In Capra s Shadow

about his account of Mr. Deeds is that Capra describes what he wanted to say as “nothing earth-shaking" and then goes on to list mass education, thought, ...

Author: Ian Scott

Publisher: University Press of Kentucky

ISBN: 9780813159669

Category: Biography & Autobiography

Page: 304

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Because screenwriter Robert Riskin spent most of his career collaborating with legendary Hollywood director Frank Capra, Riskin's own unique contributions to film have been largely overshadowed. With five Academy Award nominations to his credit for the monumental films Lady for a Day, Mr. Deeds Goes to Town, You Can't Take It with You, Here Comes the Groom, and It Happened One Night (for which he won the Oscar), Riskin is often imitated but rarely equaled. In Capra's Shadow: The Life and Career of Screenwriter Robert Riskin is the first detailed critical examination of the Hollywood pioneer's life and work. In addition to being one of the great screenwriters of the classic Hollywood era, Riskin was also a producer and director, founding his own film company and playing a crucial role in the foundation of the Screen Writers Guild. During World War II, Riskin was one of the major forces behind propaganda filmmaking. He worked in the Office of War Information and oversaw the distribution -- and later, production -- of films and documentaries in foreign theaters. He was interested in showing the rest of the world more than just an idealized version of America; he looked for films that emphasized the spiritual and cultural vibrancy within the U.S., making charity, faith, and generosity of spirit his propaganda tools. His efforts also laid the groundwork for a system of distribution channels that would result in the dominance of American cinema in Europe in the postwar years. Riskin's postwar work included his production of the 1947 film Magic Town, the tale of a marketing executive who discovers the perfect American small town and uses it for polling. What Riskin created onscreen is not simply a community stuck in an antiquarian past; rather, the town of Grandview observes its own traditions while at the same time confronting the possibilities of the modern world and the challenges of postwar America. Author Ian Scott provides a unique perspective on Riskin and the ways in which his brilliant, pithy style was realized in Capra's enduring films. Riskin's impact on cinema extended far beyond these films as he helped spread Hollywood cinema abroad and articulated his vision of a changing America.

In Capra s Shadow

In Capra's Shadow: The Life and Career of Screenwriter Robert Riskin is the first sociohistorical analysis of the Hollywood pioneer's life and work.

Author: Ian Scott

Publisher: University Press of Kentucky

ISBN: 9780813171357

Category: Performing Arts

Page: 288

View: 141

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Because screenwriter Robert Riskin spent most of his career collaborating with legendary Hollywood director Frank Capra, Riskin's own unique contributions to film have been largely overshadowed. With five Academy Award nominations to his credit for such monumental films as Lady for a Day, Mr. Deeds Goes to Town, You Can't Take It with You, Here Comes the Groom, and It Happened One Night (for which he won the Oscar), Riskin is often imitated but rarely equaled. In Capra's Shadow: The Life and Career of Screenwriter Robert Riskin is the first sociohistorical analysis of the Hollywood pioneer's life and work. Author Ian Scott provides a unique perspective on Riskin, his impact on cinema, and the ways in which his brilliant, pithy style was realized in Capra's films.

American Cinema in the Shadow of 9 11

He has published widely on the topics of American politics, history and culture and is the author of In Capra's Shadow: The Life and Career of Screenwriter ...

Author: Terence McSweeney

Publisher: Edinburgh University Press

ISBN: 9781474413831

Category: Performing Arts

Page: 352

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American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.

A Philosophical History of Documentary 1895 1959

Frank Capra Accepts the 10th AFI Life Achievement Award in 1982. https://www. ... In Capra's Shadow: The Life and Career of Screenwriter Robert Riskin.

Author: Dan Geva

Publisher: Springer Nature

ISBN: 9783030794668

Category: Philosophy

Page: 393

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This book presents a chronology of thirty definitions attributed to the word, term, phrase, and concept of “documentary” between the years 1895 and 1959. The book dedicates one chapter to each of the thirty definitions, scrutinizing their idiosyncratic language games from close range while focusing on their historical roots and concealed philosophical sources of inspiration. Dan Geva's principal argument is twofold: first, that each definition is an original ethical premise of documentary; and second, that only the structured assemblage of the entire set of definitions successfully depicts the true ethical nature of documentary insofar as we agree to consider its philosophical history as a reflective object of thought in a perpetual state of being-self-defined: an ethics sui generis.

