Maria Montes The Queen of Technicolor

María Montez, Queen of Technicolor í Ella era... María Montez, la reina del tecnicolor Text by Raynelda A. Calderón Illustrations by María Ocampo Cayena Press, Inc. New York María was born on June 6, 1912, in Barahona, a.

Author: Raynelda A. Calderon

Publisher: Cayena Press, Inc.

ISBN: 9781733139298

Category: Biography & Autobiography

Page: 32

View: 143


Born and raised in the Dominican Republic, Maria Montez became a famous actress during the time of the 1940s. She is recognized as one of the first Latinas to conquer Hollywood. Her work opened the doors for other Latinas who later came to Hollywood looking to star on the big screen. *** María Montez nació y creció en la República Dominicana. Se hizo famosa por actuar en Hollywood durante la época de 1940. Hoy es reconocida como una de las primeras actrices latinas en conquistar Hollywood. Su trabajo abrió el camino para otras que como ella llegaron a Norteamérica buscando ser estrellas de la pantalla grande.

Experimental Cinema

The article is ostensibly about Maria Montez , but in it Jack lays out the manifesto of his art , the expression of his vision , and the testament of his Queer soul . All of these are reflected in his personal identification with the ...

Author: Wheeler W. Dixon

Publisher: Psychology Press

ISBN: 0415277868

Category: Performing Arts

Page: 356

View: 326


Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920s to the work of contemporary film and video artists.

Gore Vidal

At the novel's conclusion , Myron is happily married to Mary - Ann , raising dogs and writing a television series . ... Myra is sidetracked , however , when she mysteriously comes to inhabit the body of Maria Montez , the star of Siren ...

Author: Susan Baker

Publisher: Greenwood Publishing Group

ISBN: 0313295794

Category: Literary Criticism

Page: 215

View: 586


The first popular book-length study of Gore Vidal's novels.

Theatre of the Ridiculous

Maria Montez, on the other hand, could be seen as the spiritual mother for the movement that I am calling Ridiculous. To be truly Ridiculous with the capital “R,” as opposed to simply stylistically similar, an artist must have been at ...

Author: Kelly I. Aliano

Publisher: McFarland

ISBN: 9781476674032

Category: Performing Arts

Page: 216

View: 322


Theatre of the Ridiculous is a significant movement that highlighted the radical possibilities inherent in camp. Much of contemporary theatre owes this form a great debt but little has been written about its history or aesthetic markers. This book offers a comprehensive overview of the important practitioners, along with critical commentary of their work. Beginning with Ridiculous' most recognizable name, Charles Ludlam, the author traces the development of this campy, queer genre, from the B movies of Maria Montez to the Pop Art scene of Andy Warhol to the founding of the Play-House of the Ridiculous and the dawn of Ludlam's career and finally to the contemporary theatre scene.

Science fiction Fantasy Cinema

... and regally elegant slice of eye-dazzling fantasy), namely Maria Montez, here makes her Technicolor debut. Shortly to be crowned “Queen of Technicolor”, Montez presents an exotically fiery, tantalizingly tempestuous personality, ...

Author: John Howard Reid


ISBN: 9781430301134

Category: Performing Arts

Page: 320

View: 181


Science-fiction, fantasy and horror movies cover a broad canvas including Frankenstein and Tod Slaughter, Dracula and Donald Duck, moon men and mad doctors, gorillas and crazy scientists, talking mules and helpful angels. Other categories covered in this book include Alien Encounters, Lost Worlds, Space Travel, Monsters, Creepy Old Houses, Phantom Killers, Mystery Thrillers, Animated Cartoons, and Horror Spoofs such as "Abbott and Costello Meet Frankenstein."

Film Manifestos and Global Cinema Cultures

Maria Montez was remarkable for the gracefulness of her gestures and movement. This gracefulness was a real process of moviemaking. Was a real delight for the eye—was a genuine thing about that person— the acting was lousy but if ...

Author: Scott MacKenzie

Publisher: University of California Press

ISBN: 9780520377479

Category: Performing Arts

Page: 680

View: 583


Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focusing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture.


It now boasts about three million devotees, ranging from movie stars like Maria Montez (above) all the way to a professor at Vassar. About 700 astrologers, recognized by their fellows as true scientists, do most of the business.





Page: 76

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LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.

Naked Lens

It is notable that, soon after the film was completed, Dolores 'transformed' fully into the figure Mario Montez, based on Maria Montez, because, as Mario stated, “she's one of my favourite screen sirens. I adopted my name from her.

Author: Jack Sargeant


ISBN: 9781459619180


Page: 576

View: 939


Celebrating the celluloid expression of the Beat spirit - arguably the most sustained legacy in U.S. counterculture - Naked Lens is a comprehensive study of the most significant interfaces between the Beat writers, Beat culture, and cinema. Naked ...

Fandom as Methodology

22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 Notes Smith, “The Perfect Filmic Appositeness of Maria Montez,”34. Jack Smith, “Belated Appreciation of V.S.” (1964), in Hoberman and Leffingwell, Wait For Me at ...

Author: Catherine Grant

Publisher: MIT Press

ISBN: 9781912685233

Category: Art

Page: 304

View: 222


An illustrated exploration of fandom that combines academic essays with artist pages and experimental texts. Fandom as Methodology examines fandom as a set of practices for approaching and writing about art. The collection includes experimental texts, autobiography, fiction, and new academic perspectives on fandom in and as art. Key to the idea of “fandom as methodology” is a focus on the potential for fandom in art to create oppositional spaces, communities, and practices, particularly from queer perspectives, but also through transnational, feminist and artist-of-color fandoms. The book provides a range of examples of artists and writers working in this vein, as well as academic essays that explore the ways in which fandom can be theorized as a methodology for art practice and art history. Fandom as Methodology proposes that many artists and art writers already draw on affective strategies found in fandom. With the current focus in many areas of art history, art writing, and performance studies around affective engagement with artworks and imaginative potentials, fandom is a key methodology that has yet to be explored. Interwoven into the academic essays are lavishly designed artist pages in which artists offer an introduction to their use of fandom as methodology. Contributors Taylor J. Acosta, Catherine Grant, Dominic Johnson, Kate Random Love, Maud Lavin, Owen G. Parry, Alice Butler, SooJin Lee, Jenny Lin, Judy Batalion, Ika Willis. Artists featured in the artist pages Jeremy Deller, Ego Ahaiwe Sowinski, Anna Bunting-Branch, Maria Fusco, Cathy Lomax, Kamau Amu Patton, Holly Pester, Dawn Mellor, Michelle Williams Gamaker, The Women of Colour Index Reading Group, Liv Wynter, Zhiyuan Yang

Historical Dictionary of the Dominican Republic

MONTEZ, MARÍA (1912–1951). A Dominican actress who became a Hollywood movie star in the 1940s, earning the nickname the “Queen of Technicolor.” Born María Africa Gracia Vidal in Barahona, María Montez was ...

Author: Eric Paul Roorda

Publisher: Rowman & Littlefield

ISBN: 9780810879065

Category: History

Page: 394

View: 887


The Historical Dictionary of the Dominican Republic contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture.