Eco Trauma Cinema

Contributors to this volume engage with eco-trauma cinema in its three general forms: accounts of people who are traumatized by the natural world, narratives that represent people or social processes which traumatize the environment or its ...

Author: Anil Narine

Publisher: Routledge

ISBN: 9781317649427

Category: Social Science

Page: 258

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Film has taken a powerful position alongside the global environmental movement, from didactic documentaries to the fantasy pleasures of commercial franchises. This book investigates in particular film’s complex role in representing ecological traumas. Eco-trauma cinema represents the harm we, as humans, inflict upon our natural surroundings, or the injuries we sustain from nature in its unforgiving iterations. The term encompasses both circumstances because these seemingly distinct instances of ecological harm are often related, and even symbiotic: the traumas we perpetuate in an ecosystem through pollution and unsustainable resource management inevitably return to harm us. Contributors to this volume engage with eco-trauma cinema in its three general forms: accounts of people who are traumatized by the natural world, narratives that represent people or social processes which traumatize the environment or its species, and stories that depict the aftermath of ecological catastrophe. The films they examine represent a central challenge of our age: to overcome our disavowal of environmental crises, to reflect on the unsavoury forces reshaping the planet's ecosystems, and to restructure the mechanisms responsible for the state of the earth.

Ecocinema in the City

This attempt to expose eco-disasters in the city continues in each of these books, addressing films from Red Desert ... in the Garden: Technology and the Pastoral Ideal in America to Anil Narine's 2014 edited volume Eco-Trauma Cinema.

Author: Robin L. Murray

Publisher: Routledge

ISBN: 9781351398244

Category: Performing Arts

Page: 214

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In Ecocinema in the City, Murray and Heumann argue that urban ecocinema both reveals and critiques visions of urban environmentalism. The book emphasizes the increasingly transformative power of nature in urban settings, explored in both documentaries and fictional films such as Children Underground, White Dog, Hatari! and Lives Worth Living. The first two sections—"Evolutionary Myths Under the City" and "Urban Eco-trauma"—take more traditional ecocinema approaches and emphasize the city as a dangerous constructed space. The last two sections—"Urban Nature and Interdependence" and "The Sustainable City"—however, bring to life the vibrant relationships between human and nonhuman nature. Ecocinema in the City provides a space to explore these relationships, revealing how ecocinema shows that both human and nonhuman nature can interact sustainably and thrive.

The Routledge Companion to Cinema Gender

Mulvey, L. (1975) “Visual Pleasure and Narrative Cinema,” Screen 16 (3) (Fall): 6–18. Narine, A., ed. (2014) Eco-Trauma Cinema. New York and London: Routledge. Plantinga, C. (2009) Moving Viewers: American Film and the Spectator ...

Author: Kristin Lené Hole

Publisher: Taylor & Francis

ISBN: 9781317408055

Category: Social Science

Page: 492

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Comprised of 43 innovative contributions, this companion is both an overview of, and intervention into the field of cinema and gender. The essays included here address a variety of geographical contexts, from an analysis of cinema. Islam and women and television under Eastern European socialism, to female audience reception in Nigeria, to changing class and race norms in Bollywood dance sequences. A special focus is on women directors in a global context that includes films and filmmakers from Asia, Africa, Australia, Europe, North and South America. The collection also offers a solid overview of feminist contributions to thinking on genre from the "chick flick" to the action or Western film, to film noir and the slasher. Readers will find contributions on a variety of approaches to spectatorship, reception studies and fandom, as well as transnational approaches to star studies and essays addressing the relationship between feminist film theory and new media. Other topics include queer and trans* cinema, eco-cinema and the post-human. Finally, readers interested in the history of film will find essays addressing the methodological dimensions of feminist film history, essays on silent and studio era women in film, and histories of female filmmakers in a variety of non-Western contexts.

Ecocinema Theory and Practice 2

Chinese Ecocinema in the Age of Environmental Challenge. Hong Kong: Hong Kong University Press. Lu, Sheldon H. and Haomin Gong, editors. 2020. Ecology and Chinese-Language Cinema: Re-Imagining a Field. ... Eco-Trauma Cinema.