Fay Wray and Robert Riskin

He had interviewed Capra extensively and had grown to appreciate the triumphs and also ... Ian Scott's biography, In Capra's Shadow: The Life and Career of ...

Author: Victoria Riskin

Publisher: Pantheon

ISBN: 9781524747299

Category: Biography & Autobiography

Page: 416

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Finalist for the Los Angeles Times Book Prize (Biography) A Hollywood love story, a Hollywood memoir, a dual biography of two of Hollywood’s most famous figures, whose golden lives were lived at the center of Hollywood’s golden age, written by their daughter, an acclaimed writer and producer. Fay Wray was most famous as the woman—the blonde in a diaphanous gown—who captured the heart of the mighty King Kong, the twenty-five-foot, sixty-ton gorilla, as he placed her, nestled in his eight-foot hand, on the ledge of the 102-story Empire State Building, putting Wray at the height of New York’s skyline and cinematic immortality. Wray starred in more than 120 pictures opposite Hollywood's biggest stars—Spencer Tracy, Gary Cooper (The Legion of the Condemned, The First Kiss, The Texan, One Sunday Afternoon), Clark Gable, William Powell, and Charles Boyer; from cowboy stars Hoot Gibson and Art Accord to Ronald Colman (The Unholy Garden), Claude Rains, Ralph Richardson, and Melvyn Douglas. She was directed by the masters of the age, from Fred Niblo, Erich von Stroheim (The Wedding March), and Mauritz Stiller (The Street of Sin) to Leo McCarey, William Wyler, Gregory La Cava, “Wild Bill” William Wellman, Merian C. Cooper (The Four Feathers, King Kong), Josef von Sternberg (Thunderbolt), Dorothy Arzner (Behind the Make-Up), Frank Capra (Dirigible), Michael Curtiz (Doctor X), Raoul Walsh (The Bowery), and Vincente Minnelli. The book’s—and Wray’s—counterpart: Robert Riskin, considered one of the greatest screenwriters of all time. Academy Award–winning writer (nominated for five), producer, ten-year-long collaborator with Frank Capra on such pictures as American Madness, It Happened One Night, Mr. Deeds Goes to Town, Lost Horizon, and Meet John Doe, hailed by many, among them F. Scott Fitzgerald, as “among the best screenwriters in the business.” Riskin wrote women characters who were smart, ornery, sexy, always resilient, as he perfected what took full shape in It Happened One Night, the Riskin character, male or female—breezy, self-made, streetwise, optimistic, with a sense of humor that is subtle and sure. Fay Wray and Robert Riskin lived large lives, finding each other after establishing their artistic selves and after each had had many romantic attachments—Wray, an eleven-year-long difficult marriage and a fraught affair with Clifford Odets, and Riskin, a series of romances with, among others, Carole Lombard, Glenda Farrell, and Loretta Young. Here are Wray’s and Riskin’s lives, their work, their fairy-tale marriage that ended so tragically. Here are their dual, quintessential American lives, ultimately and blissfully intertwined.

Shadows of Doubt

Contrasting Shadow of a Doubt to Frank Capra's It's a Wonderful Life ( 1946 ) , Robin Wood shows how similar ideological tensions are worked out differently ...

Author: Barry Keith Grant

Publisher: Wayne State University Press

ISBN: 0814334571

Category: Performing Arts

Page: 246

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"In Shadows of Doubt, Barry Keith Grant moves through virtually the entire history of American cinema, from the silents to the new millennium. Grant demonstrates both the ubiquity of masculinist ideals in American cinema and some key texts that challenge these notions within mainstream genre forms."-David Desser, professor of cinema studies at the University of Illinois at Urbana-Champaign

Another Frank Capra

Indeed , Mary's shadow on the bathroom door recalls our first glimpse of Robert Conway in Lost Horizon , also a cinematic shadow very precisely and ...

Author: Leland Poague

Publisher: Cambridge University Press

ISBN: 0521380669

Category: Performing Arts

Page: 286

View: 126

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Offers a new interpretation of Capra as modernist rather than patriotic sentimentalist.

In the Shadow of the Hawk

The ideological 1939 film by Frank Capra , in which James Stewart had one of his better known roles , that of a disarmingly honest and dedicated freshman ...

