Richard Parker

Richard Parker: Master of Craft surveys the career and practice of this defining figure within New Zealand ceramics, with works loaned from leading public and private collections around the country.

Author: Richard Fahey

Publisher:

ISBN: 0987650203

Category: Ceramics

Page: 119

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Richard Parker: Master of Craft surveys the career and practice of this defining figure within New Zealand ceramics, with works loaned from leading public and private collections around the country. The curator, Richard Fahey, says "Parker had his own picture of what a pot should look like", and that although Parker's practice is grounded within the traditions of studio ceramics, "as an artist, his innovative approach seeks to redefine for us new ways we may understand the decorative object." At a pivotal moment in his career Richard Parker abandoned the known in terms of how to make a pot and what it should look like and developed his own unique ceramics vocabulary. This singular vision has sustained his career for over 30 years and produced works that are uniquely recognisable. Parker is noted for a variety of distinctive decorative forms frequently embellished with dashes, dots and dribbles in luscious glazes of red and green, black and cream, and his signature green and gold.. Accompanying the exhibition is a lavishly illustrated 120 page publication, written by Richard Fahey, which describes: the local ceramics context that Parker developed within; his work and style of production; a biographical profile and a consideration of his standing in New Zealand ceramics, followed by a timeline of Parker's exemplary career.

Master Your Craft

"Perspectives from 22 master artisans fuse with industrial product design techniques and the author's own craft experience to offer a powerful framework for designing, making, and selling your work."--Amazon.com

Author: Tien Chiu

Publisher: Schiffer Publishing

ISBN: 0764351451

Category: Decorative arts

Page: 176

View: 425

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"Perspectives from 22 master artisans fuse with industrial product design techniques and the author's own craft experience to offer a powerful framework for designing, making, and selling your work."--Amazon.com

Pioneers of Modern Craft

Twelve Essays Profiling Key Figures in the History of Twentieth-century Craft Margot Coatts ... Bauhaus terminology ) whilst the more traditional staff , noted for their technical skills , fulfilled the role of Masters of Crafts .

Author: Margot Coatts

Publisher: Manchester University Press

ISBN: 0719050596

Category: Crafts & Hobbies

Page: 143

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Pioneers of modern craft profiles key figures in the history of contemporary twentieth-century crafts. It focuses on the lives and times of prominent individuals who were (or became) influential throughout the pre- and post-war periods in Britain, such as David Pye, Gerald Benney, Gerda Flockinger, Edward Barnsley and William Staite Murray.

The Craft Apprentice

Widespread dissemination of traditional craft secrets, particularly in such popular outlets as encyclopedias, devalued apprenticeship. If a youth wanted to learn a craft, he needed only a book and not a master.

Author: W.J. Rorabaugh

Publisher: Oxford University Press

ISBN: 0195363981

Category: History

Page: 270

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The apprentice system in colonial America began as a way for young men to learn valuable trade skills from experienced artisans and mechanics and soon flourished into a fascinating and essential social institution. Benjamin Franklin got his start in life as an apprentice, as did Mark Twain, Horace Greeley, William Dean Howells, William Lloyd Garrison, and many other famous Americans. But the Industrial Revolution brought with it radical changes in the lives of craft apprentices. In this book, W. J. Rorabaugh has woven an intriguing collection of case histories, gleaned from numerous letters, diaries, and memoirs, into a narrative that examines the varied experiences of individual apprentices and documents the massive changes wrought by the Industrial Revolution.

Masters of Craft

I truly enjoyed this book."--Yasemin Besen-Cassino, author of Consuming Work: Youth Labor in America "Masters of Craft is a great read.

Author: Richard E. Ocejo

Publisher:

ISBN: 0691165491

Category: SOCIAL SCIENCE

Page: 344

View: 186

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Cover -- Title -- Copyright -- Dedication -- CONTENTS -- Acknowledgments -- Preface. The Daily Grind -- Introduction. A Stroll through the Market -- PART I -- 1 The Cocktail Renaissance -- 2 Distilling Authenticity -- 3 Working on Men -- 4 Show the Animal -- PART II -- 5 How Middle-Class Kids Want Working-Class Jobs -- 6 The Science and the Art -- 7 Service Teaching -- 8 Getting the Job -- Epilogue. Outcomes, Implications, and Concluding Thoughts -- Methodological Appendix -- Notes -- References -- Index

Craft Capitalism

The focus should be on what shop-floor relations meant to craftsworkers and masters at the time, not to historians a century or so later. It should be similarly recognized that such a research direction should not attempt to compare a ...

Author: Robert B. Kristofferson

Publisher: University of Toronto Press

ISBN: 9780802094087

Category: History

Page: 326

View: 718

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Craft Capitalism focuses on Hamilton, Ontario, and demonstrates how the preservation of traditional work arrangements, craft mobility networks, and other aspects of craft culture ensured that craftsworkers in that city enjoyed an essentially positive introduction to industrial capitalism.

European Women and Preindustrial Craft

Masters ' Wives The most controversial and problematic workers in the privileged group were the wives of masters . ... As in other crafts , women found their least restrictive opportunities when the manufacture was in its early ...

Author: Daryl M. Hafter

Publisher: Indiana University Press

ISBN: 0253209439

Category: Political Science

Page: 204

View: 494

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Essays examine key 18th- and 19th-century industries, including spinning, weaving, calico painting, and the lingerie trade. Focusing on links between women's preindustrial craft production and heavy industrialization, this volume shows how women adopted or rejected new technology in various situations, helping maintain social peace during profound economic dislocation.

Craft Artists

For all of recorded time, the way craftspeople and artisans learned their crafts was through apprenticeship. This method was divided during the Middle Ages into three categories: • Apprentice: A “learner” who would work under a master ...

Author: Marcia Santore

Publisher: Rowman & Littlefield Publishers

ISBN: 9781538134313

Category: Young Adult Nonfiction

Page: 132

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Welcome to the Craft Artists field! If you are interested in a career as a craft artist field, you’ve come to the right book. So what exactly do these people do on the job, day in and day out? What kind of skills and educational background do you need to succeed in these fields? How much can you expect to make, and what are the pros and cons of these various fields? Is this even the right career path for you? How do you avoid burnout and deal with stress? This book can help you answer these questions and more. This book, which includes interviews with professionals in the following fields. Tattoo Artists Ceramic Artists Glass blowers Blacksmiths Jewelers Woodworkers

Leadership Craft Leadership Art

The need for creativity in leadership, whether that is a craft of leadership or an art of leadership, is tied to the complexity of our times and our world. ... There areplentyof leaders in ourworld whoare craft masters.

Author: S. Taylor

Publisher: Springer

ISBN: 9781137012784

Category: Art

Page: 199

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Taylor leads readers through creativity and how it relates to leadership followed by the five stages of theory behind the idea: 1) preparation, 2) time-off (or incubation), 3) the spark, 4) selection, and 5) elaboration.

A Cultural Economic Analysis of Craft

out by another crafts measure, which is the one known as Maître d'art/ Master of Arts. This program exists in France since 1994 and has been inspired by the system of Living Human Treasures, approved in 1993 by the General Conference of ...

Author: Anna Mignosa

Publisher: Springer

ISBN: 9783030021641

Category: Business & Economics

Page: 312

View: 510

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Are we aware of the values of craft? In this edited volume, cultural economists, researchers and professionals provide an interdisciplinary discussion of the relevance and contribution of the craft sector to the economy, as well as to society at large. Mignosa and Kotipalli bring together contributors to compare the craft sector across countries, analysing the role of institutions, educational bodies, organisations and market structure in its evolution and perception. The Western approach to craft and its subordinate position to the arts is contrasted with the prestige of craftmanship in Eastern countries, while the differing ways that craft has attracted the attention of policy agencies, museums, designers and private institutions across regions is also analysed. This volume is vital reading to those interested in the economic features of craft and craftsmanship around the world, as well as for those interested in the importance of policy in bringing about effective sustainable development.

Masters of Craft

Includes bibliography (page 247) and index.

Author: Paul J. Smith

Publisher: Schiffer Publishing

ISBN: 0764349295

Category: Photography

Page: 240

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This collection of 240 photographs documents 224 of the 20th centurys top studio craft artists, makers working in fibre, clay, glass, metal, and wood. The photographs are by Paul J Smith, Director Emeritus of the Museum of Arts and Design. Drawing on Smiths career of over fifty years as an arts administrator and curator, this book documents his extensive interest in meeting artists in their studios, as well as at conferences and national and international events. By reflecting his first-hand experience of the changing currents in 20th-century craft, this book is a uniquely personal record that captures an important aspect of the history of the studio craft movement. These images, taken over a thirty-year period, record and portray details of 224 artists. Collectively the photographs illustrate makers who have much in common and who are part of a community that share friendships, interests, and a belief in the importance of the handmade object.

Solomon in All His Glory Or the Master mason

In order to avoid paying an apprentice the price of a fellow craft , or a fellow - craft that of a master , he paid the apprentices at the column Jakin , towards the north , and the brother - craft at the column Boaz , towards the south ...

Author: Thomas Wilson (master of the Swan Tavern Lodge.)

Publisher:

ISBN: OXFORD:N11660355

Category:

Page: 68

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Everything You Need to Master Minecraft Earth

Once you've decided what to craft, tap on the recipe to see more information about the item. LHHFT||r All items - - --- o: Redstone Torch ITF to FIFFITY TIFF How long it will take to craft the number of items you've selected.

