Aspects of Authorship

ASPECTS OF AUTHORSHIP . I. Authorship in the act . FEY EW that are
interested at all in the products of authorship can fail to be more or less interested
in observing authorship in the act , the author at work . One likes to know that
Virgil's ...

Author: Francis Jacox

Publisher:

ISBN: IBNF:CF000267975

Category: Authors

Page: 494

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The Literary Life

About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work.

Author: Francis Jacox

Publisher: Forgotten Books

ISBN: 0364267739

Category: Literary Collections

Page: 508

View: 827

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Excerpt from The Literary Life: Or, Aspects of Authorship That his books, such as they are, find a sale, such as it is, he freely owns to be to him at once a surprise and a solace. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Aspects of Authorship

This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended.

Author: Francis Jacox

Publisher:

ISBN: 0461144050

Category: History

Page: 518

View: 126

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This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!

Authorship Roles in Popular Music

In my obsession with some of the more esoteric manifestations of authorship (accreditation, age, etymology), I am very aware of the more obvious elements ...

Author: Ron Moy

Publisher: Routledge

ISBN: 9781317672739

Category: Music

Page: 154

View: 817

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Authorship Roles in Popular Music applies the critical concept of auteur theory to popular music via different aspects of production and creativity. Through critical analysis of the music itself, this book contextualizes key concepts of authorship relating to gender, race, technology, originality, uniqueness, and genius and raises important questions about the cultural constructions of authenticity, value, class, nationality, and genre. Using a range of case studies as examples, it visits areas as diverse as studio production, composition, DJing, collaboration, performance and audience. This book is an essential introduction to the critical issues and debates surrounding authorship in popular music. It is an ideal resource for students, researchers, and scholars in popular musicology and cultural studies.

Constructions of Media Authorship

Here, authorship is not only split between mental and physical authorship. ... The aspect of control emerges in many legal conflicts pertaining to art ...

Author: Christiane Heibach

Publisher: Walter de Gruyter GmbH & Co KG

ISBN: 9783110679694

Category: Literary Criticism

Page: 274

View: 838

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The author is dead, long live the author! This paradox has shaped discussions on authorship since at least the 1960s, when the dominant notion of the individual author-genius was first critically questioned. The ongoing discussion has mainly focused on literature and the arts, but has ignored nearly any artistic practice beyond these two fields. “Constructions of Media Authorship” aims to fill this gap: the volume’s interdisciplinary contributions reflect historical and current artistic practices within various media and attempt to grasp them from different perspectives. The first part sheds a new light on different artistic and design practices and questions the still dominant view on the individual identifiable author. The second part discusses creative practices in literature, emphasizing the interrelation of aesthetic discourses and media practices. The third part investigates authoring in audiovisual media, especially film and TV, while the final part turns to electronic and digital media and their collective creativity and hybrid mediality. The volume is also an attempt to develop new methodological approaches, focusing on the interplay between various human and non-human actors in different media constellations.

Reclaiming Authorship

As Melissa Homestead has recently shown, nineteenthcentury debates about international copyright presented one of the key aspects of authorship as a ...

Author: Susan S. Williams

Publisher: University of Pennsylvania Press

ISBN: 9780812203899

Category: Language Arts & Disciplines

Page: 264

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There was, in the nineteenth century, a distinction made between "writers" and "authors," Susan S. Williams notes, the former defined as those who composed primarily from mere experience or observation rather than from the unique genius or imagination of the latter. If women were more often cast as writers than authors by the literary establishment, there also emerged in magazines, advice books, fictional accounts, and letters a specific model of female authorship, one that valorized "natural" feminine traits such as observation and emphasis on detail, while also representing the distance between amateur writing and professional authorship. Attending to biographical and cultural contexts and offering fresh readings of literary works, Reclaiming Authorship focuses on the complex ways writers such as Maria S. Cummins, Louisa May Alcott, Elizabeth Keckley, Mary Abigail Dodge, Elizabeth Stuart Phelps, and Constance Fenimore Woolson put this model of female authorship into practice. Williams shows how it sometimes intersected with prevailing notions of male authorship and sometimes diverged from them, and how it is often precisely those moments of divergence when authorship was reclaimed by women. The current trend to examine "women writers" rather than "authors" marks a full rotation of the circle, and "writers" can indeed be the more capacious term, embracing producers of everything from letters and diaries to published books. Yet certain nineteenth-century women made particular efforts to claim the title "author," Williams demonstrates, and we miss something of significance by ignoring their efforts.