Author: Josephine B. Curry

Publisher: University Press of America

ISBN: 0761828699

Category: History

Page: 574

View: 102

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This book carries the reader back to the early years of World War II. It is centered on an insightful American woman's daily experience, recorded in her diary from 1939 to 1942, wherein personal reflections and epic thrust yield an intriguing sense of plot. Author Lester Bartson draws on many external sources in order to bring to life the diarist's interesting native city of Canton, Ohio, her subsequent service as a WAC during the liberation of France, and postwar initiatives in Nova Scotia. Bartson uses recently discovered original material to piece together the poignant story of her husband, a Canadian RAF pilot during the First World War. Historical and cultural issues are given perspective by richly interactive notes, a broadly based Introduction, reflective Epilogue, thematic Index, and more than fifty individual illustrations.

Why We Fought

In Capra's Shadow: The Life and Career of Screenwriter Robert Riskin. Lexington: UP of Kentucky, 2006. 12 / Frank J. Wetta and Martin A. Novelli ON.

Author: Peter C. Rollins

Publisher: University Press of Kentucky

ISBN: 9780813138749

Category: Performing Arts

Page: 624

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This book makes a powerful case that film can be as valuable a tool as primary documents for improving our understanding of the causes and consequences of war. Why We Fought: America's Wars in Film and History is a comprehensive look at war films, from depictions of the American Revolution to portrayals of September 11 and its aftermath. The volume contrasts recognized history and historical fiction with the versions appearing on the big screen. The text considers a selection of the pivotal war films of all time, including All Quiet on the Western Front (1930), Sands of Iwo Jima (1949), Apocalypse Now (1979), Platoon (1986), and Saving Private Ryan (1998). Why We Fought reveals how film depictions of the country's wars have shaped our values, politics, and culture, and it offers a unique understanding of American history.

Growing in the Shadow of an Empire

... C. Caraffa, ''11 governo spagnolo come committente di architettura nello Stato di Milano”, in Capra, Donati, Milano nella storia dell 'eta moderna, pp.

Author: Giuseppe De Luca

Publisher: FrancoAngeli

ISBN: 9788856848625

Category: History

Page: 445

View: 797

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The Capra Touch

This use of light and shadow, as we shall see, would also play a crucial role in the Why We Fight series and other war documentaries produced by Capra.

Author: Matthew C. Gunter

Publisher: McFarland

ISBN: 9780786488285

Category: Performing Arts

Page: 250

View: 930

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During World War II, Academy Award–winning director Frank Capra (1897–1991) made propaganda films for the U.S. Government, such as Prelude to War, The Nazis Strike, The Battle of Britain, War Comes to America and The Negro Soldier. These entries in the Why We Fight documentary series have been largely neglected by Capra scholars. This work analyzes the cinematic and thematic techniques Capra employed in these films, linking them to the techniques and ideology of the director’s popular mainstream narrative films, including It Happened One Night, Mr. Deeds Goes to Town and Mr. Smith Goes to Washington. Also analyzed are the manners in which Frank Capra’s war service affected his later films, notably his 1946 masterpiece It’s a Wonderful Life, and how Capra’s belief in individual liberty shaped both his films and his career under the oppressive Hollywood studio system.

Hollywood and the Great Depression

Ian Scott, In Capra's Shadow: The Life and Career of Screenwriter Robert Riskin (Lexington: University Press of Kentucky, 2006), 68–9. 33.