Author: Ed Jefferson

Publisher: Pan Macmillan

ISBN: 9780753446737

Category: Computers

Page:

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Minecraft Earth is the latest worldwide mobile gaming phenomenon. Now you can get ahead of the game with Everything You Need to Master Minecraft Earth, the essential guide to the Augmented Reality spin-off. You don't have to travel far to take your on-screen builds into the real world – learn how to craft amazing structures in your own living room, back garden and beyond. This unofficial book contains everything you need to master the game, including: Tips on how to build up your collection of blocks, mobs and rare items by finding Tappables. Build Plate ideas that will help you to craft incredible small-scale Augmented Reality structures with your friends - before placing them life-size into the real world. Hints on how to master Minecraft Earth Adventures, in which you can explore a Minecraft AR structure, solve tricky puzzles or battle hordes of Minecraft mobs in the world around you. A complete guide to all the mobs you'll meet, including the new types developed specifically for Minecraft Earth.

Software Craftsmanship

In any community of practice , a key role for the journeymen is to surpass their masters , thereby moving the craft forward . This dynamic keeps all crafts refreshed and renewed . Rather than parroting the old masters , the journeymen ...

Author: Pete McBreen

Publisher: Addison-Wesley Professional

ISBN: 0201733862

Category: Computers

Page: 187

View: 253

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This book introduces the author's collection of wisdom under one umbrella: Software Craftmanship. This approach is unique in that it spells out a programmer-centric way to build software. In other words, all the best computers, proven components, and most robust languages mean nothing if the programmer does not understand their craft.

Code of Federal Regulations

( r ) Crew to move craft . The masters in charge of tows and the persons in charge of rafts and other craft must provide a sufficient number of men to move barges , rafts , and other craft into and out of the lock easily and promptly .

Author:

Publisher:

ISBN: UCAL:B4343931

Category: Administrative law

Page:

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The Craft of Old master Drawings

A comprehensive study of the techniques of drawing, this is both a historical work, covering the period from the late Middle Ages to the present, and a useful manual for contemporary artists.

Author: James Watrous

Publisher: Univ of Wisconsin Press

ISBN: 0299014258

Category: Art

Page: 170

View: 456

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A comprehensive study of the techniques of drawing, this is both a historical work, covering the period from the late Middle Ages to the present, and a useful manual for contemporary artists. It presents the old masters' techniques by means of a thorough study of the historical and written evidence of the tools and materials used. The author also includes a series of workshop procedures he has developed with which the contemporary artist may produce the equivalents of the techniques of earlier draughtsmen. This book comprises a body of knowledge that is essential to students of art history, curators, collectors and artists, and is a significant addition to the literature on drawing. In addition to his scholarly investigation of earlier practices, the author identifies materials and processes used by such important artists as Rembrandt, Van Gogh, Romney, Picasso, Michelangelo, Watteau, Holbein, Tiepolo, and Delacroix. For the artist interested in reproducing the effects achieved by these and many other acknowledged masters, there are full discussions and specific directions concerning the making of inks, styluses, reed and quill pens, fabricated chalks, and instructions for preparing grounds for metalpoint drawings. At every step, the discussion is supplemented with illustrations from laboratory experiments and from drawings by both old and contemporary artists. Of the more than sixty illustrations included, thirty-six are reproductions of master works, and among the others there are microphotographic enlargements of detail showing the differences in density and texture produced by various tools on different papers or grounds. Thus, as a collection of master drawings, the book is worthy of the art lover's library; as a technical study, it is an indispensable aid to the art student and practicing artist.

The Archaeology of Gender

1) noted, an artisan in the first instance and . . . master of his craft. ... values of independence, egalitarianism, and cooperation were shared for the most part by the masters and their journeymen alike (Wilentz, 1984:141).

Author: Diana diZerga Wall

Publisher: Springer Science & Business Media

ISBN: 9781489912107

Category: Social Science

Page: 242

View: 599

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Historical archaeologists often become so involved in their potsherd patterns they seldom have time or energy left to address the broader processes responsi ble for the material culture patterns they recognize. Some ofus haveurged our colleagues to use the historical record as a springboard from which to launch hypotheses with which to better understand the behavioral and cultural pro cesses responsible for the archaeological record. Toooften, this urging has re sulted in reports designed like a sandwich, having a slice of "historical back ground," followed by a totally different "archaeological record," and closed with a weevil-ridden slice of "interpretation" of questionable nutritive value for understanding the past. The reader is often left to wonder what the archae ological meat had to do with either slice of bread, since the connection be tween the documented history and the material culture is left to the reader's imagination, and the connection between the interpretation and the other disparate parts is tenuous at best. The plethora of stale archaeological sandwiches in the literature has re sulted at the methodological level from a too-narrow focus on the specific history and archaeology ofa site and the individuals involvedon it, rather than a focus on the explanation of broader processes of culture to which the actors and events at the site-specific level responded.