author: Gerald Sim

Publisher: Amsterdam University Press

ISBN: 9789048551163

Category: Art

Page: 224

View: 693

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Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability explores a geopolitically situated set of cultures negotiating unique relationships to colonial history. Singaporean, Malaysian, and Indonesian identities are discussed through a variety of commercial films, art cinema, and experimental work. The book discovers instances of postcoloniality that manifest stylistically through Singapore's preoccupations with space, the importance of sound to Malay culture, and the Indonesian investment in genre.

Indonesian Cinema after the New Order

Most narratives of Indonesian film history to date have asserted the primacy and coherence of the nation in normative and ... As a result, certain filmmakers are elevated, certain films are venerated, and certain moments are celebrated, ...

Author: Thomas Barker

Publisher: Hong Kong University Press

ISBN: 9789888528073

Category: Performing Arts

Page: 244

View: 337

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In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to international recognition. More than a simple narrative, Barker contributes to cultural studies and sociological research by defining the three stages of an industry moving from state administration; through needing to succeed in local pop culture, specifically succeeding with Indonesian youth, to remain financially viable; until it finally realizes international recognition as an art form. This “going mainstream” paradigm reaches far beyond film history and forms a methodology for understanding the market in which all cultural industries operate, where the citizen-consumer (not the state) becomes sovereign. Indonesia presents a particularly interesting case because “going mainstream” has increasingly meant catering to the demands of new Islamic piety movements. It has also meant working with a new Ministry of Tourism and Creative Economy, established in 2011. Rather than a simplified creative world many hoped for, Indonesian filmmaking now navigates a new complex of challenges different to those faced before 1998. Barker sees this industry as a microcosm of the entire country: democratic yet burdened by authoritarian legacies, creative yet culturally contested, international yet domestically shaped. “This is a significant piece of scholarly contribution informed by an extensive range of interviews with industry insiders. This volume is particularly welcome given the dearth of English-language publications on Indonesian cinema in the last two decades. I have no doubt that the book will be extensively used in any future work on national cinema, not just in Indonesia, but Southeast Asia more widely.” —Krishna Sen, University of Western Australia “Indonesian Cinema after the New Order is a marvelously entertaining and important contribution to the study of Indonesian cinema, youth culture, and media worlds in a global context. In fact, I would consider it the best book I have seen on the subject of the Indonesian film industry.” —Mary Steedly, Harvard University

Islam and Popular Culture in Indonesia and Malaysia

Popularly regarded as Indonesia's most Islamic film so far, the story is set in Egypt, with background music and scenes that are markedly Islamic throughout the film. It features Aisha, an almost fully covered-up woman, ...

Author: Andrew N. Weintraub

Publisher: Routledge

ISBN: 9781136812293

Category: Social Science

Page: 280

View: 826

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Islam is a religion but there are also popular cultures of Islam that are mass mediated, commercialized, pleasure-filled, humorous, and representative of large segments of society. This book illuminates how Muslims (and non-Muslims) in Indonesia and Malaysia make sense of their lives within an increasingly pervasive, popular culture of Islamic images, texts, film, songs, and narratives.

Cultural Specificity in Indonesian Film

Ca Bau Kan ('The Courtesan', 2001) was one of the first Indonesian films in 50 years to attempt to represent the Chinese community in Indonesia and its history in the twentieth century. Arisan (2003) opens up the issue of homosexual ...

Author: David Hanan

Publisher: Springer

ISBN: 9783319408743

Category: Performing Arts

Page: 331

View: 240

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This book explores ways in which diverse regional cultures in Indonesia and their histories have been expressed in film since the early 1950s. It also explores underlying cultural dominants within the new nation, established at the end of 1949 with the achievement of independence from Dutch colonialism. It sees these dominants—for example forms of group body language and forms of consultation—not simply as a product of the nation, but as related to unique and long standing formations and traditions in the numerous societies in the Indonesian archipelago, on which the nation is based. Nevertheless, the book is not concerned only with past traditions, but explores ways in which Indonesian filmmakers have addressed, critically, distinctive aspects of their traditional societies in their feature films (including at times the social position of women), linking past to the present, where relevant, in dynamic ways.

Cinema in Muslim Societies

The film cuts at this moment to the final moment of the mufakat when the progressive preacher (played by the film's director ... In Indonesian cinema, as in Indonesian history, Islam is often depicted as one of the component features of ...

Author: Ali Nobil Ahmad

Publisher: Routledge

ISBN: 9781317389613

Category: Social Science

Page: 184

View: 120

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This book collates a comprehensive range of fascinating essays by leading authors on film from across the Muslim world. Responding to political and theoretical misconceptions about Islam and Muslim culture, it covers North African, Arab and Asian cinemas in a rich series of industry histories, single film studies and detailed analyses of celebrated directors. Cinema in Muslim Societies is innovative and timely in its explicit engagement with vexing questions of Islamic aesthetics, political activism, socialism and the role of women in Muslim contexts. The authors explore a wide variety of topics, from cinematic art and poetry to religious identity and pornography. Debated extensively at a programme of public talks and screenings at the Institute of Contemporary Arts in London in 2011, this volume remains supremely relevant in a world of polarising identities and political violence engulfing Muslim societies and the West. This book was originally published as a special issue of Third Text.

The conscience of cinema

It must also be seen as a milestone in Ivens's career, in the embryonic histories of the Australian and Indonesian national cinemas, and, most important, in documentary and political film history as a whole because of its political ...

Author: Thomas Waugh

Publisher: Amsterdam University Press

ISBN: 9789048525256

Category: Art

Page: 500

View: 231

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The Conscience of Cinema is not only a history of a rich and varied personal oeuvre by a prolific documentary maker who worked on every continent and through seven decades, from the 1920s to the 1980s: it is also the history of the aspiration to use documentary film to change the world by a committed leftist, as well as a microcosmic history of documentary form, technology and culture, and its place within world cinema as a whole throughout the twentieth century. Ivens worked in almost every genre of documentary, including the essay, compilation, hybrid dramatization, direct cinema, social observation, the solidarity film, socialist realism, and agitprop activism. In this book, detailed filmic analysis is enriched by a profound historical understanding of the contexts in which Ivens carried out his vision, from his native Netherlands to the Soviet bloc, USA, France, Latin America, Vietnam, and finally China. Everywhere, Joris Ivens left an indelible artistic and political mark, critically relevant to a 21st century in which documentary has reclaimed its cultural and political centrality.

Popular Culture in Indonesia

It is a moment of history with multiple centres of power, the trauma of post-authoritarianism and economic crisis, ... Contextualizing Indonesian cinema within the broader processes of Indonesia's social and political transformations, ...

Author: Ariel Heryanto

Publisher: Routledge

ISBN: 9781134044078

Category: Performing Arts

Page: 216

View: 624

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This book examines popular culture in Indonesia, the world’s most populous Muslim nation, and the third largest democracy. It provides a full account of the key trends since the collapse of the authoritarian Suharto regime (1998), a time of great change in Indonesian society more generally. It explains how one of the most significant results of the deepening industrialization in Southeast Asia since the 1980s has been the expansion of consumption and new forms of media, and that Indonesia is a prime example of this development. It goes on to show that although the Asian economic crisis in 1997 had immediate and negative impacts on incumbent governments, as well as the socioeconomic life for most people in the region, at the same time popular cultures have been dramatically reinvigorated as never before. It includes analysis of important themes, including political activism and citizenship, gender, class, age and ethnicity. Throughout, it shows how the multilayered and contradictory processes of identity formation in Indonesia are inextricably linked to popular culture. This is one of the first books on Indonesia's media and popular culture in English. It is a significant addition to the literature on Asian popular culture, and will be of interest to anyone who is interested in new developments in media and popular culture in Indonesia and Asia.