Author: Iwan Morgan

Publisher: Edinburgh University Press

ISBN: 9781474414029

Category: Performing Arts

Page: 296

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Examines how Hollywood responded to and reflected the political and social changes that America experienced during the 1930sIn the popular imagination, 1930s Hollywood was a dream factory producing escapist movies to distract the American people from the greatest economic crisis in their nations history. But while many films of the period conform to this stereotype, there were a significant number that promoted a message, either explicitly or implicitly, in support of the political, social and economic change broadly associated with President Franklin D. Roosevelts New Deal programme. At the same time, Hollywood was in the forefront of challenging traditional gender roles, both in terms of movie representations of women and the role of women within the studio system. With case studies of actors like Shirley Temple, Cary Grant and Fred Astaire, as well as a selection of films that reflect politics and society in the Depression decade, this fascinating book examines how the challenges of the Great Depression impacted on Hollywood and how it responded to them.Topics covered include:How Hollywood offered positive representations of working womenCongressional investigations of big-studio monopolization over movie distributionHow three different types of musical genres related in different ways to the Great Depression the Warner Bros Great Depression Musicals of 1933, the Astaire/Rogers movies, and the MGM akids musicals of the late 1930sThe problems of independent production exemplified in King Vidors Our Daily BreadCary Grants success in developing a debonair screen persona amid Depression conditionsContributors Harvey G. Cohen, King's College LondonPhilip John Davies, British LibraryDavid Eldridge, University of HullPeter William Evans, Queen Mary, University of LondonMark Glancy, Queen Mary University of LondonIna Rae Hark, University of South CarolinaIwan Morgan, University College LondonBrian Neve, University of BathIan Scott, University of ManchesterAnna Siomopoulos, Bentley UniversityJ. E. Smyth, University of WarwickMelvyn Stokes, University College LondonMark Wheeler, London Metropolitan University

Myrna Loy

“her favorite shade”: MGM press release for The Thin Man Goes Home, British Film Institute. ... taken on to please his brother: Scott, In Capra's Shadow, ...

Author: Emily W. Leider

Publisher: Univ of California Press

ISBN: 9780520253209

Category: Biography & Autobiography

Page: 411

View: 412

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A biography of the actress from her early dance training, to being typecast as Hollywood's "exotic," to her success in her most famous role, Nora Charles.

The Merchant Prince of Poverty Row

But the unkindest cut of all was Capra's suit over the false advertising of If ... it was also an indirect confirmation of Harry's image of Capra : a shadow ...

Author: Bernard F. Dick

Publisher: University Press of Kentucky

ISBN: 0813133548

Category: Biography & Autobiography

Page:

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In Secrecy s Shadow

... and as well as for Frank Capra's Why We Fight propaganda series. ... Hearing news of the film, Secretary of War Henry Stimson wrote 46 r IN SECRECYS SHADOW.

Author: Simon Willmetts

Publisher: Edinburgh University Press

ISBN: 9780748693009

Category: Performing Arts

Page: 320

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During the Second World War hundreds of Hollywood filmmakers under the command of the legendary director John Ford enlisted in the OSS to produce training, reconnaissance and propaganda films. This wartime bond continued into the post-war period, when a number of studios produced films advocating the creation of a permanent peacetime successor to the OSS: what became the Central Intelligence Agency. By the 1960s however, Hollywood's increasingly irreverent attitude towards the CIA reflected a growing public anxiety about excessive US government secrecy. In Secrecy's Shadow provides the first comprehensive history of the birth and development of Hollywood's relationship with American intelligence. It takes an interdisciplinary approach, synthesizing literatures and methodologies from diplomatic history, film studies and cultural theory, and it presents new perspectives on a number of major filmmakers including Darryl F. Zanuck, Alfred Hitchcock and John Ford. Based on research conducted in over 20 archival repositories across the United States and UK, In Secrecy's Shadow explores the revolution in the relationship between Hollywood and the secret state, from unwavering trust and cooperation to extreme scepticism and paranoia, and demonstrates the debilitating effects of secrecy upon public trust in government and the stability of national memory.

The President s Ladies

Even when Riskin tried to emerge from Capra's shadow, he could not escape Capra's influence. Magic Town was a Capra script with an alien director.

Author: Bernard F. Dick

Publisher: Univ. Press of Mississippi

ISBN: 9781617039805

Category: Biography & Autobiography

Page: 272

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Ronald Reagan, a former actor and one of America's most popular presidents, married not one but two Hollywood actresses. This book is three biographies in one, discovering fascinating connections among Jane Wyman (1917-2007), Ronald Reagan (1911-2004), and Nancy Davis (b. 1921). Jane Wyman, who married Reagan in 1940 and divorced him seven years later, knew an early life of privation. She gravitated to the movies and made her debut at fifteen as an unbilled member of the chorus, then toiled as an extra for four years until she finally received billing. She proved herself as a dramatic actress in The Lost Weekend, and the following year, she was nominated for an Oscar for The Yearling and soon won for her performance in Johnny Belinda, in which she did not speak a single line. Other Oscar nominations followed, along with a Golden Globe for her portrayal of Angela Channing in Falcon Crest. Conversely, Nancy Davis led a relatively charmed life, the daughter of an actress and the stepdaughter of a neurosurgeon. Surrounded by her mother's friends--Walter Huston, Spencer Tracy, Katharine Hepburn, Lillian Gish, and Alla Nazimova, her godmother--Davis started in the theater, then moved on to Hollywood, where she enjoyed modest success, and finally began working in television. When she married Reagan in 1952, she unwittingly married into politics, eventually leaving acting to concentrate on being the wife of the governor of California, and then the wife of the president of the United States. In her way, Davis played her greatest role as Reagan's friend, confidante, and adviser in life and in politics. This book considers three actors who left an indelible mark on both popular and political culture for more than fifty years.

