Project Inc Revisited

GH Hovagimyan July 27, 1974 GH Hovagimyan performing at Project Inc., 1974. In the background, from left to right: Greg Amenoff, unidentified, Robert Horvitz, Laurie Anderson, and Bruce Andrews. GH Hovagimyan drove up with Laurie ...

Author: Churner and Churner

Publisher: Lulu.com

ISBN: 9780988189515

Category: Alternative spaces (Arts facilities)

Page: 54

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Digital Creativity

G.H. Hovagimyan INTERVIEW Cross - Media Digital Artist What is your creative process ? G.H. Hovagimyan started using computers in For me the creative process is several things . It is a liberation , an affirmation of my existence , 1993 ...

Author: Bruce Wands

Publisher: John Wiley & Sons

ISBN: 0471390577

Category: Architecture

Page: 326

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This work equips readers with a solid conceptual and critical foundation for digital creativity, presenting both technical explanations and creative techniques.

Franklin Furnace and the Spirit of the Avant Garde

Wortzel's most active work with Pseudo was done together with fellow New York–based artists G. H. Hovagimyan and Robbin Murphy as co-host and content producer for a weekly online show called Art Dirt, for two seasons between 1996 and ...

Author: Toni Sant

Publisher: Intellect Books

ISBN: 9781841504438

Category: Art

Page: 186

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Franklin Furnace is a renowned New York–based arts organization whose mission is to preserve, document and present works of avant-garde art by emerging artists – particularly those whose works may be vulnerable due to institutional neglect or politically unpopular content. Over more than thirty years, Franklin Furnace has exhibited works by hundreds of avant-garde artists, some of whom – Laurie Anderson, Vito Acconci, Karen Finley, Guillermo Gómez-Peña, Jenny Holzer and the Blue Man Group, to name a few – are now established names in contemporary art. Here, for the first time, is a comprehensive history of this remarkable organization from its conception to the present. Organized around the major art genres that emerged in the second half of the twentieth century, this book intersperses first-person narratives with readings by artists and scholars on issues critical to the organization's success as well as Franklin Furnace's many contributions to avant-garde art.

Intermedia

Enacting the Liminal Hans Breder, Klaus-Peter Busse. G.H. Hovagimyan ... I place art in the category of a language as well. It may be noted that Ludwig Wittgenstein and the school 117 G H Hovagimyan On *****Media.

Author: Hans Breder

Publisher: BoD – Books on Demand

ISBN: 9783833415418

Category: Arts

Page: 287

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Gordon Matta Clark

G. H. Hovagimyan, “Gordon Matta-Clark: A Remembrance,” http://www.academia.edu/6408483/Gordon_Matta-Clark_A_Remembrance. The negative reaction of the French press is also discussed in Pamela M. Lee, Object to Be Destroyed, 185–97.

Author: Frances Richard

Publisher: University of California Press

ISBN: 9780520299092

Category: Art

Page: 560

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Bringing a poet’s perspective to an artist’s archive, this highly original book examines wordplay in the art and thought of American artist Gordon Matta-Clark (1943–1978). A pivotal figure in the postminimalist generation who was also the son of a prominent Surrealist, Matta-Clark was a leader in the downtown artists' community in New York in the 1970s, and is widely seen as a pioneer of what has come to be known as social practice art. He is celebrated for his “anarchitectural” environments and performances, and the films, photographs, drawings, and sculptural fragments with which his site-specific work was documented. In studies of his career, the artist’s provocative and vivid language is referenced constantly. Yet the verbal aspect of his practice has not previously been examined in its own right. Blending close readings of Matta-Clark’s visual and verbal creations with reception history and critical biography, this extensively researched study engages with the linguistic and semiotic forms in Matta-Clark’s art, forms that activate what he called the “poetics of psycho-locus” and “total (semiotic) system.” Examining notes, statements, titles, letters, and interviews in light of what they reveal about his work at large, Frances Richard unearths archival, biographical, and historical information, linking Matta-Clark to Conceptualist peers and Surrealist and Dada forebears. Gordon Matta-Clark: Physical Poetics explores the paradoxical durability of Matta-Clark’s language, and its role in an aggressively physical oeuvre whose major works have been destroyed.

OuterSpeares

For example, though G.H. Hovagimyan's essay “On ***** Media” recognizes the political uses of radio by totalitarian and democratic states in the early twentieth century, it largely ignores the tropes used by dramatic presentations on ...

Author: Daniel Fischlin

Publisher: University of Toronto Press

ISBN: 9781442615939

Category: Drama

Page: 401

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For Shakespeare and Shakespearean adaptation, the global digital media environment is a “brave new world” of opportunity and revolution. InOuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation, noted scholars of Shakespeare and new media consider the ways in which various media affect how we understand Shakespeare and his works. Daniel Fischlin and his collaborators explore a wide selection of adaptations that occupy the space between and across traditional genres – what artist Dick Higgins calls “intermedia” – ranging from adaptations that use social networking, cloud computing, and mobile devices to the many handicrafts branded and sold in connection with the Bard. With essays on YouTube and iTunes, as well as radio, television, and film, OuterSpeares is the first book to examine the full spectrum of past and present adaptations, and one that offers a unique perspective on the transcultural and transdisciplinary aspects of Shakespeare in the contemporary world.

New Collecting Exhibiting and Audiences after New Media Art

This is already somewhat of the default process on the web. What has not occurred is the next step which is the analysis and presentation of webmaterial in real life. That is the exciting part. (G.H. Hovagimyan in CONT3XT.

Author: Beryl Graham

Publisher: Routledge

ISBN: 9781317088660

Category: Art

Page: 254

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The collections of museums, galleries and online art organisations are increasingly broadening to include more new media art. Because new media is used as a means of documenting, archiving and distributing art, and because new media art might be interactive with its audiences, this highlights the new kinds of relationships that might occur between audiences as viewers, participants, selectors, taggers or taxonomisers. New media art presents many challenges to the curator and collector, but there is very little published analytical material available to help meet those challenges. This book fills that gap. Drawing from the editor's extensive research and the authors' expertise in the field, the book provides clear navigation through a disparate arena. The authors offer examples from a wide geographical reach, including the UK, North America and Asia and integrate the consideration of audience response into all aspects of their work. The book will be essential reading for those studying or practicing in new media, curating or museums and galleries.

From Technological to Virtual Art

In Art Dirt , Hovagimyan engages in a roundtable discussion on topics involving digital art ( figure 6.9 ) . ... Adress walker art center ReaPlayer : Art Dirt 5/14/98 G.H. HOVAGIMYAN art dirt archives 1996 1999 www.we ...

Author: Frank Popper

Publisher: Mit Press

ISBN: UOM:39015067638000

Category: Art

Page: 459

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Frank Popper traces the development of immersive, interactive new media art from its antecedents through today's digital, multimedia, & networked art.

MicroBionic Radical Electronic Music and Sound Art in the 21st Century

23 Genesis P. Orridge, Answering a Question: TG and Punk, unpublished essay, 2000. 24 http://library.nothingness.org/articles/all/all/display/314. Retrieved November 12, 2012. 25 G.H. Hovagimyan, “Art in the Age of Spiritual Machines.

Author: Thomas Bey William Bailey

Publisher: Belsona Books Ltd.

ISBN: 9780615736624

Category: Music

Page: 418

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Micro Bionic is an exciting survey of electronic music and sound art from cultural critic and mixed-media artist Thomas Bey William Bailey. This superior revised edition includes all of the original supplements neglected by the publishers of the first edition, including a full index, bibliography, additional notes / commentary and an updated discography. As the title suggests, the unifying theme of the book is that of musicians and sound artists taking bold leaps forward in spite of (or sometimes because of) their financial, technological, and social restrictions. Some symptoms of this condition include the gigantic discography amassed by the one-man project Merzbow, the drama of silence enacted by onkyo and New Berlin Minimalism, the annihilating noise transmitted from the humble laptop computers of Russell Haswell and Peter Rehberg and much more besides. Although the journey begins in the Industrial 1980s, in order to trace how the innovations of that period have gained greater currency in the present, it surveys a wide array of artists breaking ground in the 21st century with radical attitudes and techniques. A healthy amount of global travel and concentrated listening have combined to make this a sophisticated yet accessible document, unafraid to explore both the transgressive extremes of this culture and the more deftly concealed interstices thereof. Part historical document, part survival manual for the marginalized electronic musician, part sociological investigation, Micro Bionic is a number of different things, and as such will likely generate a variety of reactions from inspiration to offense. Numerous exclusive interviews with leading lights of the field were also conducted for this book: William Bennett (Whitehouse), Peter Christopherson (r.i.p., Throbbing Gristle / Coil), Peter Rehberg, John Duncan, Francisco Lopez, Carl Michael von Hausswolff, Bob Ostertag, Zbigniew Karkowski and many others weigh in with a diversity of thoughts and opinions that underscore the incredible diversity to be found within new electronic music itself."

In Your Computer

The American artist G. H. Hovagimyan, one of the pioneers of Net art, asserts, «When you allow an engineer to dictate how you are creative and what form that takes then you have given up your artistic freedom. This is the case in SL».

Author: Domenico Quaranta

Publisher: Lulu Press, Inc

ISBN: 9781291854046

Category: Reference

Page:

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«There is this hacker slogan: “We love your computer.” We also get inside people's computers. And we are honored to be in somebody's computer. You are very close to a person when you are on his desktop.» Jodi, 1997 This book is a collection of texts written by Domenico Quaranta between 2005 and 2010 for exhibition catalogues, printed magazines and online reviews: a pocket version of what the author would save from the universal flood, in a world without computers. Most of the fields of research he has developed are represented: from Net Art to Software Art and videogames, from biotechnologies to the debate around curating and the positioning of New Media Art in the contemporary landscape, and back to Net Art again.