Lead Belly a Life in Pictures

Photos, memorabilia and more from the life of Lead Belly, of "Goodnight, Irene" and "Midnight Special" fame This is a new edition of Lead Belly: A Life in Pictures, the rich visual biography of legendary Louisiana blues musician Lead Belly, ...

Author: Tiny Robinson

Publisher: Steidl

ISBN: 395829703X


Page: 256

View: 245


Photos, memorabilia and more from the life of Lead Belly, of "Goodnight, Irene" and "Midnight Special" fame This is a new edition of Lead Belly: A Life in Pictures, the rich visual biography of legendary Louisiana blues musician Lead Belly, originally published by Steidl in 2007. Here is a treasure trove of rare photographs, news clippings, concert programs, personal correspondence (including letters from Woody Guthrie), record albums, awards and other memorabilia, some of which was discovered in a basement trunk in Brooklyn, safely stored by Lead Belly's wife, Martha--"My wife is half my life; my guitar is the other half," he once said. Born Huddie William Ledbetter, Lead Belly (1889-1949) was an influential Louisiana bluesman who wrote and performed some of the best-loved songs of the 20th century, including "The Midnight Special," "Rock Island Line" and his signature "Goodnight, Irene." Notable for his strong vocals and virtuosity on the twelve-string guitar, he could also play the piano, mandolin, harmonica, violin, concertina and accordion. Library of Congress folk music anthropologist John A. Lomax discovered Lead Belly serving time for assault at the infamous Louisiana State Penitentiary at Angola in 1934. Lomax, traveling through the South in search of American folk songs, immediately recognized Lead Belly as a walking anthology of African American music and arranged for him to come to New York, where he soon created a sensation. His influence on later generations of popular musicians has been significant: Keith Richards, Jimi Hendrix, Jerry Garcia, Kurt Cobain, Van Morrison, Robert Plant and Beck have all paid their respects.

The Sonic Color Line

“I'm in New York City,” New Yorker (1935), collected in Lead Belly: A Life in Pictures, ed. Tiny Robinson and John Reynolds (Göttingen: Steidl, 2008), 44. Niambi M. Carter, “Intimacy without Consent: Lynching as Sexual Violence,” ...

Author: Jennifer Lynn Stoever

Publisher: NYU Press

ISBN: 9781479889341

Category: Literary Criticism

Page: 348

View: 738


"Race is a visual phenomenon, the ability to see "difference." At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear-voices, musical taste, volume-as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen-the sonic color line-and exposes the racialized listening practices she figures as "the listening ear."" --New York University Press.

Berenice Abbott A Life in Photography

... CTS, 1/7/1946, HDW/AAA; Susan Rand Brown, “ 'Lost' Photos Exhibit is Poetic Justice,” Advocate Summer Guide, ... 6/1/2014; Tiny Robinson and John Reynolds, eds., Lead Belly: A Life in Pictures (Göttingen: Steidl, 2008), uses many 49 50.

Author: Julia Van Haaften

Publisher: W. W. Norton & Company

ISBN: 9780393292794

Category: Biography & Autobiography

Page: 544

View: 792


The comprehensive biography of the iconic twentieth-century American photographer Berenice Abbott, a trailblazing documentary modernist, author, and inventor. Berenice Abbott is to American photography as Georgia O’Keeffe is to painting or Willa Cather to letters. She was a photographer of astounding innovation and artistry, a pioneer in both her personal and professional life. Abbott’s sixty-year career established her not only as a master of American photography, but also as a teacher, writer, archivist, and inventor. Famously reticent in public, Abbott’s fascinating life has long remained a mystery—until now. In Berenice Abbott: A Life in Photography, author, archivist, and curator Julia Van Haaften brings this iconic public figure to life alongside outlandish, familiar characters from artist Man Ray to cybernetics founder Norbert Wiener. A teenage rebel from Ohio, Abbott escaped first to Greenwich Village and then to Paris—photographing, in Sylvia Beach’s words, "everyone who was anyone." As the Roaring Twenties ended, Abbott returned to New York, where she soon fell in love with art critic Elizabeth McCausland, with whom she would spend thirty years. In the 1930s, Abbott began her best-known work, Changing New York, in which she fearlessly documented the city’s metamorphosis. When warned by an older male supervisor that "nice girls" avoid the Bowery—then Manhattan’s skid row—Abbott shot back, "I’m not a nice girl. I’m a photographer…I go anywhere." This bold, feminist attitude would characterize all Abbott’s accomplishments, including imaging techniques she invented in her influential, space race–era science photography and her tenure as The New School’s first photography teacher. With more than ninety stunning photos, this sweeping, cinematic biography secures Berenice Abbott’s place in the histories of photography and modern art, while framing her incredible accomplishments as a female artist and entrepreneur.

Lead Belly Woody Guthrie Bob Dylan and American Folk Outlaw Performance

Print. Roberts, John W. From Trickster to Badman: The Black Folk Hero in Slavery and Freedom. Philadelphia: University of Pennsylvania Press, 1990. Print. Robinson, Tiny and John Reynolds, eds. Lead Belly: A Life in Pictures.

Author: Damian A. Carpenter

Publisher: Routledge

ISBN: 9781317107071

Category: History

Page: 232

View: 975


With its appeal predicated upon what civilized society rejects, there has always been something hidden in plain sight when it comes to the outlaw figure as cultural myth. Damian A. Carpenter traverses the unsettled outlaw territory that is simultaneously a part of and apart from settled American society by examining outlaw myth, performance, and perception over time. Since the late nineteenth century, the outlaw voice has been most prominent in folk performance, the result being a cultural persona invested in an outlaw tradition that conflates the historic, folkloric, and social in a cultural act. Focusing on the works and guises of Lead Belly, Woody Guthrie, and Bob Dylan, Carpenter goes beyond the outlaw figure’s heroic associations and expands on its historical (Jesse James, Billy the Kid), folk (John Henry, Stagolee), and social (tramps, hoboes) forms. He argues that all three performers represent a culturally disruptive force, whether it be the bad outlaw that Lead Belly represented to an urban bourgeoisie audience, the good outlaw that Guthrie shaped to reflect the social concerns of marginalized people, or the honest outlaw that Dylan offered audiences who responded to him as a promoter of clear-sighted self-evaluation. As Carpenter shows, the outlaw and the law as located in society are interdependent in terms of definition. His study provides an in-depth look at the outlaw figure’s self-reflexive commentary and critique of both performer and society that reflects the times in which they played their outlaw roles.

Biographical Dictionary of African Americans Revised Edition

Robinson, Tiny, and John Reynolds, eds. Lead Belly: A Life in Pictures. Gottingen, Germany: Steidl, 2007. Ruhlmann, William. “LeadBelly.” AllMusic. URL: https://www.allmusic.com/artist/lead-bellymn0000124390/ biography.

Author: Rachel Kranz

Publisher: Infobase Holdings, Inc

ISBN: 9781438198774

Category: History

Page: 472

View: 598


For centuries, African Americans have made important contributions to American culture. From Crispus Attucks, whose death marked the start of the Revolutionary War, to Oprah Winfrey, perhaps the most recognizable and influential TV personality today, black men and women have played an integral part in American history. This greatly expanded and updated edition of our best-selling volume, The Biographical Dictionary of Black Americans, Revised Edition profiles more than 250 of America's important, influential, and fascinating black figures, past and present—in all fields, including the arts, entertainment, politics, science, sports, the military, literature, education, the media, religion, and many more.

Novel Sounds

Lead Belly's trip to the MLA is chronicled in Charles Wolfe and Kip Lornell, The Life and Legend of Leadbelly, new ed. ... Lead Belly: A Life in Pictures (Göttingen: Steidl, 2008), 47; Wolfe and Lornell, The Life and Legend of Leadbelly ...

Author: Florence Dore

Publisher: Columbia University Press

ISBN: 9780231546058

Category: Literary Criticism


View: 513


The 1950s witnessed both the birth of both rock and roll and the creation of Southern literature as we know it. Around the time that Chuck Berry and Elvis Presley put their electric spin on Southern vernacular ballads, a canonical group of white American authors native to rock’s birthplace began to write fiction about the electrification of those ballads, translating into literary form key cultural changes that gave rise to the infectious music coming out of their region. In Novel Sounds, Florence Dore tells the story of how these forms of expression became intertwined and shows how Southern writers turned to rock music and its technologies—tape, radio, vinyl—to develop the “rock novel.” Dore considers the work of Southern writers like William Faulkner, Flannery O’Connor, and William Styron alongside the music of Bessie Smith, Lead Belly, and Bob Dylan to uncover deep historical links between rock and Southern literature. Along with rock pioneers, Southern authors drew from blues, country, jazz, and other forms to create a new brand of realism that redefined the Southern vernacular as global, electric, and notably white. Resurrecting this Southern literary tradition at the birth of rock, Dore clarifies the surprising but unmistakable influence of rock and roll on the American novel. Along the way, she explains how literature came to resemble rock and roll, an anti-institutional art form if there ever was one, at the very moment academics claimed literature for the institution.

Frankie and Johnny

“Lead Belly to Show N.Y.U. Students How He Sings His Way Out of Jails,” February 1935 article reprinted without bibliographic details in Tiny Robinson and John Reynolds, eds., Lead Belly: A Life in Pictures (Göttingen, Germany: Steidl, ...

Author: Stacy I. Morgan

Publisher: University of Texas Press

ISBN: 9781477312087

Category: Social Science

Page: 272

View: 810


Originating in a homicide in St. Louis in 1899, the ballad of "Frankie and Johnny" became one of America's most familiar songs during the first half of the twentieth century. It crossed lines of race, class, and artistic genres, taking form in such varied expressions as a folk song performed by Huddie Ledbetter (Lead Belly); a ballet choreographed by Ruth Page and Bentley Stone under New Deal sponsorship; a mural in the Missouri State Capitol by Thomas Hart Benton; a play by John Huston; a motion picture, She Done Him Wrong, that made Mae West a national celebrity; and an anti-lynching poem by Sterling Brown. In this innovative book, Stacy I. Morgan explores why African American folklore—and "Frankie and Johnny" in particular—became prized source material for artists of diverse political and aesthetic sensibilities. He looks at a confluence of factors, including the Harlem Renaissance, the Great Depression, and resurgent nationalism, that led those creators to engage with this ubiquitous song. Morgan's research uncovers the wide range of work that artists called upon African American folklore to perform in the 1930s, as it alternately reinforced and challenged norms of race, gender, and appropriate subjects for artistic expression. He demonstrates that the folklorists and creative artists of that generation forged a new national culture in which African American folk songs featured centrally not only in folk and popular culture but in the fine arts as well.

A Blues Bibliography

“Leadbelly,” in The Greenwood Encyclopedia of African American Folklore. Westport: Greenwood, 2006. ... “Ledbetter, Huddie (Lead Belly) (1889–1949),” in Encyclopedia of African American Music. ... Lead Belly: A Life in Pictures.

Author: Robert Ford

Publisher: Routledge

ISBN: 9781351398480

Category: Music

Page: 456

View: 634


This book provides a sequel to Robert Ford's comprehensive reference work A Blues Bibliography, the second edition of which was published in 2007. Bringing Ford's bibliography of resources up to date, this volume covers works published since 2005, complementing the first volume by extending coverage through twelve years of new publications. As in the previous volume, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations, and lyric transcriptions and musical analysis. With extensive listings of print and online articles in scholarly and trade journals, books, and recordings, this bibliography offers the most thorough resource for all researchers studying the blues.

African Americans in the Performing Arts

Lead Belly: A Life in Pictures. London: Steidl, 2007. Wolfe, Charles, and Kip Lornell. The Life and Legend of Leadbelly. New York: Da Capo Press, 1999. Further Listening Important Recordings 1934–1949. JSP Records, CD box set, 2006.

Author: Steven Otfinoski

Publisher: Infobase Publishing

ISBN: 9781438128559

Category: Performing Arts

Page: 289

View: 372


Provides short biographies of African Americans who have contributed to the performing arts.

African American History Day by Day A Reference Guide to Events

Indeed, Leadbelly probably improvised scores of topical songs, forgetting them in a couple of weeks after they served ... Lead Belly: A Life in Pictures. ... Photographs, letters, and other memorabilia show Leadbelly's musical career.

Author: Karen Juanita Carrillo

Publisher: ABC-CLIO

ISBN: 9781598843613

Category: Social Science

Page: 420

View: 979


The proof of any group's importance to history is in the detail, a fact made plain by this informative book's day-by-day documentation of the impact of African Americans on life in the United States. • More than 365 chronologically arranged entries featuring events and information about African Americans • An introduction that overviews the importance of African American history in a day-by-day approach • A preface that explains the scope, methodology, and rationale for coverage • Primary source excerpts for some events and two vetted books and websites for all events