Warning Shadows Home Alone with Classic Cinema

For that, Capra received an unparalleled number of awards as well as the kind of faux-handwritten possessory credit associated with Walt Disney.

Author: Gary Giddins

Publisher: W. W. Norton & Company

ISBN: 0393339009

Category: Performing Arts

Page: 368

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A brilliantly insightful and witty examination of beloved and little-known films, directors, and stars by one of America’s most esteemed critics. In his illuminating new work, Gary Giddins explores the evolution of film, from the first moving pictures and peepshows to the digital era of DVDs and online video-streaming. New technologies have changed our experience of cinema forever; we have peeled away from the crowded theater to be home alone with classic cinema. Recounting the technological developments that films have undergone, Warning Shadows travels through time and across genres to explore the impact of the industry’s most famous classics and forgotten gems. Essays such as “Houdini Escapes! From the Vaults! Of the Past!,” “Edward G. Robinson, See,” and “Prestige and Pretension (Pride and Prejudice)” capture the wit and magic of classic cinema. Each chapter—ranging from the horror films of Hitchcock to the fantastical frames of Disney—provides readers with engaging analyses of influential films and the directors and actors who made them possible.

Joseph II Volume 1 In the Shadow of Maria Theresa 1741 1780

XII ( Milan , 1959 ) ; Capra's section on ' Il Settecento'in D. Sella and C. Capra , Il Ducato di Milano dal 1535 al 1796 ( Turin , 1984 ) ; Arneth , GMT x ...

Author: Derek Beales

Publisher: Cambridge University Press

ISBN: 0521242401

Category: Biography & Autobiography

Page: 520

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This volume describes the claustrophobic atmosphere, in which Joseph was trained to rule, and his attempts after 1765 as co-regent with his formidable mother.

Out of the Mouths of Babes

... 2002), 283; Ian Scott, In Capra's Shadow: The Life and Career of Screenwriter Robert Riskin (Lexington: University Press of Kentucky, 2006), 19–21.

Author: Thomas A. Robinson

Publisher: Oxford University Press

ISBN: 9780199790876

Category: History

Page: 240

View: 678

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The 1920s marked one of the greatest cultural shifts in American life, and the risque flapper became the icon of the period. But there was a counter image of the feminine; the decade was also the golden age for girl evangelists who defended traditional morals and traditional Christian beliefs and attitudes.

Rewrite Man

In Capra's Shadow: The Life and Career of Screenwriter Robert Riskin. Lexington: University Press of Kentucky, 2006. Screen Credits Manual.

Author: Alison Macor

Publisher: University of Texas Press

ISBN: 9781477312025

Category: Biography & Autobiography

Page: 250

View: 654

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In Rewrite Man, Alison Macor tells an engrossing story about the challenges faced by a top screenwriter at the crossroads of mixed and conflicting agendas in Hollywood. Whether writing love scenes for Tom Cruise on the set of Top Gun, running lines with Michael Keaton on Beetlejuice, or crafting Nietzschean dialogue for Jack Nicholson on Batman, Warren Skaaren collaborated with many of New Hollywood's most powerful stars, producers, and directors. By the time of his premature death in 1990, Skaaren was one of Hollywood's highest-paid writers, although he rarely left Austin, where he lived and worked. Yet he had to battle for shared screenwriting credit on these films, and his struggles yield a new understanding of the secretive screen credit arbitration process—a process that has only become more intense, more litigious, and more public for screenwriters and their union, the Writers Guild of America, since Skaaren's time. His story, told through a wealth of archival material, illuminates crucial issues of film authorship that have seldom been explored.