Author: Stephen Rust

Publisher: Taylor & Francis

ISBN: 9781000827040

Category: Social Science

Page: 263

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This second volume builds on the initial groundwork laid by Ecocinema Theory and Practice by examining the ways in which ecocritical cinema studies have matured and proliferated over the last decade, opening whole new areas of study and research. Featuring fourteen new essays organized into three sections around the themes of cinematic materialities, discourses, and communities, the volume explores a variety of topics within ecocinema studies from examining specific national and indigenous film contexts to discussing ecojustice, environmental production studies, film festivals, and political ecology. The breadth of the contributions exemplifies how ecocinema scholars worldwide have sought to overcome the historical legacy of binary thinking and intellectual norms and are working to champion new ecocritical, intersectional, decolonial, queer, feminist, Indigenous, vitalist, and other emergent theories and cinematic practices. The collection also demonstrates the unique ways that cinema studies scholarship is actively addressing environmental injustice and the climate crisis. This book is an invaluable resource for students and scholars of ecocritical film and media studies, production studies, cultural studies, and environmental studies.

Italian Experiences of Trauma through Film and Media

In Encounters with the Real in Contemporary Italian Literature and Cinema, edited by Loredana Di Martino and Pasquale Verdicchio, 69–95. ... “Beyond the Wasteland: An Ecocritical Reading of Modernist Trauma Literature.

Author: Alberto Baracco

Publisher: Cambridge Scholars Publishing

ISBN: 9781527580978

Category: Social Science

Page: 220

View: 142

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This volume offers new approaches to considering Italy’s traumatic experiences through a wide array of media, including film, documentaries, docufiction, websites, YouTube videos, advertisements, newspapers, and literature, that have not yet been fully analyzed. It looks at the trauma inflicted on Italians not, simply, as national or cultural traumas but, rather, as the creation/identification of subnational and transnational communities shaped by these trauma cases. The term “subnational”, or “transnational”, community is used mostly in reference to human beings, as they form those communities; however, they are also connected to a specific place, namely Italy. In addition, whereas “things” cannot become traumatized, this book also considers “living things,” such as the environment and the nature, which may create further trauma(s) for people.

Ecological Film Theory and Psychoanalysis

Murray, R.L. and Heumann, J.K. (2016) Monstrous Nature: Environment and Horror on the Big Screen. Lincoln: University of Nebraska Press. Narine, A. (2015) Introduction: Eco-Trauma Cinema, in Narine, A. (ed.) EcoTrauma Cinema.

Author: Robert Geal

Publisher: Routledge

ISBN: 9781000405798

Category: Art

Page: 288

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This book applies ecolinguistics and psychoanalysis to explore how films fictionalising environmental disasters provide spectacular warnings against the dangers of environmental apocalypse, while highlighting that even these apparently environmentally friendly films can still facilitate problematic real-world changes in how people treat the environment. Ecological Film Theory and Psychoanalysis argues that these films exploit cinema’s inherent Cartesian grammar to construct texts in which not only small groups of protagonist survivors, but also vicarious spectators, pleasurably transcend the fictionalised destruction. The ideological nature of the ‘lifeboats’ on which these survivors escape, moreover, is accompanied by additional elements that constitute contemporary Cartesian subjectivity, such as class and gender binaries, restored nuclear families, individual as opposed to social responsibilities for disasters, and so on. The book conducts extensive analyses of these processes, before considering alternative forms of filmmaking that might avoid the dangers of this existing form of storytelling. The book’s new ecosophy and film theory establishes that Cartesian subjectivity is an environmentally destructive ‘symptom’ that everyday linguistic activities like watching films reinforce. This book will be of great interest to students and scholars of film studies, literary studies (specifically ecocriticism), cultural studies, ecolinguistics, and ecosophy.

Ecoprecarity

The tendency of ecologically concerned texts to focus on disaster and trauma has resulted in an entire genre of eco-trauma films. Anil Narine has argued that 'eco-trauma cinema' employs three major forms: (1) accounts of people who are ...

Author: Pramod K. Nayar

Publisher: Routledge

ISBN: 9781000021257

Category: Literary Criticism

Page: 186

View: 301

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Ecoprecarity: Vulnerable Lives in Literature and Culture presents an examination of ecoprecarity - the precarious lives that humans lead in the process and event of ecological disaster, and the increasing precarious state of the environment itself as a result of human interventions - in contemporary literary-cultural texts. It studies the representation of 'invasion narratives' of the human body and the earth by alien life forms, the ecodystopian vision that informs much environmental thought in popular cultures, the states of ontological integrity and genetic belonging in the age of cloning, xenotransplantation and biotechnology's 'capitalisation' of life itself, and the construction of the 'wild' in these texts. It pays attention to the ecological uncanny and the monstrous that haunts ecodystopias and forms of natureculture that emerge in the bioeconomies since the late twentieth century.