Constructing Authorship in the Work of G nter Grass

authorship, Schütz and Gelnhausen, mediate their message through powerful ... detachment representatives of the various different aspects of authorship with ...

Author: Rebecca Braun

Publisher: Oxford University Press

ISBN: 9780199542703

Category: History

Page: 197

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A challenging new reading of Grass's literary work and political writings that examines how the author has reacted to sustained public interest in his person from the mid-1960s onwards. Braun draws together an eclectic body of literary writing and suggests that questions of authorship lie at the heart of Grass's work.

The Literary Life Or Aspects of Authorship

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

Author: Francis Jacox

Publisher: Palala Press

ISBN: 1355253985

Category:

Page: 508

View: 725

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Copyright and Collective Authorship

Infopaq and subsequent cases indirectly harmonise aspects of authorship by harmonising the standard for protection (originality) and the scope of protection ...

Author: Daniela Simone

Publisher: Cambridge University Press

ISBN: 9781107199958

Category: Law

Page: 326

View: 302

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Addresses the difficult question of how to determine the authorship, and ownership, of copyright in highly collaborative works.

Women and Authorship in Revolutionary America

While CoultrapMcQuin admits that typically “male” characteristics increasingly became an important aspect of authorship toward the end of the nineteenth ...

Author: Angela Vietto

Publisher: Routledge

ISBN: 9781351872416

Category: Literary Criticism

Page: 158

View: 860

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Exploring the wealth of writings by early American women in a broad spectrum of genres, Women and Authorship in Revolutionary America presents one of the few synthetic approaches to early US women’s writing. Through an examination of the strategic choices writers made as they constructed their authorial identities at a moment when ideals of both Author and Woman were in flux, Angela Vietto argues that the relationship between gender and authorship was dynamic: women writers drew on available conceptions of womanhood to legitimize their activities as writers, and, often simultaneously, drew on various conceptions of authorship to authorize discursive constructions of gender. Focusing on the half-century surrounding the Revolution, this study ranges widely over both well-known and more obscure writers, including Mercy Otis Warren, Judith Sargent Murray, Sarah Wentworth Morton, Hannah Griffitts, Annis Boudinot Stockton, Elizabeth Graeme Fergusson, Deborah Gannett, and Sarah Pogson Smith. The resulting analysis complicates and challenges a number of critical commonplaces, presenting instead a narrative of American literary history that presents the novel as women’s entrée into authorship; dichotomized views of civic and commercial authorship and of manuscript and print cultures; and a persistent sense that women of letters constantly struggled against a literary world that begrudged them entrance based on their gender.

Scalability Issues in Authorship Attribution

We zoom in on two aspects in the set-up of a text categorization based experiment in authorship attribution that we consider crucial when working with ...

Author: Kim Luyckx

Publisher: ASP / VUBPRESS / UPA

ISBN: 9789054878230

Category: Computers

Page: 196

View: 703

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This book is about authorship attribution, the task that aims to identify the author of a text, given a model of authorial style based on texts of known authorship. Computational authorship attribution does not rely on in-depth reading, but rather automates the process. This book investigates the behavior of a text categorization approach to the task when confronted with scalability issues. By addressing the issues of experimental design, data size, and author set size, the dissertation demonstrates whether the approach taken is valid in experiments with limited or sufficient data, and with small or large sets of authors. "Scalability issues in authorship attribution" provides the first in-depth and systematic study of the so-called scalability issues in authorship attribution. Above all, the book stresses the importance of methodology: even the smallest of decisions can significantly influence the outcome and reliability of an experiment.