Film Environment Comedy

is book augments ecocinema studies, providing a more focused reading of comic ecocinema—eco-comedy films of multiple ... in the Garden: Technology and the Pastoral Ideal in America to Anil Narine's edited volume Eco-Trauma Cinema.

Author: Robin L. Murray

Publisher: Routledge

ISBN: 9781000588620

Category: Social Science

Page: 216

View: 708

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This book explores the transformative power of comedy to help connect a wider audience to films that explore environmental concerns and issues. This book offers a space in which to explore the complex ways environmental comedies present their eco-arguments. With an organizational structure that reveals the evolution of both eco-comedy films and theoretical approaches, this book project aims to fill a gap in ecocinema scholarship. It does so by exploring three sections arranged to highlight the breadth of eco-comedy: I. Comic Genres and the Green World: Pastoral, Anti-Pastoral, and Post-Pastoral Visions; II. Laughter, Eco-Heroes, and Evolutionary Narratives of Consumption; and III. Environmental Nostalgia, Fuel, and the Carnivalesque. Examining everything from Hollywood classics, Oscar winners, and animation to independent and international films, Murray and Heumann exemplify how the use of comedy can expose and amplify environmental issues to a wider audience than more traditional ecocinema genres and can help provide a path towards positive action and change. Ideal for students and scholars of film studies, ecocriticism, and environmental studies, especially those with a particular interest in ecocinema and/or ecocritical readings of popular films.

Trauma and Disability in Mad Max

Mark Steven's insightful 2015 essay on “eco-trauma cinema” from an Australian perspective finds the narratives of the Mad Max (up to then) trilogy require “external horror to resonate with internal trauma”.

Author: Mick Broderick

Publisher: Springer Nature

ISBN: 9783030194390

Category: Performing Arts

Page: 109

View: 802

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This book explores the inter-relationship of disability and trauma in the Mad Max films (1979-2015). George Miller’s long-running series is replete with narratives and imagery of trauma, both physical and emotional, along with major and minor characters who are prominently disabled. The Mad Max movies foreground representations of the body – in devastating injury and its lasting effects – and in the broader social and historical contexts of trauma, disability, gender and myth. Over the franchise’s four-decade span significant social and cultural change has occurred globally. Many of the images of disability and trauma central to Max’s post-apocalyptic wasteland can be seen to represent these societal shifts, incorporating both decline and rejuvenation. These shifts include concerns with social, economic and political disintegration under late capitalism, projections of survival after nuclear war, and the impact of anthropogenic climate change. Drawing on screen production processes, textual analysis and reception studies this book interrogates the role of these representations of disability, trauma, gender and myth to offer an in-depth cultural analysis of the social critiques evident within the fantasies of Mad Max.

Ishimure Michiko s Writing in Ecocritical Perspective

Trauma and Recovery: The Aftermath of Violence—From Domestic Abuse to Political Terror. New York, NY: Basic, ... Kaplan, E. Ann.”Global Trauma and Public Feelings: Viewing Images of Catastrophe. ... "Introduction: Eco-Trauma Cinema.

Author: Bruce Allen

Publisher: Lexington Books

ISBN: 9780739194232

Category: Nature

Page: 215

View: 712

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This collection of ecocritical essays is focused on the work of Japan’s foremost writer on environment and culture, Ishimure Michiko. Ishimure is known for her pioneering trilogy that exposed the Minamata Disease incident and the nature of modern industrial pollution. She is also regarded by many critics as Japan’s most original and important literary writer. Ishimure has written over 50 volumes in a wide range of genres, including novels, Noh drama, poetry, children’s stories, essays, and mixed-genre writing. This collection brings together the work of scholars from Japan, the U.S., and Canada who are authorities on Ishimure’s writing. Contributors discuss Ishimure’s writing in the context of the latest issues in ecocritical theory, arguing for an expanded, more-than-Western understanding of literature, theory, and environmental responsibility. It will help to relate various environmental, cultural, and ecocritical issues, ranging from the events at Minamata to those at Fukushima, and consider how they point to future developments.